Written by John Edward Betancourt ![]() There was a time, where holiday themed horror films were rare and looked down upon. Sure, there were outliers that explored terrors untold on say, Valentine’s Day and even Christmas. But for the most part, there was a real sense of disrespect that accompanied putting together horror features revolving around a particular holiday. As though the collective understanding was that audiences did not want to see people die during a celebration of something special, and so… many a filmmaker stayed away. But as the years rolled along, it became inherently clear that there was a grand demand for horror movies that explored the various holidays that make up any given year. Just because, holidays, especially THE holiday season, can be quite stressful in nature. And being able to settle in and see a scary story play out revolving around the worst parts of the season can be cathartic in nature. Which in turn, began to bring forth more and more holiday horror features. The kind that were low budget in nature in the beginning, but quickly evolved into something more polished and powerful as the demand grew and grew. In fact, after many years of waiting, one has finally come to bear that offers catharsis regarding one particular holiday that stresses everyone out. One borne from the archives of Grindhouse and the imagination of Eli Roth, and that makes Thanksgiving, a dementedly delectable delight. For this is a story that sends us into the heart of Plymouth, Massachusetts on Thanksgiving Day, so we can be privy to an outright disaster. For on this particular Turkey Day, the ‘value’ of a Black Friday/Thanksgiving shopping deal at the town’s biggest store, has whipped the town into a frenzy, and one unfortunate decision from the store owner’s daughter, Jessica, leads to a Black Friday Massacre. Wherein greed leads to lost lives and of course… zero accountability since no one rich ever faces that, leaving Jessica’s dad high and dry. But one year after the events of that horrific Thanksgiving, something sinister has found its way into the town of Plymouth. A bloodthirsty stranger who identifies only as John Carver, and he wants nothing more than justice for those who lost their lives on that unfortunate night. And he will stop at nothing to carve up every last one of the guilty, and now it is up to Jessica and her friends to uncover the true identity of this monster and stop him, before he makes their guts the next centerpiece at his dinner table. ![]() Which is… a perfect plot, through and through. One that we did not know the original trailer/concept from Grindhouse was capable of supporting since it leaned so heavy into the gore and guts. But hey, that was a sizzle reel in the end, and giving this time and giving this care, brought to life one epic plot that truly is as smart as they come. After all, there’s a lot to hate about Black Friday, and Thanksgiving in and of itself, is an extremely stressful time. Which can be filled with anxiety and dread over the dinner that awaits and the people we sometimes have to deal with. So, those elements and that plot perfectly encapsulates those feelings, and gives rise to real catharsis Since we get to work out our disdain for the holiday and Black Friday through the awful events that play out here, which are by the way… top notch moments of horror. For John Carver is ruthless, and genuinely eager to hurt others. Which means we are treated to some incredible kills. The kind that are creative and inventive and at times, downright terrifying. Because Mister Roth clearly wanted to do more than just offer up a well-polished slasher, he wanted to offer the complete package. A movie that satisfied the gore hounds of the genre, the folks that want to be utterly terrified and horrified, and those who want intense and splattery kills, and it really is mission accomplished regarding that. Since you’ll find all of those elements here and you’ll be satisfied with the intensity of the scares and of course… the finale of the film is nothing short of brilliant. Since the killer’s true identity is quite the shocker and everything that leads up to the reveal of their identity in the third act is pure gory and uncomfortable madness. Plus, it doesn’t hurt that this motion picture features an amazing cast. For Patrick Dempsey, yes… Patrick Freakin’ Dempsey… shines as Sheriff Eric Newton and adds a realistic gravitas to this film that helps to suck us into this world. Plus, you can never go wrong with a dash of Gina Gershon, and the fear that comes forth from teenagers being chased by a masked killer, is sold by some phenomenal performances as well. With Nell Verlaque leading the charge as Jessica, and well, in the end, all of these elements make for an amazing horror film. One that was worth the wait and one that absolutely satisfies. Because this one really has it all, and it absolutely engages you and keeps you hooting and hollering as you wait to see who is behind the mask, and learn why exactly they are so eager, to carve up the flawed but decent citizens of Plymouth, Massachusetts.
0 Comments
Written by John Edward Betancourt![]()
Caution: This article contains spoilers for Episode 207 of ‘SurrealEstate’. To revisit the previous episode, clickhere.
Over the course of the past few weeks, we’ve talked at length about how season two of the SYFY series, SurrealEstate, has been revolutionary in nature and rightfully so. Because every episode this season has been filled to the brim with either powerful commentary on the human condition, or it’s offered up experimental and trope-busting storytelling regarding the ghost subgenre of horror. Since we’ve been treated to spirits that are unlike any other in the subgenre and well… it would seem that as we inch closer and closer to the season two finale of the show… the series is going to go all out in providing us with non-traditional ghost stories that ask fascinating questions about the purpose and meaning of hauntings in this type of story, as evidenced by this week’s tale. Well, that is… after ‘Gods & Monsters’ offered up a little misdirection of course. Because it initially opened up with an introduction to a man named Morris, who had a tough life, thanks to some prison time and some other painful moments in life, and Morris… had returned home to sell his family home. A place that deeply scared him. For in this house was a spirit that tormented him as a boy, one that was waiting for him after all these years. So of course, he needed the Roman Agency to help him exorcise that spirit. However, while August and Luke were able to confirm its existence and that it did indeed have an attachment, they could not confirm that it was evil and eager to cause harm. Which prompted Luke and Morris to have a more intimate chat about his life and this spirit. Wherein Luke learned that the nasty words from this spirit, more or less scarred a young boy that was already hurting from other family events and that there was a good chance that additional ethereal abuse pushed Morris down a dark path. Which prompted Luke to ask Morris, point blank, if perhaps he needed to worry less about kicking the monster out, and more about confronting his choices and confronting the evil. An approach that Morris hadn’t considered yet, and he outright followed it because it was far better advice than hiding away, and well… for his efforts… he came to learn that the spirit wanted nothing more than to see Morris be strong and not give into fear, and it scared him in an effort to strengthen him. Which brought about peace and understanding between them, and a purpose for the monster that is rare in this type of story. But more on that in a moment because we also need to recap the other fascinating journey this story provided us with. Since Luke did ask Lomax to join the firm for a minute while he figured out who the next agent would be, and she was tasked with helping a squatter remove herself from a development project and while there… she came to learn the squatter, was some kind of immortal god. One that was lonely, hurting, and downright scared and rather than chastise her and belittle her, Lomax used kindness to just… make her feel normal, wanted, and not as some kind of monster. Giving rise to a vastly different kind of interaction between man and deity and that just put an exclamation point on what this amazing episode wanted to accomplish really. In that, it clearly just wanted to explore if spirits can be helpful or not or if the unusual can be reasoned with and be humanized and this episode made it clear… yes, that can be the case. Granted, the kindness/helpful aspect went poorly here… but it was coming from a being that was once human and we are indeed flawed. And in the end, it was just amazing to see these different kinds of spirits and creatures on display and see them be more than just misunderstood and hurt entities that need to take part in revenge. Giving rise to a fascinating episode, one that also set the stage for more trouble with Susan’s house. Since everyone is starting to wonder if it’s a safe space, or a terrifying place, and it will be interesting to see what other surprises await us as the Roman Agency inches toward a fated final showdown to save Susan. Until next time. Watch ‘SurrealEstate’
Written by John Edward Betancourt
Episode 408: ‘No One’s Gone’
|
Archives
April 2025
|