Written by John Edward Betancourt
One particular food item that is picked up often in grocery stores, primarily for kids, is the movie tie-in product. Simply because there is something downright fun when you’re young, about enjoying a cereal or a drink from a movie franchise that you love. For it just ties us to that story. But sadly, there comes a day where we no longer partake of these magical tie-ins, because we grow up. But that is starting to change. For there are adults that are eager to continue that experience by giving rise to products that can tie grown-ups to the stories they love and for proof… well then look no further than today’s announcement.
For earlier today, TBS let it be known they have teamed up with Green Day’s Punk Bunny Coffee, to give rise to a Limited-Edition American Dad themed coffee entitled, ‘Good Morning U.S.A.’ Which will indeed allow for everyone to start their day with the same pep as Sam Smith, and help to tie us to a show that so many of us love and enjoy, and well, to properly celebrate this news, here are all the details on this delicious brew, and a promo for it as well, as we prepare to fill our cups with a brew that will guarantee it is going to be a wonderful day. ‘TBS’ “American Dad!” and Green Day’s coffee brand Punk Bunny Coffee have brewed up a perfectly blended partnership sure to perk up fans of the iconic animated-comedy series and the five-time GRAMMY® Award-winning global rock superstars. Fans and coffee lovers can kick-start their day with the limited-edition “Good Morning U.S.A.” blend which is now available for purchase exclusively at Punkbunnycoffee.com. “This collab with Punk Bunny is a total blast! We're stoked to celebrate 'American Dad!' with a roast that's as wild and irreverent as the show itself,” said series creator and executive producer Matt Weitzman and executive producer Brian Boyle. “Green Day's been rocking out almost as long as we've been trying to wake up in the morning. And twice as long as we’ve been waking up in the morning and trying to write jokes for ‘American Dad!’ So this collab coffee, or colloffee as we've been saying around the office, feels long overdue!” “Punk Bunny Coffee and ‘American Dad!’ Game on, Roger!” said Green Day’s Mike Dirnt. Featuring a full-body with notes of citrus peel and chocolate milk, the limited edition brew bears the same name as the “American Dad!” theme song and celebrates the mutual fandom shared between the animated series and Green Day whose music has been featured in a previous episode of “American Dad!”. New “American Dad!” episodes air Mondays at 10PM ET/PT on TBS. The animated comedy from 20th Television Animation was created by Seth MacFarlane, Mike Barker and Matt Weitzman, and is executive produced by co-showrunner Brian Boyle along with MacFarlane and Weitzman. About TBS’ “American Dad!” “American Dad!” centers on super patriotic CIA agent Stan Smith (voiced by Seth MacFarlane) and the misadventures of his unconventional family in Langley Falls, VA. Stan applies the same drastic measures used in his job at the CIA to his home life, where Stan’s blissfully unaware wife, Francine (Wendy Schaal), has an unfaltering loyalty that makes her blind to his unabashed arrogance. His left-wing activist daughter Hayley (Rachael MacFarlane), however, doesn’t let him off so easily and knows just how to push her father’s buttons, unlike her dopey, well-intentioned husband Jeff (Jeff Fischer) who doesn’t know much of anything. Son Steve (Scott Grimes) is a geeky-yet-confident kid who spends his time playing video games and obsessing about the opposite sex. The Smith cabinet is rounded out by two rather unconventional members: Roger (MacFarlane), a sassy, sarcastic and routinely inappropriate space alien, and Klaus (Dee Bradley Baker), an attention-starved goldfish with the brain of a German Olympic skier. About Punk Bunny Coffee Punk Bunny Coffee, formerly Oakland Coffee Works, was founded in 2023 by Green Day’s Billie Joe Armstrong, Mike Dirnt, and Tré Cool. The brand builds on the core values of the Oakland Coffee brand, which was established a decade ago, to provide carefully curated organic, Fair Trade Certified coffee with an emphasis on sustainability and community. Punk Bunny Coffee have also partnered with Keurig Dr Pepper (KDP) as part of both brands’ shared commitment to sustainability. Green Day and Punk Bunny’s Fueled by Love Initiative will take a portion of profits from every bag or pod of Punk Bunny Coffee sold and distribute it equally to this year’s charity partners: One Tree Planted, Oceana, Keep Memory Alive, Eat. Learn. Play, and the Ron Finley Project. Adam Devine, Rachael Ray, and other high-profile friends are investors. Consumer packaging goods expert Paul Smucker Wagstaff also serves as an investor, advisor, and board member. About Green Day Formed in 1986 in Berkeley, CA, Green Day is one of the world’s best-selling bands of all time, with more than 75 million records sold worldwide and 10 billion cumulative audio/visual streams. The five-time Grammy Award-winning Rock and Roll Hall of Fame inductees released their breakout album Dookie in 1994, which sold over 10 million and achieved 10x Platinum Diamond status, is widely credited with popularizing and reviving mainstream interest in punk rock, catapulting a career-long run of #1 hit singles. Entertainment Weekly calls Green Day, “The most influential band of their generation,” while Rolling Stone attests, “Green Day have inspired more young bands to start than any act this side of Kiss, and that doesn't seem to be changing.” In 2004, Green Day released the rock opera American Idiot which captured the nation’s attention, selling more than 8 million copies in the U.S. alone and taking home the Grammy Award for Best Rock Album. Mojo declared “It's exhilarating stuff, the kind of record that sets new parameters as to what is possible from a punk rock'n'roll band in the 21st century.” In 2010, a stage adaptation of American Idiot debuted on Broadway to critical and commercial acclaim. Released in 2020, Green Day’s thirteenth studio album Father Of All... debuted at #1 on Billboard’s Album Sales Chart and #1 in both the U.K. and Australia. Pitchfork declared, “Green Day’s most fetching and youthful songs in ages. The trio sounds reinvigorated, more like hungry newcomers staking their claim.” In July 2021, Green Day embarked on The Hella Mega Tour (w/ Fall Out Boy & Weezer). The global tour included 29 sold-out stadium gigs – including renowned venues like London Stadium and Los Angeles’ Dodger Stadium. On January 19, ‘24, the band released their highly anticipated 14th studio album, Saviors, which includes hit singles, “The American Dream Is Killing Me,” which reached #1 on Billboard Rock & Alternative Airplay, and “Dilemma.” The album debuted at #1 on seven different Billboard charts and marked their fifth #1 in the UK. Saviors received widespread critical praise, with Rolling Stone describing it as “huge songs and snotty satire for a world on fire,” while The New York Times hailed it as “a decisive, even overdetermined return to form.” The New Yorker summed it up best with “It’s Green Day’s world now.” This summer, Green Day embarked on a sold-out global stadium tour – The Saviors Tour – where they played Dookie and American Idiot in their entirety, along with other Saviors cuts and fan favorites. The Saviors Tour came to a triumphant close in San Diego, CA and serves as Green Day’s biggest tour of their illustrious 30+ year career.’
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Monitor Your Online Gambling HabitsI nstead of putting all your eggs in one basket with one big spin of the reels, we recommend taking things at a slower pace and making a number of smaller bets. That way, you’ll prolong the online gaming experience and have more fun overall. Use Responsible Gambling Tools When Gambling Online You might feel like you’re totally in control of things while gambling online, but it’s never a bad idea to use deposit limits and time check-ins to keep it that way. And if things ever do feel like they’re getting out of control, consider entering into a cool-off period from online casino gaming. So, What Are the Best Online Gambling Sites for Real Money? When you’re playing online casino games or placing sports bets, there’s no need to settle for anything but the best online gambling sites. They’re packed with exciting games and/or competitive odds, are super safe, and offer intriguing bonuses to new players. The site that does all of those things the best and more is Slots of Vegas, and that’s why we’ve named it as the king of online casinos. Of course, there’s a lot more quality to be enjoyed throughout our top picks, so take the time to check a few of them out and grab some welcome bonuses in the process. Most importantly, have fun and gamble responsibly. DISCLAIMER: 21+ only. The information on this site is for entertainment purposes only. Online gambling comes with many risks. Players are advised to gamble responsibly and only use funds they can afford to lose. Remember, gambling is only intended for entertainment purposes and is not a solution to any financial difficulties. Gambling laws and policies vary from one region to another. Some sites mentioned in this guide may not be accessible in your area. Always do your due diligence and check your local laws. If you suspect you’re becoming addicted to gambling, seek help immediately by contacting the National Gambling Helpline at 1-800-522-4700. The following resources may be helpful as well: ● https://www.gamblersanonymous.org/ ● https://www.ncpgambling.org/ ● https://www.gamblingtherapy.org/ Written by John Edward Betancourt It was not that long ago that we here at NTG had the distinct honor of sitting down with Cesar Milan to discuss his illustrious career and what drives him. But during that discussion, we also talked a bit about his new technological initiative, the Halo Collar. Which just so happens to be a revolutionary dog collar. One that offers unprecedented freedom and safety all at once. Since it uses GPS tracking to keep an eye on your pup when you’re out and about and it also… gives the owner incredible control over how far a dog can explore the area it is sniffing about in. For the Halo Collar happens to work with your smart device to set invisible boundaries for your dog. So, if you want them to explore but want to keep them in visual range, you can make that happen and if your dog nears one of those boundaries, no harm will come to it. It will be gently reminded to head back toward you. Which is an incredible product to say the least, one that offers no physical pain but allows dogs to enjoy the world and well, it just so happens that you could get your hands on one later this month. Simply because Halo Collar is offering up a chance to win one. For their ‘Wanna Go Out’ Contest is underway and well, here is how you enter, per Halo Collar: ‘From now to November 15, participants can create a video showcasing their dog's enthusiasm for outdoor adventures and post it on Instagram or TikTok. To enter, they simply follow @halocollar on Instagram, tag them in their post, and use the hashtag #HaloCollar. This contest is open to participants 18 and over residing in the US or Canada. Winners will be announced on November 25, 2024, with three lucky recipients each receiving a brand new Halo Collar 4, a three-month Gold Pack Membership, and a $1,000 cash prize!’ So, if you’re looking for a way to give your dog more freedom in a painless way, at the very least, check out Halo Collar’s website to learn more and enter the contest for your chance to bring one home. Written by John Edward Betancourt It’s been a big week for the Apple Vision Pro. For studio after studio are taking the time to announce some incredible immersive environments for this headset, the kind that are going to help people learn and of course, stay entertained, and in the case of todays’ announcement from Paramount+, outright celebrate an animated legend. For this year does mark the 25th Anniversary of SpongeBob SquarePants, one of the biggest animated shows to ever hit the airwaves and that is why earlier today, Paramount+ in association with Nickelodeon, announced that an immersive ‘Bikini Bottom’ experience is coming to the Apple Vision Pro. Wherein users of the Paramount+ app on the device, can transport themselves to Bikini Bottom and enjoy a direct view of that iconic pineapple-under-the-sea, and so much more. Plus, they can interact with three dimensional houses and characters from this amazing show, play a mini ‘Jellyfishing’ game and of course, watch all of the best content on Paramount+ with SpongeBob and friends. All of which is designed to pay proper tribute to 25 amazing years of this incredible franchise, and of course, the fact that there are new features and content on the service only add to that. Such as new profile avatars, a refreshed SpongeBob Universe collection, a takeover on the app’s loading page and so much more. But of course, at this point, you’re likely curious as to how to get in on the fun, and we are more than happy to help with that. So, without further ado, here are some instructions on how to access this immersive experience, courtesy of Paramount+, so you can properly celebrate the 25th Anniversary of this iconic franchise. Dive into Bikini Bottom with the Paramount+ app built for Apple Vision Pro:
Note: Apple Vision Pro is designed to fit and be used by individuals 13 years of age and older, and should not be used by children under the age of 13. Navigating the Bikini Bottom environment:
Written by John Edward Betancourt It is definitely safe to say that Virtual and Augmented Reality are at an interesting crossroads. Because some folks simply have no idea what the value of such environments are to the common man, and some just see it as an outright gimmick to make money. But the fact of the matter is, such environments do indeed have incredible value beyond entertainment. For if done properly, they can help people to learn about our world like never before and for proof… look no further than today’s announcement from Disney+ and National Geographic. For earlier, Disney+ let it be known that it has launched a new immersive environment from National Geographic for Disney+ subscribers that have an Apple Vision Pro. A move that will indeed allow for people to log in and see a part of the world they know little of and explore the planet from the safety of their home, and that’s quite amazing, and a fine reminder of what this technology can accomplish. But of course, it does have entertainment value, and Disney made sure to take care of that by adding four new Marvel titles into the 3D mix offered by this system as well, and to help you experience this immersive experience and watch Avengers in 3D, here are all the details regarding this wondrous news. ‘Beginning today, Disney+ subscribers will be able to access a new immersive environment from National Geographic with the Disney+ app on Apple Vision Pro, which will transport users to the breathtaking natural beauty of Iceland’s Thingvellir National Park. The new Disney+ environment marks National Geographic’s first-ever immersive project for Apple Vision Pro. Disney+ is also making four additional 3D films from Marvel Studios available to subscribers today: “Avengers,” “Avengers: Age of Ultron,” “Ant-Man”* and “Ant-Man and the Wasp.” The new National Geographic environment will transport Disney+ subscribers on Apple Vision Pro to the unique rocky terrain of Thingvellir National Park on a snowy winter day, allowing them to explore their surroundings via interactive elements and sounds that make the space come to life. This UNESCO world heritage site, captured by a team of National Geographic photographers, serves as the backdrop for viewers watching Disney+ content beneath a spectacular nighttime aurora. “Since its inception, National Geographic has been at the forefront of photography and has led the way in using groundbreaking technology to tell stories that inspire a deeper connection to the natural world,” said David Miller, EVP, National Geographic. “Creating this immersive environment was a natural next step for us to take to build on that legacy and to continue enabling audiences to experience the beauty of our natural world and see places they may never go to otherwise.” National Geographic worked with Disney Studio Technology to lead the creative development and production of the immersive environment from high-resolution 3D models captured on-site using photogrammetry and gigapixel panoramas. The teams worked in collaboration with Disney Entertainment and ESPN Technology to bring this new experience to Disney+. The foremost leader in visual storytelling, National Geographic has a rich legacy of being at the forefront of innovation, from being the first to capture a color photograph underwater to being an early adopter of Instagram and the most-followed brand on the platform with 282 million followers. For decades, National Geographic has led the way for audiences worldwide, taking them to the farthest corners of the world. For more information on Disney+ on Apple Vision Pro, visit disneyplus.com/applevisionpro. *Available exclusively to Disney+ subscribers About Disney+ Disney+ is the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, and National Geographic, along with The Simpsons and much more. In select international markets, it also includes the general entertainment content brand, Star, and in the U.S., Disney Bundle subscribers can also access extensive Hulu content, including next-day TV and Hulu Original titles, on Disney+. The flagship direct-to-consumer streaming service from The Walt Disney Company, Disney+ offers an ever-growing collection of exclusive originals, including feature-length films, documentaries, live-action and animated series, and short-form content. With unprecedented access to Disney’s long history of incredible film and television entertainment, Disney+ is also the exclusive streaming home for the newest releases from The Walt Disney Studios. Disney+ is available as a standalone streaming service, as part of the Disney Bundle in the U.S. that gives subscribers access to Disney+, Hulu, and ESPN+, or as part of Combo+ in Latin America with Star+, the standalone general entertainment and sports streaming service in the region. For more, visit disneyplus.com, or find the Disney+ app on most mobile and connected TV devices. About National Geographic Content Award-winning and critically acclaimed National Geographic Content, part of a joint venture between The Walt Disney Company and the National Geographic Society, creates and delivers riveting stories and experiences in natural history, science, adventure and exploration. The brand is the largest on social media with over three-quarters of a billion followers across all major platforms that generate over one billion impressions each month. Inspiring a deeper connection to the world, National Geographic Content reaches 300 million people worldwide in 180 countries and 33 languages as a digital, social and print publisher and across the global National Geographic channels (National Geographic Channel, Nat Geo WILD, Nat Geo MUNDO), National Geographic Documentary Films, and direct-to-consumer platforms Disney+ and Hulu. Its diverse content includes Emmy® Award-winning franchise Genius, series Life Below Zero and Secrets of the Whales, and Oscar®- and BAFTA award-winning film Free Solo. For more information, visit natgeotv.com or nationalgeographic.com, or follow Nat Geo on Facebook, X, Instagram, YouTube and LinkedIn.’ Written by Juanita ‘Obi-Juan’ Bonner
Ah, the 1980s. A time when a small group of young actors dubbed, ‘The Brat Pack’, entered the zeitgeist and somehow, for better or worse, became the face of the Hollywood teen movie explosion. We loved them! Wanted to hang with them! Wanted to be them! They were buds on and off the set. Or so we thought. It wasn’t until viewing the latest documentary Brats (Hulu; 2024), that I realized the perception of the Brat Pack was very different from what actually happened. Let’s discuss, shall we?
As a product of the 1980s, the era had a profound effect on my life. Everyone I knew embraced the decade in one form or another. Blasts of music, culture, style, and hair (LOL!!), were everywhere. Who among us didn’t have parachute pants? Multiple things stone washed. Bright colors. Michael Jackson attire. Or, thanks to Prince and Madonna, something with lace… lol. *ABSOLUTELY!!* To boot, an entire generation was molded and defined by MTV which debuted on August 1st, 1981 and changed music and TV forever. Plus, more than any other generation before, the 1980s were also defined by the rise of teen films that went out of their way to tell the story from a youth perspective. Suddenly, not only were music and videos speaking for us, but Hollywood as well. *IT WAS AWESOME!!* To name a few. Films like Risky Business (Warner Bros.; 1983), Footloose (Paramount Pictures; 1984) and Heathers (New World Pictures; 1989) spoke to our darker, more rebellious sides. While Weird Science (Universal Pictures; 1985) and Back to the Future (Universal Pictures; 1985) gave us our very own sci-fi comedies. Even horror gave us such teen classics as A Nightmare on Elm Street (New Line Cinema; 1984) and The Lost Boys (Warner Bros.; 1987). Not to mention Sixteen Candles (Universal Pictures; 1984), Pretty in Pink (Paramount Pictures; 1986), and Say Anything… (20th Century Fox; 1989) brought all the romance. Finally, defining ensemble films such as The Outsiders (Warner Bros.; 1983), St. Elmo’s Fire (Columbia Pictures; 1985), and of course, the quintessential 80s teen flick, The Breakfast Club (Universal Pictures; 1985), spoke to our very souls and helped change how we see each other. As far as the Pack itself. Who’s in always depended on who you talked to. Even Andrew McCarthy, an OG member, who directs this wonderful documentary, notes that the group seems to be somewhat fluid. Though, the core in apathetical order consists of Emilio Estevez, Anthony Michael Hall, Rob Lowe, McCarthy as noted, Demi Moore, Judd Nelson, Molly Ringwald and Ally Sheedy. Quite frankly, it’s hard to imagine my youth without these actors. *DAMN RIGHT* I was dying to see this documentary!! Brats premiered at the 2024 Tribeca Film Festival before landing on Hulu. It follows McCarthy on a journey to meet up with some of his fellow actors, cultural critics and even the writer who spawned the phrase, ‘The Brat Pack.’ The film is enlightening and surprisingly intimate. McCarthy talks to the viewer as he travels from interview to interview. In between we see images and video clips that take us back to all the fame, attention and spotlights. Yet, as we smile down memory lane, a gloomier side is revealed. What it was truly like from the actors’ perspective to be labeled the Brat Pack. It was horrible!! *WOW!!* I had no idea the amount of negativity the term garnered for the up and coming bunch. To be at the top of your game then suddenly be dismissed and not taken seriously – in Hollywood that is – must’ve been terrifying. A bunch of 20-somethings on the rise became immature brats overnight. As a result, the majority of them had not spoken in 30+ years. I mean… I can’t be the only one that just assumed these actors remained friends. It was shocking to learn the opposite had occurred. I was just a kid at the time and I vaguely remember some of the stars lashing out against the phrase. It was heartbreaking to learn that out of fear for their own careers, as soon as the Pack was coined, they simultaneously were no more. *SIGH* Dubbed ‘The Brat Pack’ by David Blum in an article for New York Magazine, the term quickly took off. While embraced by fans the world over, the documentary shows us that the brand didn’t sit well with its stars. Back in the day, I didn’t read this article. I mean… what poor kid in the 80’s bought, let alone read, a grown up thing like New York Magazine... LOL! There was no internet, hashtags, or Google searches. Cell phones were not a thing. In fact, the article has a section where Estevez searches for a phone to call a theatre. Yes… seriously! *LOL!* The term social media didn’t even really exist!! A simpler time as they say… LOL!! I read the article AFTER the documentary and I gotta say… I DIDN’T like it. Would I have liked it when it first came out? Well, it’s difficult to tell. I was young too. Though, hearing what the actors went through after Blum coined the phrase made me very sad. In a way that I had not intended. In short, it belittled them. It put them in a box, downplayed their actual talent, and made them out to be selfish, egotistical, immature… brats! As the documentary goes on to reveal. No one wanted this and the Pack scattered. It’s upsetting to know that a term I held so affectionately for all these years was actually detrimental to those carrying the mantle. Blum, without a second thought, labeled them and moved on. It was a job to him. Recognition for following the hottest stars of the day. In his defense, he was trying to be clever. Tying the name to the world famous Rat Pack. Personally, I believe it’s why the term was so beloved by fans. We saw it as a cool badge of honor for our generation. However, the whole article feels like Blum’s intent was to mock these young stars. In fact, since Blum was in his late 20’s, it actually feels a bit like jealousy. Or maybe I’m just being dramatic and over protective. Yeah… I’m sure that’s it! *EYEROLL* Despite the fact that all of these actors were insanely talented people. *HECK YEAH!!* Blum inserted the idea that these young Hollywood kids were nothing but spoiled brats who paid no dues to get where they were like the generation before them. And he wasn’t subtle at all. In fact, Estevez notes that he felt betrayed by the article. Every card carrying member felt similar. Like the rug was pulled out from underneath them. The kicker all these years later? Blum is interviewed by McCarthy in Brats and states he has no regrets. It’s McCarthy that actually gives him a pass by accepting that he was just doing his job. Yet, only following the men of the Pack, Blum was critical of just about everything, particularly Judd Nelson! I found his article arrogant and to be honest, his in person interview was the same. Blum, capitalizing on the success of Brats (*OF COURSE!*), wrote a follow-up article for Vulture. Which, quite frankly, reads the same as the first. Conceited and indifferent. He was, after all, just trying to make a name for himself, right?? Yet, I wonder… if while making that name, he were outed TO THE WORLD, as a no talent hack riding the coat tails of all the famous writers before him, would he feel the same?? *DUH!!* He goes on to play up the vitriol he received from the Brat Pack post article as unnecessary. Interesting take for someone who nonchalantly criticized an entire group after following them for only a short time. No deep questions about them, their careers, who they are or want to become… nothing! Blum further criticizes the Brats documentary for not mentioning all the successes the Pack has had over the years. What he fails to realize is the impact was far deeper than career success. It CLEARLY caused doubt, fear, panic and anxiety that lasted decades. Sheesh!! It’s called empathy, bruh! Again, I’m sure I’m just being over protective… *RAISED EYEBROW* Giving me all kinds of emotions, Brats is littered with nostalgia. Images, interview clips and more. And even with my frustration towards David Blum, I couldn’t help but be melted into a puddle by Andrew McCarthy’s humor, wit and overall explanation of coming to terms with being labeled a Brat. He explains that it took decades. That seeing the look on fans’ faces as they re-live their youth through him eventually softened his stance. He now accepts the Brat Pack as an affectionate term. An arc I didn’t see coming. A story I wasn’t expecting. And a love that will never die. It was wonderful to see some of these actors connect again. Even if three of my favorites – Molly, Anthony, and Judd – weren’t there. Brats is a pleasantly loving, albeit sad, film that wraps up with the lesson that growth, understanding, and acceptance comes with age. I cried, I laughed and most of all, I grew! In truth, we were all called brats once and we hated it too!! Imagine it defining your career right along with a generation. To be honest… I can’t!! You?? Until next time. Watch ‘Brats’
Written by Emily Auskaps As the total solar eclipse of 2024 draws near, I have been reflecting on the incomparable experience I enjoyed in the path of totality during the 2017 total solar eclipse. I watched the August 21, 2017 eclipse from a campground on Casper Mountain, Wyoming. I was lucky enough to be invited to join a friend of mine who had the foresight to reserve the space well ahead of time and the camping equipment to keep us (relatively) comfortable. It was an exciting and incredibly rare chance to travel mere hours by car to be able to witness the majesty of a total solar eclipse directly on the center line of peak totality. Casper, Wyoming was an absolute zoo the entire time I was visiting for the eclipse. I was surprised and delighted by Casper, a place that felt distinctly unique to other parts of the state that I have visited. Approximately 1 million people flocked to Wyoming for that eclipse, and the city and its residents handled the influx marvelously. Nights in Casper leading up to the eclipse were like one giant block party. Nights in Casper were also a glorious chance to eat fresh food and to use the indoor plumbing of the restaurants we visited. I have never been so excited to wash my hands with actual running water. I could pretend otherwise, but who are we kidding… my enthusiasm for the outdoors dwindles substantially around bedtime. I have been camping a total of 3 times in my life, including for the eclipse. I tell you this to help illustrate how magical I found the eclipse itself: I even enjoyed camping for it. The actual total eclipse lasted a little over two minutes from where we observed it. It’s been years, but it seems we spent two to three hours enjoying the event in total. The clearing we were camping in became magical and otherworldly during that time. Someone much cleverer than I had prepared a spot-on playlist that included "Black Hole Sun" by Soundgarden and "Dark Side of the Moon" by Pink Floyd that played during the morning while we waited. It does get nearly as dark as night during a total solar eclipse. It also got incredibly chilly, the degree of which quite surprised me, despite the fact that that time of day is usually quickly warming. The birds got eerily quiet around us. I found myself musing on what the very earliest humans must have thought was occurring during such a phenomena. It wouldn’t be hard to picture one fearing the end has come when night suddenly falls during the day and all the animals behave as though night has indeed arrived. Day soon returned to us, though, and thus began the mass exodus of revelers back to their homes. My friend, who was far, far wiser than I, waited around Casper most of the day and headed back closer to nightfall. I foolishly got myself stuck in an epic traffic jam on I-25 because I was desperate to get home to my dog. I do not remember how many extra hours it took. I mostly remember my panic when I came to a rise where I could see unmoving taillights stretching past the horizon. I began turning off my engine during the periods where we weren’t moving at all. I finally managed to get to Cheyenne gas station and discovered one, if not two grades of gasoline entirely empty, but I did manage to get enough to make it home. Again, I add this part of my experience because despite a stressful drive home that probably took twice as long as it should, I consider witnessing a total solar eclipse out in the serenity of nature one the very best experiences of my life, if not the best. It was the most spectacular natural event that I have ever witnessed, comparable to none. I would recommend the experience to everyone, although maybe not the camping. Written by Juanita ‘Obi-Juan’ Bonner Now that we’ve survived the Holidays and firmly planted ourselves into 2024, I’d like to take a moment to reflect on one of my highlights for 2023. My first ever in person interview for Nerds That Geek (NTG). *YAY!!* Excited to say the least, I was lucky enough to meet with local Director, Producer, Writer, Filmmaker and creature feature creator extraordinaire, Hank Braxtan to discuss his latest project: Glowzies (2023). Braxtan, a military veteran, worked in Hollywood post honorable discharge for several years before returning to his Colorado roots. He now resides in Grand Junction with his wife and collaborator Arielle Brachfeld. Together, they operate Photonic Media – a professional filmmaking and photography company for film, television, and commercials all at the local level. *NICE!* Sitting at a hopping yet laid back downtown coffee shop in Grand Junction over Thanksgiving weekend, Hank and I bantered back and forth as we discussed not only Glowzies, but some of his other films, diversity in the industry, youth engagement in the arts, and more. Focusing on the film, let’s dive right in. Shot in Grand Junction and the surrounding area, Glowzies is a campy zombie-esque horror comedy that brings together a group of unlikely heroes forced to fight an unknown, and glowy (*LOL!!*) evil. A fun mix of newcomers and veteran actors, it’s based on the comic book Farway Canyon created by Steve Hillard and Dennis Nowlan who took their inspiration from the Climax Uranium Mill near Grand Junction. A perfect backdrop for a spooky yet silly and slimy flick! Not to mention, as reported by local KKCO 11 News, a large portion (70-75%) of the production and film crew were: “CMU and CMU Tech students and first time filmmakers.” *AWESOME!!* All of which fit nicely with Hank and Arielle’s vison of community and youth involvement in local filmmaking, and I LOVE IT!! Noting this was Hank’s first comic adaptation, I asked him to tell me what drew him to this particular comic. Explaining it fell into his lap when the creators reached out to him, Braxtan also touched on the fact that he gets inquiries like this all the time. Some good… some not. Stating: “Having worked in this industry as long as I have, I would say it’s probably 99% culture.” With Glowzies, getting a: “good vibe,” from the start, Hank further explained that his choices come from style and concept by explaining that: “I have to be able to see myself being good at making [the film].” Honesty is also important as he continued with: “I’m all about making an honest film, which means you need to make something you want to make and that speaks to you.” And because no one can truly predict what will be a hit or not, Hank says: “Just make what you want to see and then the people that share your tastes will find the honesty in it.” *WELL SAID!* So… with established comradery and an interesting and new concept, Braxtan goes on to discuss that: “In the world of zombie movies, it would be cool to see something that’s a little bit different.” And different they are!! Awoken from deep within the mine, these creatures are a glowing radioactive mix of creepiness and comedy. “Quirky” is the word Hank used to describe said creatures and for him: “It made them feel like a Scooby-Doo monster.” Agreed Hank… AH-GREED!! Not yet available to the general public, Glowzies was given two 2023 premieres right here in Grand Junction at our very own historic Avalon Theatre. The first one in August – under Farway Canyon – was the largest turn out of its kind in the theatre’s history (*NICE*) and I was lucky enough to be there! It’s also worth mentioning that the previous Avalon record in this realm was held by another one of Braxtan’s films – Dragon Soldiers (Lionsgate; 2020). *HECK YEAH* The packed theatre buzzed with excitement and campy giggles ensued throughout the film with a standing ovation and a huge round of applause at the end. The energy was palpable, and bubbly and I LOVED IT!! Before moving to the meet and greet on the roof, which was awesome by the way… as a bonus, we were given a small panel at the end of the film. It’s here where Braxtan emphasized that this project held a special place in his heart. Asking him to elaborate on this thought during our interview, he discussed several areas surrounding having much more creative freedom than with most of his other projects. He loved that Hillard and Nowlan were very receptive to his ideas and often followed his lead throughout the filmmaking process. In particular, he mentioned that studios often want to rush the final product to get it out there and make money. Of course, Braxtan respects this process because after all, at the end of the day, making movies is a business. However, art can often get lost in the shuffle. Especially when the creator(s) have little say in how the final product looks. With Glowzies, Hank notes: “They [Hillard and Nowlan] were all about it from the beginning,” by discussing film festivals, wanting to take their time, and building word of mouth before selling the final product. This marked a new and much welcomed avenue for Hank. Voicing that as he continues to put his final stamp on the film with edits, adding the score, and more, Hillard and Nowlan: “have been super patient,” prompting Hank to feel the collaboration: “Has led to the best movie we could make under the circumstances.” And by its reception of the rough cut, I wholeheartedly agree. Since its local debut in August and November, the film was also featured in 2023 at the Tampa Bay Underground Film Festival (Dec 2023) and all the way in Spain at the Sitges International Film Festival (Oct. 2023). A first for such an honor, Braxtan attended the event and discussed that it was his biggest film festival to date. When asked what it was like taking this film all the way to Spain, stating it was: “sprawling and massive,” Hank was positively blown away by the experience. We continued to discuss Sitges and the fact that they often choose movies that: “Are really off the wall and like gory and violent.” However, Glowzies fell in the family friendly teen category which seemed to please Hank as he explained: “I just felt like considering the content, it just didn’t need to be violent. It didn’t need the blood and it didn’t need the foul language.” In full agreement, I think the overall campy feel of the film makes it family friendly indeed! Considering the movie is still in post-production, I followed up by asking when we can expect to see Glowzies available to the masses. Braxtan touched on many aspects of selling a film to a distributor, contract negotiations, final product edits, and more. Knowing that his film falls in the low budget category, he doesn’t expect any massive promotion and hopes we’ll see the film by spring of 2025, likely under a streaming platform. Though, he did mention that if everything falls into place, it would be great to see it released for the 2024 Halloween season. *FINGERS CROSSED* When looking at the filmmaking process overall, Hank articulated that: “Every movie is as good as it can be under the circumstances.” Though I’ve likely thought something similar in the past, it was refreshing to hear this from an actual filmmaker. Especially when we, as the consumer, spend SOOO MUCH time complaining about this or that when we truly have no idea what’s going on behind the scenes. Keeping with this same tone, a final thought from Braxtan: “Every artist… what we really want… and even if people don’t realize it, is that we’re always looking for validation. That you belong and that your art is real.” Again, something the audience should know but often forget in the midst of their own gripes and criticisms. We’d all do well to remember that those who truly love making movies often have constraints beyond their control and more often than not, their intended vision gets rather twisted by the time it hits theatres. It makes sense why Hank would express how special making Glowzies was. With less entanglements and more creative control, any artist would hold a project like that dear and it was a pleasure to see and hear this from the creator himself. In fact, as we parted, I pondered on these concepts for quite some time and may have even changed my critique style going forward. For low budget or blockbuster mania. All can suffer from the crippling weight of an industry more concerned with profit than art. On that note… I say… keep it up Hank!! Until next time, please enjoy some of my other NTG reviewed Hank Braxtan films: Dragon Soldiers (Lionsgate; 2020) Dead Zone (Tubi Originals; 2022) Written by John Edward Betancourt
One thing that fans of animation films can agree upon, is that Megamind remains a true favorite in the minds and hearts of so many. Simply because it was a refreshing and fun story that we all found something special within, and it is one we share with others as often as possible, because of how much fun it provides. But alas, for a long, long time… that movie has served as all there is to the story. One that could accomplish more if by chance a sequel or more was available and well, after all this time, we have arrived at the moment where the Megamind franchise has expanded at last, courtesy of Peacock.
For earlier today, Peacock let it be known that Alan Schoolcraft and Brent Simons, who wrote the film we adore, are the executive producers of a new film, and a new series set in this universe (alongside Eric Fogel), and that we are super close to enjoying new Megamind stories. For March 1, 2024, will see Megamind vs. The Doom Syndicate, and Megamind Rules! debut on Peacock and what a treat that is going to be… as evidenced by the other gift that Peacock sent our way. Specifically, key art and a trailer for this mega-release, and since you’re eager to know what to expect from these new stories from a universe we love, here is that trailer, details on these releases and that key art, to help you prepare for the return of a beloved franchise, courtesy of Peacock. · Produced by DreamWorks Animation, new animated kids film MEGAMIND VS. THE DOOM SYNDICATE and series MEGAMIND RULES! both premiere on March 1, 2024, exclusively on Peacock. · MEGAMIND VS. THE DOOM SYNDICATE picks up in the moments following the events of the 2010 film, teeing up more adventures to come in the companion series MEGAMIND RULES! · The below actors will be starring in both the film and series: · Keith Ferguson (Robot Chicken, DuckTales) as “Megamind” · Laura Post (Lego Marvel Avengers: Code Red) as “Roxanne Ritchi” · Josh Brener (Silicon Valley, Rise of the Teenage Mutant Ninja Turtles) as “Ol’ Chum” · Maya Aoki Tuttle (Spidey and His Amazing Friends, Destiny 2) as “Keiko Morita” · Emily Tunon (Globos Negros) as “Lady Doppler” · Talon Warburton (Echo Base) as “Lord Nighty-Knight” · Scott Adsit (Big Hero 6, 30 Rock) as “Pierre Pressure” · Chris Sullivan (This Is Us, Presence) as “Behemoth” · Tony Hale (The Mysterious Benedict Society) as “Mel/Mr. Donut” · Jeanine Mason (Upload, Roswell, New Mexico) as “Christino Christo” · Adam Lambert (American Idol, The Rocky Horror Picture Show: Let's Do the Time Warp Again) as “Machiavillain” · The new film and series are a follow-up to the 2010 DreamWorks Animation film, where Megamind goes from being a supervillain and the scourge of Metro City to a superhero who’s learning on the job. · Return to the Megamind universe with the new film MEGAMIND VS. THE DOOM SYNDICATE, then keep the fun going with the new companion series MEGAMIND RULES! ABOUT MEGAMIND VS. THE DOOM SYNDICATE Megamind’s former villain team, The Doom Syndicate, has returned. Our newly crowned blue hero must now keep up evil appearances until he can assemble his friends (Roxanne, Ol’ Chum, and Keiko) to stop his former evil teammates from launching Metro City to the moon. ABOUT THE FILM Premiere Date: March 1, 2024 Executive Producers: Eric Fogel, Alan Schoolcraft, Brent Simons Director: Eric Fogel Writers: Alan Schoolcraft, Brent Simons Co-Executive Producer: JD Ryznar Voice Cast: Keith Ferguson, Laura Post, Josh Brener, Maya Aoki Tuttle, Emily Tunon, Talon Warburton, Scott Adsit, Chris Sullivan, Tony Hale, Adam Lambert, Jeanine Mason, Michael Beattie, Eric Fogel, Todd Haberkorn, Eric Murphy, Joey Rudman, Roger Craig Smith Studio: DreamWorks Animation Format: Film, 83 minutes ABOUT MEGAMIND RULES! Megamind goes from being a supervillain and the scourge of Metro City to a superhero who's learning on the job. He'll be bringing the audience along for the ride, as Megamind's trusty brainbots will be recording everything, making him the world's first superhero influencer. ABOUT THE SERIES Premiere Date: March 1, 2024 Executive Producers: Eric Fogel, Alan Schoolcraft, Brent Simons Co-Executive Producer: JD Ryznar Voice Cast: Keith Ferguson, Josh Brener, Laura Post, Maya Aoki Tuttle, Jeanine Mason, Adam Lambert, Talon Waburton, Chris Sullivan Developed for Television by: Alan Schoolcraft, Brent Simons Studio: DreamWorks Animation Format: 8 x 22-minute episodes Written by John Edward Betancourt This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movie being covered here wouldn’t exist. Truly there are few directors and writers out there that have managed to capture the zeitgeist of an era quite the way that George A. Romero was able to. For every single one of his films, spoke to a corner of the Human and American Condition that was of concern, and it did so in a manner that perfectly framed the problem and the concern, all while making the story/commentary timeless in nature. For we still examine the many messages and subtext he added to Night of the Living Dead, regarding civil rights and racism in America, and for that matter, Bruiser is a film that continues to grow in legend thanks to its powerful commentary on toxic masculinity in Modern America. But of course… of the many films he made, there is one that truly showcased his brilliance regarding his understanding our world… the iconic Dawn of the Dead. For that motion picture truly understood the 1970s and to a certain degree, the excess that awaited us in the 1980s to a tee, and it was put on display by way of a story that saw people fight for possession and control of a shopping mall as the world ended around them. Which is a powerful allegory regarding how we value things and how consumerism means the world to us, and the movie’s message remains so relevant that even in 2023, we can still find moments regarding that commentary that reflect our modern world. Yet what is truly incredible, is that this timeless feature, has suddenly become more relevant and real in recent years, courtesy of some baseline story structure that in a way, was more prophetic than any of us could have imagined. Because courtesy of the pandemic, this movie suddenly takes on new life and meaning. Because in many ways… it reflects everything we’ve just been through and that makes for an uncomfortable rewatch that points out… that the living dead in this story could have easily stood in for Covid as well, since everything that went wrong in our world, went wrong in this film. Which may seem to be a statement that is grabbing at straws, but the proof is in the pudding. Take for instance, the news broadcasts in the motion picture, especially the opening credits sequence. For that sequence and it's many intense moments… feel way too familiar. Courtesy of watching a medical professional be screamed at and over, and told he’s a buffoon by people who believe that facts, don’t matter, and that what he has to say is nothing more than manufactured lies and that the situation isn’t as bad as he’s making it out to be. Which is… everything we experienced from a television and social media standpoint in our own homes. For we watched medical professionals be ‘debunked’ and debased by so-called self-experts who literally knew nothing. They just thought they knew better, and we saw Fox News do something similar and much like in the film, not listening to the experts because some people didn’t like what they heard, only spread the virus further. Much like how the dead grew in number for the same reasons, and the eerie parallels to 2020 don’t end with that sequence. For one of the central themes of the film and of much of Romero’s Dead saga, is that the living dead take over the world because of humanity’s inability to work as a central unit, and through ignorance and political and personal nonsense. All of which has sparked debate over the years as to whether or not the dead could really take over in a real-world scenario and well, the pandemic proved… they would. Because the collective of humanity, couldn’t handle doing something as simple as wearing a mask or shutting down the world and its economies for a few weeks to simply stop the spread dead in its tracks. Instead, there were fights about personal rights, worries about the economy and religious freedoms over bringing down a common foe. Which gives a simple message about disarray through arrogance new gravity and meaning, since Romero correctly predicted that in a crisis… we cannot work together to resolve it. Yet while those elements alone are enough to give this film new life and new relevance after all these years, even its visuals… make this motion picture a perfect encapsulation of the pandemic. For seeing empty roads and an abandoned shopping mall… immediately harkens back to the lockdown days of the pandemic. Where the streets were as empty as could be, save for those essential souls and where businesses stood vacant and empty, just like the mall that was home to our heroes. And of course, their being huddled around televisions, radios, and any news source available serves as reminder of our time at home as well. Since we were glued to devices for good news and hope, and heck, even just seizing the mall and having people fight for it… reminds us of those days. Since people went the extra mile to hoard something as simple as toilet paper. All of which, are elements that truly gives this nearly fifty-year old horror feature, new life in the 21st Century. For now, it isn’t just about the power of consumerism and its evils… it really is about how humanity… has grown selfish enough to not work together toward common goals. And how we let agendas and policies from people that care little about us, rule our lives, and because of that… elements that shock us and threaten us… can win. For Covid won the day, plain and simple, and that makes this movie painfully real and equally as important. Since seeing our foolishness in action in a story about the end of the world at the hands of living death, can hopefully teach us to change our ways and work as one when the next crisis arrives. |
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