We harbor some supremely outdated beliefs in the United States of America, several of which… involve family life. For so many people, hold to the notion that family is seen as sacred by everyone in America, and because of that… it is beautiful and enriching. Wherein it always harbors a mother and a father to lead a family of two, potentially two and a half children, and they are loving and kind and truly guide their children to understand their role in the world. All so they can go forth and change a planet… that never seems to change. Which relates to how incorrect those beliefs truly are in our modern world. Because families don’t look like that anymore, and… they are not always as flawless and loving as we like to think.
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For there are some people out there, who are cold toward their children, and treat them poorly and outright abuse them verbally, physically or worse. Not to mention… we are so beholden to the belief that family life takes care of itself, that we’ve created a vicious cycle. Wherein generational abuse and trauma are now the norm and that’s helping to lock us in a cycle where we don’t break free of old, outdated and gross traditions. But thankfully, there is an awareness now, that we’ve turned a blind eye to what family really means, and can accomplish in our modern world, and there are creative voices now exploring its darker corners and how it can impact us. To break free of old cycles and see what we can become with that freedom, and it just so happens that a re-imagining of a classic Universal monster explores such matters in Wolf Man.

A feat that this film accomplishes by introducing us to Blake Lovell. An everyday New Yorker that is doing his best to raise a perfect daughter and have a perfect family. But alas, he is struggling to achieve those goals. For he and his wife Charlotte seem to be drifting apart and she harbors some resentment over the fact that their daughter Ginger seems to love him, more than her, and even that relationship harbors flaws. Since Blake does have moments where he channels some real darkness and directs it toward Ginger. The kind that was imparted upon him during his childhood, thanks to his abusive father, and well… Blake has quite the idea when it comes to resolving that darkness and bringing his family together at last. For he receives news that his father has passed and that means the time has come to pack up the old house and settle affairs in the great state of Oregon, and by going together… healing can take place. But alas, their arrival at Blake’s old stomping grounds… leads to real terror. For they learn an old legend is very real and it is focused on bringing Blake into its fold.

Which is the perfect way to explore the nature, of generational trauma. Since Blake’s troubled past, resurfacing in the present, allows for us to see how much dark words from a parent can shatter a psyche and make such actions feel normal, and part of life in a manner so powerful that we have no problem imparting it upon the next generation. But this story also makes sure to go beyond just showcasing that baseline aspect of it, for it uses the wolf transformation as an allegory to explore the power of generational trauma and the devastation it has upon an individual, and how that can, under the right circumstances, consume them and turn them into a monster of sorts. Which is a powerful way to ponder upon such matters, and what’s equally as incredible is that the film offers thoughtful ideas on how perhaps we can break the cycle, in ways that may not seem revolutionary to some, but aren’t talked about enough. Such as cutting ties and seeking help to resolve the damage.
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But of course, make no mistake about it. While this feature does harbor some thoughtful commentary on a problem in our world we are just now exploring, it is still a horror film, and it delivers on that front in an epic manner. In part by injecting a little body horror in the story. The kind that does make one nauseous and uncomfortable for certain with its visceral and direct nature. Not to mention… the scares are just plain excellent. For co-writer and director Leigh Whannell uses a bevy of simple tactics to scare the hell out of the audience. Such as our fear of the unknown, our fears of isolation. Along with concepts that explore how very afraid we are of seeing our loved ones suffer, and it doesn’t end there. Since Whannell also uses the ‘less is more’ mentality to build tension and to offer up jump scares that are impactful over lazy, and all of those elements, work to a tee, and truly put the viewer on the edge of their seat with worry.

All of which brings forth, a genuinely terrifying, and genuinely brilliant horror feature. One that does the original film proud. For the original film, The Wolf Man, was rife with commentary and tragedy and solid scares as well. But this iteration manages to up the ante with the terror and update the commentary for a new age, and truly, the commentary is the film’s highlight. Since it prompts one to question, are all of our negative behaviors in this life… a direct result of that cruelty… or learned behavior? And that also makes this an important and progressive feature, one that starts an important conversation about family life in the modern world and how it needs to be seen in a different light and given far more attention and care, so that tragedy can be avoided, and the cycle can be broken.

Caution: This article contains spoilers for Episode 203 of ‘Horror’s Greatest’. To revisit the previous episode, click here.

Every horror fan out there, has a particularly unique horror film on their shelves, that they are always eager to show their friends and the uninitiated when the opportunity arrives. Simply because this horror flick is special and goes places that others have not or will not and they are always a true delight to behold. For this writer, that film is Chopping Mall, since so many folks I’ve known somehow never got the chance to see a gem of a story about horny teenagers fighting killer robots in a mall in the middle of the night, and I absolutely want people to know about that hidden gem, and that’s just it. Having that film around is about spreading the word about a movie that is special and amazing, and that’s why it should come as no surprise that the Shudder series, Horror’s Greatest, took the time to spotlight such movies.

Because this is a series that wants to bring horror fans together and what better way to do that, than by showcasing stories that will wow the novice fan and showcase what the genre can do in an unfettered fashion. And of course, what better way to care for the seasoned veteran than by giving them a chance to learn about something they haven’t seen before. Something rare and horrifying that they can immerse themselves within. Which was why ‘Hidden Gems’ took the time to offer up special features that were accessible and hardcore in nature. To appease those two sides, and we all received some very amazing recommendations from this episode. Since it truly offered up films that can serve as a gateway to the wonder of the genre, like Freaked, alongside stories that are dark and horrific in other unique ways, such as Ganja & Hess.

But while it was nice to get a comprehensive list of horror films to seek out and watch regardless of where you’re at in your horror journey, what makes this episode of note, is that it took the time to do more than just fire off a list of cool horror movies to watch that you’ve never heard of, it told stories about them. The same way that fan would fill in some blanks about what they know about their chosen hidden gem, and what makes it so incredibly special, which allowed for us to learn why so many of these films were pulled from distribution and how exactly they failed at the box office or disappeared from home video. To help folks understand how production companies and distributors and marketing teams can sometimes get it wrong and fail the project and let it languish because of how unique these kinds of stories can be.

Not to mention, it made sure to explore in amazing detail… how daring they can be and how powerful they can be, and how that can also impact perception and keep it from the mainstream. After all, The Untamed went places that a lot of movies would not. Since it featured sexual interludes with an alien being and deep-rooted ugly themes revolving around the nature of domestic violence and the toxic views some harbor regarding homosexuality. Or it explored how some of these films just pushed the envelope a little too hard, and that freaked out audiences in ways that no one expected. All of which gave us unique perspective on these films and their respective fates and of course, left us eager to explore several if not all of them. To broaden our horizons and to perhaps claim them and share them to others down the line.

Plus, it was also incredible to hear from people involved with these films and garner their perspective on the creation of their project and their insights. For that added amazing depth to an episode that was as unique as the stories it highlighted. Because most horror themed documentaries don’t cover these movies, which of course… keeps them as hidden gems. So, it was quite refreshing to see so many of them in the spotlight and learn their stories and learn about what makes them special. For they do deserve to be celebrated, and they need to be in the spotlight and thanks are due to Shudder for making that happen, and that truly leaves us eager for more. So, we can see what other hidden delights and observations and celebrations about this incredible genre await us as season two continues along. Until next time.

​Caution: This article contains spoilers for Episode 202 of ‘Goosebumps’ (2023). 
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For the most part, homages are something that are used in small does in television and film. Simply because the expectation is that the audience should be enjoying something fresh and new, and too many tributes will detract from that. So, the majority of creatives out there abide, and throw in subtle winks and nods to their influences to uphold that particular rule. But what’s fascinating about this, is that the horror genre doesn’t abide by that at all. Since you can easily find tips of the caps to the greats or tributes to stories that influenced what you’re currently watching. Because in the world of horror, respect to what came before is everything, likely because this is a genre that didn’t hit the mainstream for nearly a century.

If anything, the wonder of homage in the world of horror is top of mind today, simply because it showed up in the next episode of Goosebumps: The Vanishing. For ‘Say Out of the Basement: Part II’ was flush with tributes, in between… an attempt to pick up the pieces. For both Devin and Anthony were doing their best to put the events of ‘Part I’ behind them. So, they went about their lives. With Devin working to integrate into the town better by hanging out more with a newly single Frankie. Which came with trouble since Trey’s toxic nature interfered, and oddly enough, his fury helped to motivate some of the biggest tributes present in this story. Many of which were tied to Anthony’s unique journey in this story. 

Because he discovered that a giant pulpy pod was growing in his arm, and he was quick to remove it and send samples of it to old friends. Who quickly informed him… that it wasn’t plant life, it was animal life that he had discovered, and it loved eating sweet, sweet, meat. Which prompted Anthony to get some dead mice and later, a lamb leg, to feed the little pod that was born of his flesh, and it was more than happy to enjoy a little sampling of meat and grew quickly. All of which, served as several tributes. Since in many ways, the gross removal of that pod tipped the show’s cap toward the body horror subgenre, and of course, the pod was a hybrid of the ones seen in Invasion of the Body Snatchers with a hint of Audrey II from Little Shop of Horrors.

All of which made for some lovely tributes. The kind whose charm did not last… because there were scares to be found in this story. Because the pod and its potential for answers, fired up a bevy of old emotions for Anthony and made him a touch more reckless than usual. To the point where he felt the need to teach Trey a lesson, and that was a tipping point for the neighborhood bully. Who broke into the basement and had a hideous encounter with the pod-being. Who merged with Trey and created a hideous, angry nightmare that kidnapped Frankie in the hopes of finding peace. Which led to a wild showdown that seemingly led to the pod-being’s end. But alas, it turned to liquid and quickly inhabited Trey’s car, giving rise to more homages to come.

After all, that means a new iteration of ‘The Haunted Car’ awaits, and both old and new versions are in turn homages to Stephen King’s Christine and well, that was a perfect way to wrap up a story that did indeed pay proper tribute to the genre’s rich history. In a manner, that was downright scary. Because it was tough going, to watch Anthony carve that pod out of his arm and let’s be honest, Trey 2.0 was outright terrifying and disturbing, and that all came courtesy from one quality episode. One that really did let us know that season two of this show will lean harder into homage and into the scares, and that’s just fine. Since it shows that Goosebumps is continuing to grow, and it will be interesting to see what kinds of lovely tributes and bold scares await us as year two continues along. Until next time.

Caution: This article contains spoilers for Episode 202 of ‘Anne Rice’s Mayfair Witches’. To revisit the Season Two Premiere, click here.
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One particular moment that no parent ever wants to face, is to learn that their beloved child… is an outright monster. Because in that moment, there is nothing but conflicted emotions. The kind that extends sympathy to those that suffered at the hands of their child, along with shame and a sense of failure. For it is the goal of every parent to raise a good human being who would never make the six o’clock news in a devastating manner. But some parents face that, and of course, disappear shortly after to likely learn to live with the outcome, and the weight of possible inaction. Since they will undoubtedly wonder if by chance, there was more, they could have done to prevent such a tragedy from ever taking place.

The fact is though, they likely could not. Since so many children conduct these acts at a point in life where they are capable of making their own decisions and harbor their own moral core, and that question is designed to help people cope really. But it does leave one to wonder… what would happen if a parent knew of the evil in front of them. Would they step in and try and stop suffering from taking place? Well, the next episode of Anne Rice’s Mayfair Witches on AMC poses the answer that, yes, a parent most certainly would step in and try to stop their wicked child from doing harm. But would they be successful? Well, ‘Ten of Swords’ explored that too, shortly after we caught up with an unleashed Lasher in this tale, and it did not take him long here to find another Mayfair woman and seduce her and outright kill her.

Which in turn, rattled Rowan and prompted to jump into action quickly, and do something, anything. So, she decided in that moment… it was best to try and bring down her son once and for all. Which led to a harrowing sequence of events where we learned just how powerful Rowan has become, since she was able to summon bolts of lighting and fireballs, and she harbored the ability to bring down the world around her to try and end Lasher’s life. But alas, she could not bring him to his end, and he soon found himself on the street, hurting, confused and eager to find peace and well… only two things could bring him that. Specifically, more cold milk and more of the lifeforce of the Mayfair family. Which once more brought him to a victim and that brought forth even more death and suffering for the family.

Yet, while all of that was happening, Rowan found herself in quite the reflective place. Because despite understanding she’d helped to create a monster, it was still her son, and the ghosts of Mayfair past pointed out that she held back and could have stopped him if she actually wanted to. Which hammered home, that a parent would try to stop their child from evil, but it is up for debate if they could finish the job. For various reasons, such as how a toxic relationship is hard to quit, something that was further explored by Cortland here. Since Rowan was pondering deeply upon letting him free, and that was a kind thought to harbor. For in that strange space, he found himself within, he came face to face with his father as he explored it. Wherein we learned that toxicity spans generations in this family, and that Cortland’s poppa, Julien, was strong with it. As evidenced by his terrifying conversations and demands, and Cortland’s incredible obedience. Even going so far as to feed his starving dad his own arm to please him.
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But thankfully, Cortland was freed from that unsettling nightmare, in an effort to try and find another way to stop Lasher, and he wasn’t the only one called into service on this matter. Because Moira spent a little time with Sip in this tale, as part of the Talamasca’s plan to bring Lasher into their stead, and at first, it seemed as though Sip was wasting his time talking to her. Because she saw right through his attempts to curry her favor, in an effort to use her to capture Lasher. But seeing the devastation that Lasher put forth, firsthand, changed her mind on such matters. For she called Sip to come by and touch the fallen. To see exactly what they could learn from loss. Giving rise to the reality that now more are in on the hunt for this monster and that those closest to him, may continue to give him power because it seems impossible for a mother to cross that ultimate line, despite knowing what she knows.

But then again… she might. It may take time. Or perhaps a little more grounding from Lark. Who arrived with unique genetic results to try and help his friend. For that helped to remind us that Rowan is caught up between two worlds. The world she left behind and the world that gives her power, and objectivity might help her stop a monster. All of which gave rise to a fascinating story. One that pondered upon some unique concepts regarding parenting, and it also leaned into horror hard, courtesy of Ted Levine’s performance as Julien Mayfair, and it will be interesting to see how he pops up again down the line, since he hinted at that, and see how the hunt for Lasher goes as season two of this dynamic show continues along. Until next time.

Caution: This article contains minor spoilers for the motion picture, ‘Get Away’.
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It is definitely safe to say that folk horror is enjoying quite the renaissance right now. For everywhere you turn, there are a bevy of horror movies about everyday people stumbling into the nightmare of obscure, small town life. Or it’s a story set ages ago where darkness befalls a small-town community. But one way or another, you’ve seen one of these lovely films and it makes sense as to why they are enjoying such popularity right now. After all, these films tap into something primal, fear wise. Such as our fears of isolation and helplessness, and they remind us of the true power of connectivity and larger community. Since those elements in our world prevent some of the darkness we see here.

But what’s truly wonderful about this era of folk horror, is that so many creatives are eager to put a unique spin upon them and take them to new heights. So that they can fit in with the current landscape and ponder upon internal issues that are plaguing us, or… perhaps enjoy some measure of reinvention. Since that is something that accompanies popularity as well. But the possibility of that, does beg quite the question. In that… what more can folk horror accomplish? For it is a genre that is pretty well established and doesn’t really seem as though it can go to new places. Well, as it turns out, it most certainly can. Because horror legend Nick Frost penned a screenplay for a folk horror feature, that does indeed offer reinvention for this popular subgenre of films.

A feat that Get Away accomplishes, by taking us on a supremely unique ride. Wherein we meet a family of four, consisting of Richard, his wife, Susan, and their kids, Sam and Jessie… who are on their way to enjoy a unique event. For this family has a bit of a curious streak when it comes to morbid things, and they have come to Sweden from Great Britian, to take in a special holiday. For soon an ancient festival will take place on an obscure Swedish island, one mired in dark memories of starvation and cannibalism and this family wants to see it play out. But alas, they are not welcome in the slightest by the locals and well, that creates quite the problem for those who call this island home. For Richard’s family has brought with them a genuine darkness that will make everyone on the island pay dearly, for not showing the family more courtesy.

Which really is a plot that manages to reinvent the folk horror genre, but early on it doesn’t seem as though that will be the case. Since everything that plays out before a secret is revealed, is some old school folk horror. Complete with eccentric locals and weird traditions and rotten hate for those who enter their orbit. But once the secret is out in the open, the film changes course and is filled with nonstop surprises. The kind that are epic in nature and also… stunningly gory. In fact, there are sequences here that make you nauseous with the wanton splatter that takes place and that’s a wonderful thing. Since it speaks to how well the surprise works and truly, that twist and how it comes to pass really does make this a folk horror film unlike any other. 
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But what’s equally as impressive that Frost’s script accomplishes more than a re-jigging of the subgenre. It also, is quite George Romero in nature. Since in many ways, this folk horror story is seen from the eyes of the people of the town, and what unfolds on their island has echoes of criticism of colonialism. Of how allowing outside forces in, can collapse the delicate eco-systems that Britian and America have upended in the name of exploration, imperialism and freedom/oil. But in true Romero fashion, Frost also makes a point to speak upon how in many ways, this wild family and their wild secret serve as a mirror for the ignorance we’ve let grow in society. The very one that now threatens the foundations of our society and how real inaction has helped it rise. Which makes for a brilliant horror feature really, one that still has more wonders to offer.

After all, Nick Frost is known for his comedic chops as well, so there is humor to be found in this story and that brings about some well-timed chuckles and some true laugh out loud moments, especially when the reveal and bonkers third act hit. Not to mention, the cast, led by Frost, sell the majesty of this complex and intelligent story. One that truly is an outright must-see. Because this Shudder exclusive has something for everyone really. For there’s gore aplenty for the gorehounds, there’s social commentary and deep thoughts on the human condition, and some magnificent comedy to ensure the messages never weighs heavy. But what matters most, is that this film propels folk horror in a bold new direction, courtesy of some original storytelling that informs us all, that with a little care and a little thought, the real potential of any genre can be found.

Caution: This article contains spoilers for Episode 202 of ‘Horror’s Greatest’. To revisit the Season Two Premiere, click here.
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One the best aspects of the horror genre, is the sheer fact that it can take anything from our regular world and turn it into a scary story. For example, the movie, Thankskilling. A saucy horror-comedy that resolves around a Thanksgiving turkey eager to turn the tables and the blades on people. Something only horror could make happen, and it doesn’t end there. Since we’ve seen killer ice cream men stab people with a vanilla cone and believe it or not… this is a genre that can even take romantic concepts and turn them into something scary.

For proof, well look no further than this week’s episode of Horror’s Greatest on Shudder. Simply because ‘Killer Dates’ was the focus of this week’s journey through the genre, and the show was eager to showcase the bevy of horror stories revolving around the darkness that can accompany dates and love, in the most creative ways no less. Since stories such as My Bloody Valentine speak to matters of the heart, blood and all, and we’ve seen some unique variations of evil romance stories take place within the genre. Such as what happened to dear Carrie in Carrie, since she was basically baited and switched, romantically, into being the school’s joke, only for that to backfire.

But of course, we were also treated to explorations regarding the trauma that love can cause since Terror Train works within that realm and well… that’s really what made this episode so wonderfully special. The fact that it very succinctly broke down how love works so well in the genre. In part, because love creates great fear within us all. Because love is the unknown and it scares the hell out of us to put ourselves out there and really be so vulnerable in order to find it. So, these movies in many ways, express those fears and help us process them. Since there is really little chance a bad date will end with us say… getting sliced and diced a la Audition. So, that helps us to cope a bit, and these films also help us process another fear regarding love.

In that, we are terrified of being rejected. Of having that special someone humiliate us and harm us emotionally by not wanting us or perhaps falling out of love with us. And these movies ponder upon that as well. Since they do indeed express the shame, we feel when embarrassed and the terror of rejection. All so that we understand… that’s just part of life, and we have to go through that to grow and such pain will help us to find our real partner and if we cannot handle and understand all that… well then, we end up like the monsters that don’t get over it. Making some of these stories cautionary tales if you will, impactful ones for certain and these examinations made… for one engaging tale.

One that truly, went far deeper than other episodes from this series. Which isn’t an insult by any means, since we’ve established that this show is about education and introduction. But here, it was all about the learning and the wonder of these movies and that’s just fine. Because in a way, that does accomplish the core goals of this series. Since it helps the horror lover learn about a subgenre that is impactful and fun, and the newcomers get to understand how deep horror can go and how well it helps us to face our fears and hopefully… we see a few more episodes in this vein in season two. Because it was just riveting from start to finish since it truly showcased horror’s wonder. Until next time.

Caution: This article contains spoilers for the Season Two Premiere of ‘Anne Rice’s Mayfair Witches’. To revisit the Season One Finale, click here.
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When we last settled into enjoy the wondrous AMC series, Anne Rice’s Mayfair Witches, we were left with a real sense of worry. For while Dr. Rowan Fielding came into her own with her powers and accomplished some wonders, she was also… the victim of a long con. One involving an ancient prophecy that involved some manipulation from members of the Talamasca, and her own family, that eventually made her the mother of the seeming spawn of Satan, Lasher. Leaving us to wonder what would become of Rowan, and Sip for that matter as well, since his desire to do the right thing put him in hot water with his bosses and well, thankfully, the season two premiere of this magnificent show, let us know what was to come of our heroes.

In that, tough days were ahead because of those moments. For instance, ‘Lasher’, informed us that Sip was basically on the run and doing his best to avoid accountability, and of course the many, many deaths that had come forth in the family, brought other members home. Since Moira Mayfair, a no-nonsense Mayfair, returned to this iconic city to spit some truth and demand some answers, two things the family does not care for in the slightest. But above all, this episode made it clear that Rowan, was in a tough place. Because she was indeed now a mother… to a being that was growing at a shockingly rapid rate. To the point where Lasher was a teenager in a matter of days. Which prompted Rowan to try and figure out what to do with Lasher and how best to understand if he was indeed the dark threat all thought him to be.

So, Rowan dug deep into the family’s archives to learn more about him and even went so far as to contact an old friend named Sam Larkin to try and understand Lasher’s DNA in an effort to explore his growth spurts and the sheer fact that a spirit was now a corporeal being of sorts. Which allowed for the story to fool us and make it seem as though good moments were ahead instead. Because Rowan was a caring mother. Granted, she was caring for a son that consumed an unholy amount of milk and hid in the shadows. But he was safe and found some comfort and care from family members. Which in turn seemingly sent out good vibes into the world. For Sip was brought in and told that he was going to be just fine as long as he played ball and did his duties as asked. Which involved helping to capture Lasher. Plus, Cortland paid a penance for his twisted actions. By spending time in a weird space between spaces where ghosts haunted him.

Not to mention, Rowan found some agency and direction again as a healer. Since she spent a little time at the hospital the family owned. Wherein she was able to use her powers to help others know what would become of their health and she of course, asked Josephine if she could take the job that was offered to her in this place. So, she could start to rebuild her life after such a harrowing turn of events. Plus, even Lasher for a short time… seemed to be acclimating to his humanity. Since he was quick to obey at last and was even learning how to dress like a gentleman. But his creepy need to express his desire for his mother put her in a tough space again… and soon after, the dark clouds on the horizon gathered regarding this family and the troubles that lie ahead. 
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Simply because, Lasher’s needs and wants extended beyond what he expressed in the house and begged for in an unwholesome manner. So, he set out into the world to find what he needed, and it did not take him long to do so and that cost another person their life. Which rightfully brought him into the realm of punishment once again. For he brought the body of the woman he killed to the homestead and was banished to the basement. All so Rowan could try and use her powers to save a life, but alas… she could not… and she was forced to bury the body and make amends with the reality that Lasher was and would remain a monster, and there was little hope of saving him from that darkness, and she would have to do something about him. What exactly, she did not know in that moment, for bigger issues were at hand.

Mainly because while Rowan was handling dark family business, Lasher, now fully grown, broke out of the house… and it was revealed he killed another Mayfair before rushing off into the night. To undoubtedly cause more mischief and harm, setting the stage for dark days ahead. Wherein Rowan will have to make difficult choices. But while we wait to see how she handles this mess, we can celebrate, one intense season premiere. One that did not waste a single second and plunged us back into this world in an epic manner, all to let us know… that we need to buckle up. For a dangerous rollercoaster lie ahead, one that will take our breath away as a manipulated mother makes some difficult choices regarding the fragile future of her family. Until next time.

Truly, the first season of Anne Rice’s Mayfair Witches on AMC, was quite the bold venture. In large part because the show opted to lean hard into its gothic roots and offer up a slow-burning tale. One that focused heavily on Dr. Rowan Fielding and her life, and the sprawling discovery of how her bloodline tied into the world of the supernatural. All of which is a bit uncommon in this day and age of storytelling, where the push is to grab one’s attention and really wow an audience. Which isn’t a bad thing by any means, since we do enjoy some epic stories from that edict. But one really cannot go wrong with a little old-school gothic horror, and the wonder of season one didn’t end there.
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Because it also updated the story to speak to relevant and timely issues that women face in the modern world. Plus, that slow-burn approach helped to flesh out this incredible world and introduce us to the Talamasca and the lore surrounding the Mayfield family. But above all, it set the stage for a harrowing journey for Rowan. One where she would face great challenges because of the darkness that slowly crept into her life. Of course, we’ve all been waiting patiently to see how she handles such madness, but thankfully, we are now but days from learning what will become of Rowan after being tricked into carrying Lasher, and we here at NTG thought it would be worthwhile to review season two ahead of its Sunday premiere on AMC, in a spoiler-free manner of course.

Mainly because, if you’re reading this, you’re eager to learn more and also because… there’s a lot to celebrate about season two of the show. Such as the fact that its juicy plot offers up a dynamically different second season. For it does pick up shortly after season one with Rowan dealing with the fact, she is now mother to a demon. Which isn’t a spoiler, since we all knew it was coming. But that reality, puts Rowan and so many other characters on a path of discovery. Wherein they must all ponder upon their choices, their past and the reality of the world they live in. Giving rise to a supremely cerebral second season that is quite introspective at times, regarding some heavy concepts that horror is just now diving into. 

Not to mention, with a year of storytelling under their belt, the writers’ room of this series opted to up the ante storytelling wise. Which brings forth a far more intense season that moves at a breathtaking pace. Not to mention, there’s some new characters in the mix this season, named Moira Mayfair and Sam Larkin, played by Alyssa Jirrels and Ben Feldman respectively, who further enrich this story and bring about poignant conflicts that relate to that journey of the discovery. And the end result of all of these elements, is an intense and thoughtful new season of storytelling. One that truly stays with you when an episode ends courtesy of some fascinating commentary on the human condition. But above all, it ups the ante and creates new stakes for these characters to overcome. 

Plus, we would be remiss to not point out, that there’s just some amazing acting to be found this season. Which is saying something, considering that everyone involved sold their characters in a dynamic manner in season one. But again, a second season brings comfort and familiarity that the actors can use to their advantage. In addition to the fact that so many of them commit to giving us their best. Out of a sense of elevated professionalism or a love for the source material and well, the best news of all is that we are but days away from enjoying more of this magnificent show. For season two of Anne Rice’s Mayfair Witches, arrives on January 5th on AMC and AMC+, and we cannot wait for all of you to enjoy one incredible season of storytelling, one that does Anne Rice proud.

Nerds That Geek was able to attend a roundtable interview with cast members, Harry Hamlin (Cortland Mayfair), Tongayi Chirisa (Ciprien Grieve), Alyssa Jirrels (Moira Mayfair), and Ben Feldman (Sam Larkin), wherein they offered the following answers to a question posed by this article’s writer: “What does it mean to be part of such a huge franchise?”

Harry Hamlin: “You know, I'm just going to jump in quickly on that, from the inside out. And I've been in some franchises before. Then some, you know, some shows that were considered big. We don't really know that on the inside, you know, you have that perception of what we're doing. We are just showing up for work every morning and doing the next indicated action. And then you guys form your opinion about whether it's a big franchise or not. So, I'm glad to hear that you think it is a big franchise. That's great.”

Tongayi Chirisa: “I mean, it's actually pretty true. It's like, you know, like the pebble effect, you throw something in the water, it ripples out, but you don't quite understand, or quite know how far reaching it is, you know, until you start to get the feedback. So, I haven't personally heard anything, but I think if anything, is the testament, I think with it being released on Netflix a couple of months ago and being in the Top 10 for what, six to eight weeks, or something like that, I don't know what those numbers translate to, but I think that's a big deal to be top 10 for that long. So hopefully that that will translate to something monumental at some point. We'll know these numbers, but very excited nonetheless.” 

Ben Feldman: “I'll also say for me personally, and, specific to this particular universe. Anne Rice was like my mom's favorite. My mom passed away a couple years ago, but when she was around, she had Anne Rice posters all over her walls and pictures of her going to Anne Rice parties and vampires licking her cleavage and just like wigs, and she read all the books, and my mom considered herself a witch, and she did tarot cards, and she wrote in the witch language. So, for me, of the universes you could be a part of, I think this is such a really interesting and strange and bizarre one to be a part of. And that's how it connects to me. Specifically, it was one of the reasons why I joined, yeah.”
 
Harry Hamlin: “So, you grew up with pictures of witches licking your mother’s cleavage?”
 
Ben Feldman: “The picture in our office. Like, the biggest picture framed was, like, this guy, I think he had, like a leather collar with spikes on it, like it was a real S&M kind of dom situation. And my mom was, it was an Anne Rice party. And my mom had this, like, sequined, super low-cut dress and like a wig on and a witch hat. And he was… he was groping her. So that's… if anybody wants a little window into how I grew up.” (Laughter from all.)
 
Alyssa Jirrels: “I mean, I echo, I think what Harry said, and what everybody said, really. But it's, I wasn't super aware of Anne Rice, but it's a cool thing to sort of watch people come out of the woodworks, who are so passionate about this genre, like people who love the genre, love this genre. So that's very exciting to sort of get to see various friends and family’s obsession with, you know, things like this. And it was exciting to be in New Orleans as well, because they're so proud of Anne Rice, and it's really, it's a blessing to be able to kind of go into a new world in that way.”
 
This interview has been lightly edited and condensed for clarity.

Caution: This article contains spoilers for the Season Two Premiere of ‘Horror’s Greatest’. To revisit the Season One Finale, click here.
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It is definitely safe to say that the Shudder series, Horror’s Greatest, is one of the most unique horror documentaries to hit the airwaves in recent memory. Simply because it is designed to do more than the average horror doc. For it not only offers up suggestions for those who adore the genre and follow it closely, but it also serves as a gateway series for those new to the genre. Who want to learn about its wonder and that has given rise to a magnificent hybrid series that celebrates the genre and educates and thankfully, a new season of this refreshing series has returned to Shudder’s lineup.

For Tuesday saw the season two premiere of the show drop and ‘Animal Attacks’ did not disappoint. For once more, the series took the time to explore a vast overview of this subgenre of films. By of course, offering up a unique history lesson regarding what early animal attack films looked like and what gave rise to their creation. Which as it turns out, relates to the fact that there was a chance to offer early commentary on how we were transforming our world in a shockingly fast manner and that nature might opt to fight back in ways that we could not imagine because of that. An idea that was a little ahead of its time and led to a bevy of animal attack films that really didn’t offer up stunning scares.

But of course, that all changed in 1975, when a movie about a man-eating shark hit theaters. For Jaws figured out how to really tap into our primal fears regarding animal attacks and explored new horizons for scares, and that of course… became the watermark for the subgenre. Wherein every story that followed did its best to tap into that primal fear and thanks to that, we’ve been treated to some stunning animal attack films for decades on end. Some of which are quite camp, such as Piranha and Alligator, while others embrace the fun and the thrill of scares, such as Arachnophobia and Deep Blue Sea. But what matters most, is that these movies now harbor a structure that is impactful and having so many of these movies out there has helped us to understand their popularity and importance to us.

Which is related heavily to the fact… that they remind us of how fragile we are. Because despite being at the top of the food chain and literally being masters of the world, our bodies are not invincible and are easily damaged and we are cognizant of that fact, and that nature can surprise us at any moment, and inflict great harm upon us, physically. Which is scary, but such fears can be explored safely in these stories. Since they let us face our deep-rooted fears of spiders or giant sharks swallowing us whole, head on. Which in turn allows for us to process those long standing fears and worries, and potentially overcome them, and that makes these movies essential viewing and their own unique form of therapy, and that’s why we love them so.

If anything, this was just the perfect way to kick off the new season of the show. Because this is a subgenre of horror that honestly, we don’t pay enough attention to, despite the fact that animal attack movies are a huge part of horror and have been around for far longer than we often recall. So, it was great to see this series spotlight that and have some fine horror minds explore the meaning of these films and share some fine memories about their own encounters with them, and it does leave us eager for more of this show. So, that salty veterans can see what other corners of the genre are overlooked or learn of new films to watch, while the newbies get the chance to explore more of the majesty of the smartest and most dynamic genre out there. Until next time.

Caution: This article contains spoilers for the Season One Finale of ‘Horror’s Greatest’. To revisit the previous episode, clickhere.
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What’s fascinating about the horror genre, be it in print or on screen, is that it really is quite the exclusive club when it comes to the people that give it life and it makes sense as to why that is the case. After all, the genre really has never known this level of popularity before, and it was oft frowned upon by so many. So, it stands to reason that only a handful of giants would be the ones shepherding its fate, and we of course… thank them for it. Because without their love of the genre, we would not be here talking about it and celebrating it and what’s equally as wild… is that throughout the years of disdain and now success… there is one man who remains a constant in the genre… Stephen King.

For Mister King’s work is a big reason why horror is cool today, and his work is so prolific in print that filmmakers are eager to adapt it and bring it to life, and have been for ages on end, and that’s brought about a bevy of horror films from the true maestro of the genre. But which ones are worth watching? And of course, why is King’s work so popular from an adaptation standpoint? Well as it turns out, the season one finale of Horror’s Greatest on Shudder focused upon just that, and well, we definitely will walk away from ‘Stephen King Adaptations’ with a new appreciation for his work and a list of new stories to watch, since this episode covered so, so many.

Such as the biggest of the big. Like The Shining and Doctor Sleep. Two films that truly blend together the wonder of his work and the fear his stories are able to generate in all of us. Not to mention, this episode made sure to showcase many of his timeless stories. Such as IT. Specifically, the powerhouse two-part adaptation that recently arrived in theaters since that is a magnum opus in its own right. Plus, many, many, many of the cult classics that bear his name were put on display here. To properly educate the audience on the King visual library. Everything from such iconic stories as Cujo, Carrie, and Christine, to the many cult classics that we adore. Such as Salem’s Lot or Thinner.

But what really makes this finale worthwhile, is that goes far beyond just educating old and new horror fans regarding the catalog that Stephen King has brought to the table and mere recommendations. For it really takes the time to look at the impact his films and books have had upon the genre and how important his work has been. Not to mention, it outright breaks down what makes King’s work so powerful and poignant in horror, since he truly is a master of creating stories that are shockingly human, despite what’s happening in the story. Not to mention… he can make stories about rotten people compelling and unique. All of which made it clear, how important his work is to the pop culture landscape as well as horror, and it was wonderful to see this show offer more than a download of his many movies.

Because it is important to understand what makes the master’s work tick, and well… that was a nice way to wrap up season one of this unique show. Since it really did help us to understand why Stephen King and horror are synonymous and how his transcendent works have helped to lower the gates for horror and bring it into the mainstream. For people are eager to see scary stories now, and they are always eager to enjoy a Stephen King story on the small or silver screen. And well, now that we’ve reached the end of season one, the great news… is that we are hours away from the premiere of season two, and all the wondrous lessons it will send our way about what makes this incredible genre, so great. Until next time.