Caution: This article contains spoilers for the Episode Six of ‘The Haunting of Bly Manor’.
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The last time we settled in to discuss the wondrous Netflix series, The Haunting of Bly Manor, we talked at length about how ‘The Altar of the Dead​’ threw fans for a loop. Because we simply weren’t expecting the show to offer up a grand exploration on the afterlife, combined with plot related surprises. But that’s exactly what we were privy to and it left everyone wondering exactly what kind of stories we could expect from the series going forward. And rather than reinvent the wheel once again and throw us for another unexpected loop, the next episode of this sorrowful and ghostly saga, took the time to offer up something that was somewhat similar to the overall design of episode five.

For ‘The Jolly Corner’ is another hybrid tale, one that offers an examination of a particular topic, alongside some plot related surprises. But rather than postulate upon more philosophical supernatural matters, this particular tale was eager to explore elements of the human condition once again. Specifically, how some people shut down when trauma surrounds them and how difficult it is for them to escape the prison, they create for themselves. Something that was handled by having the audience spend a little time with Henry Wingrave, and our time with him, revealed some stunning facts. Such as how he and Charlotte Wingrave had quite the love affair behind Dominic’s back. To the point where Henry was able to father a child with Charlotte, since we also come to learn that he is Flora’s biological father. 

But it is that affair that led to Henry’s current and broken state. For once Dominic learned the truth about his brother, he cut him off from family contact, and their subsequent deaths sent Henry into a tailspin. To the point where he only wishes to reside within the safety of his office and even then, he finds ways to punish himself for his actions, by way of an imaginary alter ego, a twisted and evil one that finds glee in watching Henry-prime suffer. And really, what makes this segment so powerful, is that it not only harkens back to Dani’s journey and how she punishes herself for the loss of her fiancé, it also serves as the anthesis to that exploration. For this is what happens when we let the guilt consume our minds and our souls; we become prisoners of our pain and we relish in sorrow and guilt, and that makes Henry’s journey a sorrowful one indeed. One that he might be finally breaking free from if he is indeed serious about returning to Bly Manor to help his daughter and nephew.

For we came to discover that they are in some serious trouble, thanks to some other unsettling moments that this episode focused upon. Because something strange is happening within Bly Manor’s walls, in that, the ghosts that haunt this place are becoming far bolder in their actions and for proof, then look no further than poor Flora’s journey in this tale. For the specter of Rebecca continually made a point to follow or lead Flora into odd places and odd situations and the instant it seemed as though Flora was about to spill the beans about what was happening, she was quickly put into a dream like state, one where she re-lived an important memory from her past. Why this is happening exactly, isn’t quite apparent just yet. But what matters more, is that the spirits are so active right now that they’re starting to make themselves visible, and that’s definitely something new, and it looks like it is going to lead to serious trouble, since this discovery led to a head injury for Dani in the closing moments of this tale. 

Which is a far cry from the hopeful ending that episode five provided us with and really, in the end, this was simply a fascinating chapter in this story when all is said and done. For we finally understand what makes Henry tick, and why he’s so eager to drown his sorrows on a consistent basis, and it was quite shocking to learn that he is Flora’s father and loved Charlotte more than Dominic ever did. And hopefully he is committed to helping his kin since that would signal some growth for him. But the other reason this episode captures us so well, is because once again, it does a fine job of building a mystery. Because we are dying to know why Flora is a target of Rebecca’s spirit and why the ghosts are suddenly eager to appear to the inhabitants of this house. Plus, we’re also quite curious to see the love affair between Jamie and Dani grow since at long last they’re being open with one another and well, these elements outright compel us to continue the journey… to see how it is all going to come together in the end. Until next time.

Caution: This article contains spoilers for Episode Five of ‘The Haunting of Bly Manor’.
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It is a common belief that this age of information and technology, has more or less removed our ability to believe in matters of the supernatural or the unexplained and it is understandable as to why folks stand by that. For the internet is able to explain to us why certain strange phenomena happen, and science has in fact, solved a great many of the mysteries that plagued us ages ago. But in reality, there are still plenty of us out there who hold to those all-important elements because we don’t have the answers to all of our questions just yet. For example, while we fully understand why our bodies have to expire on a biological level, we are still quite curious as to what exactly happens to us after we die. 

Because thankfully, no one has returned from the grave to offer up a detailed report on what awaits us in the beyond. And if they did, then we have bigger problems on our hands. But all of that aside, we truly are curious as to what happens when we close our eyes one more time and take our final breath, and the endless possibilities of what could occur, has enticed creative minds to explore such matters, more times than we can count. And it just so happens that this particular concept is explored in great detail in the next episode of The Haunting of Bly Manor. A feat that ‘The Altar of the Dead’ accomplishes, by allowing for the viewer to spend time with one of the friendlier ghosts that populates this ancient and mysterious home, one Hannah Grose. 

Yes, that’s right, in this particular tale we come to learn that Hannah is in fact, dead and roaming the halls of Bly Manor and how and why that happened, we will get to in just a moment. Because what matters more about this exploration is that writer Angela LaManna postulates that death is something that is akin to a dream. For Hannah spends a lot of time reliving important moments that she experienced at Bly, the kind that helped to form her love of the children and her job, and that’s quite the unique way to present death. As a series of collected moments that feel familiar yet distant and the show gets serious props for not presenting anything too complex in regard to this notion. Because to do so would have removed the gravity of the moments that followed Hannah’s loose understanding of her current situation.

Because eventually her time in the world between worlds, allowed for her to understand that she can be anywhere she wants in time and see whatever she wants to see. Which in turn gives her purpose and reason to stay at Bly Manor as a spirit, since a great threat roams its halls at night. For his episode also revealed that the muddy tracks she’s cleaned up before, belong to a powerful spirit. One that is quick to cause harm when it sees fit, since it brutally murdered Peter Quint and trapped his spirit at Bly as well and that’s a noble and just reason to stick around, one that is further reinforced by the fact that Peter’s ghost is a threat in its own right as well. For he is able to inhabit Miles when he sees fit, and that’s why we’ve seen some odd and dark behavior from this young man and that is also related how Hannah died. Since Peter used Miles as a vessel for murder and well, that revelation and everything that precedes it makes for one unique episode when all is said and done. Simply because… it’s so outlandish and unlike anything else in this story. For the narrative is all over the place, in a purposeful fashion so that we are as confused as Hannah, lending credence to the notion that death is a dreamlike state.

Which is a brilliant way to explore a concept that so many of us ponder upon and the wonder of this tale doesn’t there. Because it also deserves serious kudos for finding a way to drop some surprises in our laps without telegraphing them in the slightest. Since everything involving Peter Quint and his fate comes out of the blue and takes you completely off guard. But truly, what makes this particular tale so worth the audience’s while, is that it postulates the theory that not all ghosts are evil, and that some are genuinely eager to save lives and help the innocent. Something that is a rarity in horror and really, in the end, this stunning tale definitely leaves the viewer out of sorts when it comes to a close. For we haven’t a clue what to expect from this show going forward since clearly, nothing is quite what it seems and that is a wonderful way to set up the second half of this season. Since it leaves us eager to continue the journey and see what other surprises await us as we explore the shadows of Bly Manor. Until next time.

Caution: This article contains spoilers for Episode 1516 of ‘Supernatural’. Also, to revisit Episode 1515, ‘Gimme Shelter’, click here.

As a child, for some ridiculous reason, my mother thought it would be okay for me to see The Shining (1980; Warner Bros.) in the theatre. I was only a few years older than the character Danny Torrance (Danny Lloyd) and watched in absolute horror as he navigated the film. I was so terrified that I left the theatre as Danny ran from his father (Jack Nicholson) into the snow filled maize. And though I don’t blame my mother now, at the time, I wouldn’t even speak to her immediately following. In her defense, I was already a horror fan at my young age. Plus, I’m not so sure really anyone was ready for just how truly frightening that movie was – and still is, right!?! I didn’t even see the full ending until I was a teenager and to this day, images of the film, consistently copied in pop culture references, still conjure up fear. I can only assume, based on my all too familiar feelings, that paying homage to this iconic film was the running theme of ‘Drag Me Away (From You)’ – sprouting one chilling tale. At the same time, writer Meghan Fitzmartin doesn’t let us forget that we’re nearing the end with a surprise visit from Death/Billie (Lisa Barry) while giving us some excellent past memories in the process. So, before you can say “This ain’t the freakin’ Goonies” …let’s get into it, shall we?
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Beyond all The Shining references, which I’ll get into in a minute, I want to address the absolute nostalgia I experienced while watching this episode. Because, whenever the writers take us back to Sam (Jared Padalecki) and Dean (Jensen Ackles) as kids, it fills me – and, I assume, most fans – with absolute joy for so many reasons. Flashbacks, in any genre, are designed to fill in gaps and enhance the existing story. While this is true here as well, in the Supernaturalverse, I argue, this is especially important, right? Fitzmartin purposely plops us between two previous flashback episodes picking up only a couple years after young Sam (Christian Michael Cooper) becomes privy to the monster world. Sam, having not yet been on a hunt, gives way for young Dean (Paxton Singleton), the protective big bro, to take center stage. This effortlessly ties into grown up Dean, who to this day, as yet another means of protection, continues to lie to Sam (insert eyeroll here!!). By the way, saying old Dean, rather than grown up Dean, just seems… mean (LOL!!). Especially considering the continuously hilarious jabs at his age this season (*wink*).
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All of the kids play their roles convincingly and the tie-ins are fantastic! Right down to Dean repeatedly teasing Sam about wanting to “be normal” and going to college. There’s even a reference to Sam’s imaginary friend which was simple, yet awesome!! I mean. You love Sully (Nate Torrence) too, right?? Plus, we see Dean’s Amulet again which I’m convinced will play a huge role before the end. Maybe in conjunction with the Interdimensional Geoscope back at The Bunker?? I was also crazy in love with the scene flips from old to young, specifically… seeing the boys getting in and out of the Impala. You? And Dean’s smooth-guy nature is perfect. Especially the vending machine scene. But what I really loved is seeing him, both young and old (LOL!), express TRUE fear! Because the monster of the week, with A LOT of help from the setting, was one of the scariest I’ve seen yet. Which brings me to my childhood…

We’re introduced to the story with the killing of adult Travis (Ryan Alexander McDonald) who also played the Trucker Demon in 9.11: 'First Born' – NICE! The setting is the Rooster’s Sunrise Motel. And in the beginning, the song ‘If I Didn’t Care’ (1946; The Ink Spots) plays in the background giving that ballroom music vibe spread throughout some of the most subtle mind twisting scenes in The Shining. There’s also a strong and purposeful emphasis on Room 214. That same kind of Room 237, don’t go in there feeling, is immediately apparent throughout. Beyond that, sharp corners and long hallway shots, with and without something at the end, inspire images of Danny riding his big wheel, no? And the colorful geometric patterns on the walls and floors of each room is beyond reminiscent to the floors in the famed Overlook Hotel (which was based off the Stanley Hotel) used in The Shining. Accomplishing both the mesmerizing and somewhat nauseating feeling I had as a child in the theatre all those years ago. Finally, the hallucinations created by our monster, similar to papa Torrance’s in The Shining, are spine tingling to say the least. Particularly during Dean’s hallway scene, am I right? As for the monster, though given a traditional witch-like appearance, she also carries a tinge of the old woman from Room 237 as well. Let’s take a closer look…

A new Big Bad to the Supernaturalverse, the Baba Yaga, as we discover, feeds on children. YIKES! But even more than that, she likes to play with her victims and having waited 20+ years, is hungry enough to enjoy some juicy adult revenge. WHOA!! However, it’s her ability to take on other people’s likeness and place her prey in a hallucinatory state while she traps them for feeding that’s creepy AF!! Not to mention her nest – filled with the bodies of missing children. Whose names, in true Supernaturalverse fashion, are taken from actual show crew members – NICE!! There’s also a pretty strong A Nightmare on Elm Street (1984; New Line Cinema) vibe at the abandoned cannery where this nest is located and I freaking loved it!! We learn the ring this creature wears is the source of her power. A common Supernaturalverse tactic made unique with the Baba Yaga lore as Sam states the ring is “technically, her heart.” WOW! And boy is she angry having been tied to the motel for all these years after young Dean separated her from her heart by chopping her fingers off. Her ending, with the final crushing of the ring is perfect. Green flames and all. Overall, a fitting monster to bring past and present together again, am I right!?!
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Having spent the majority of this episode on the hunt itself, Fitzmartin takes care to keep the arching story on track as Death appears to Dean during his food run. And I can’t forget to mention what he actually orders. Three burgers – one of them veggie. Presumably for Sam. This aside, I absolutely loved how Dean comedically – a beautiful sarcastic jab at Sam’s diet – says “Good for you,” when the waitress responds to his question about arugula or kale by saying they only have “iceberg and ranch.” LOL!!! The “Meat Man” was pleased! *BIG GRIN* As for Death, not so much. She delivers several bits of HEAVY news to Dean and scolds him in the process. God (Rob Benedict) is done with his, as Dean puts it, “Death Star level galactic genocide,” and is coming home… soon!! Death has also visited The Bunker and given Jack (Alexander Calvert) his final orders to complete “The last step in his transformation.” WHOA! Strange that Dean doesn’t even ask what said orders are, no? He does, however, question Jack’s dying as “Cosmic TNT,” and asks how she talked him into that one. By telling him the truth, she points out. Jack wants nothing more than the Winchesters’ forgiveness for killing Mary (Samantha Smith) and he believes that freeing them from Chuck’s “Hamster wheel” is the only way. Dean definitely doesn’t disagree as Billie says, “Was I wrong?” YIKES!! And with Amara on the hook, though I still question this, Billie – in reference to Sam’s moral dilemma with double crossing Amara – tells Dean to get his house in order. A huge moment of recognition as Dean still hasn’t even told Sam that he knows why Cas (Misha Collins) left and that Jack’s supposed to die too!! And to add to this little piece of news? According to God’s book in Death’s Library, her part in the story is done until the end. Wait… what?? Am I the only one not buying this? What the hell is Billie up to?? Manipulating Jack, that’s what!! She says it’s up to Dean now as he reluctantly responds, “One Messenger of God’s Destruction right here.” WOW!! This small scene had me laughing and completely uneasy in just a few minutes time. BRAVO!!

By the end, the monster is vanquished, but all’s not well as Dean comes clean to Sam on the drive home. Sam is as mad at Dean as we’ve ever seen him, right? I sat in tear filled silence as Dean tries to explain while Sam cuts him off at every turn. I mean. I wanted to love Dean for it since coming clean isn’t his strong suit. Plus, he did it back at the motel twice. Once to both Sam and Caitlin about not revealing the monster’s nest as a child and in the end to Caitlin about being scared – back then and now. WOW! But Sam is right!! About all of it! Right to question EVERYONE’S motives. Right to care what happens to Amara. And most of all, he’s right about just how bad it is to find out that Dean’s STILL lying to him. HOLY COW this scene was moving, ending as Sam turns to towards the window and says, “Just drive.” *SIGH*    

It’s hard to tell which scared me the most. The overall feel of the episode taking me back to childhood or the ending where Sam is finally done with Dean lying to him. And on such a grand scale!! Dean’s darkness, anger and pain allows him to stuff all this down. But Sam? Well… his “ethical questions” ALWAYS linger and now they’re not just about killing Amara anymore!! Wouldn’t you agree? And how about my predictions on Billie and Dean’s Amulet? Finally, what do you think Jack’s last step of transformation will involve? Let me know in the comments below or reach out to me @obi_juanita on Twitter and until next time… GO TEAM FREE WILL!!

At this point, it is outright safe to say, that the Shudder series Creepshow, had an utterly brilliant inaugural season. For not only did this delightful show encapsulate the spirit and the wonder of the original 1982 film of the same name, it also found a way to properly pay tribute to the horror genre as a whole. Since every single story that season one brought to life, took the time to examine the classic themes and monsters that permeate the genre. Which made those particular tales quite satisfying to watch to say the least. Since they offered up something for every horror fan out there.
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As an added bonus, these stories were also quite cerebral. For every episode made sure to work in a little commentary about the human condition, the kind that would definitely give the audience pause since everything these stories had to say about who we are was poignant and powerful and well… when a series does that great of job of realizing its potential and establishing what it stands for in year one, seasons that follow have some big shoes to fill. Because not only do the already high standards need to be maintained, but the show has to find a way to grow and enhance what it established in year one. A notion that left fans quite curious as to how the show is going to handle this unspoken rule of television in season two. But if A Creepshow Animated Special is any indicator of what we can expect from year two of this already iconic series, then we are in for one terrifying treat. 

Because this particular special makes it clear that the show is eager to explore bigger and more horrifying concepts, the kind that prey upon our most primal fears and a fine example of this, is the opening tale featured in this special; ‘Survivor Type’. For this particular story, introduces us to a man named Richard who is in quite the conundrum. Because he’s stranded on an island without any food or any hope of rescue and well, that means that Richard has to figure out how to survive. And it is the exploration surrounding our survival instincts that allows for this particular vignette to shine. For it asks us how far we are willing to go in order to see another day and in Richard’s case… well, let’s just say his decision speaks to the primal nature that resides within all of us. The kind that forces us to break the rules we normally embrace in modern society, in the most disturbing way imaginable.

But while that story alone could have carried this tale, there are more unsettling moments to be had in ‘Twittering from the Circus of the Dead’, a quaint little story that lulls us into a false sense of security. For this particular tale puts us in the back of a minivan with a young woman named Blake, who is on an arduous road trip with her family and has decided that chronicling her adventures on Twitter would be a delightful escape. Which in a way makes this vignette seem as though it is going to focus upon the raw horror of taking a road trip with one’s family. But once the fam arrives at a creepy looking circus in the middle of the desert, this particular tale takes quite the turn. For Blake’s family is clueless to the fact the the big act at this sideshow is quite dangerous and well, what makes this story stand out is that it does a phenomenal job of exploring how our ignorance can be quite dangerous to our health and it preys upon our fears of being isolated when trouble arises and that leads to one ugly ending.
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But while these two vignettes (based on stories from Stephen King and Joe Hill and adapted by Greg Nicotero and Melanie Dale, respectively) offer up some wonderful depth for certain and some delightfully gory moments, what matters most, is that they are utterly disturbing. Because both of these stories are about as bleak as they come and they each do a phenomenal job of building tension and a sense of outright doom and you definitely walk away from this episode in a dark and unsettled place and that’s a huge win for certain. Because it truly informs us that this series is going to hold nothing back going forward and that it is going to do its best to scare the hell out of us and make us uncomfortable and for horror fans everywhere, that’s a welcome feeling in an era of gimmicks and jump scares and musical stings. 

However, we would be remiss to not discuss the fact that the animation in this special, aids the storytelling in every way imaginable. Because it adds a surreal vibe to the storytelling, the kind that makes these vignettes feel akin to a waking nightmare that we cannot escape from. Plus, it also allows for some seriously disgusting gore to play out and of course… it feels akin to the comics that influenced this franchise in the first place. For there is a real E.C. Comics/Tales from the Crypt vibe to it all and that means Octopie, the studio that handled the animation, deserves some serious credit for their fine work here. In the end however, this really is quite the Halloween treat when all is said and done. Simply because this really is a top notch special, one that offers plenty of gore and guts and scares to satisfy the heartiest of horror fans out there and the best news of all, is that it is available to stream on Shudder right now and we certainly hope you watch it as soon as possible. Because A Creepshow Animated Special is horror at its finest. Until next time, kiddies.

We tend to believe, that the upcoming holiday season, is when gift giving really gets underway and understandably so. After all, we get to share in a wonderful meal with our family, which is a gift on its own, and come December, we search for the perfect presents for our loved ones. But if you’re a horror fan, you darn well know that gift giving season begins in October. Because networks and production companies know this is the perfect time to drop all kinds of scary stories in our laps and we are eager to get our hands on them, in order to enjoy a few uncomfortable shivers and feelings of fright during the Halloween season. 

But this year, the horror gift giving seems to be in overdrive and for proof, well then look no further than what Shudder keeps sending our way. For not only do we get to enjoy A Creepshow Animated Special tomorrow, but earlier today, we came to discover that season two of Creepshow is going to be quite the start-studded affair. For Shudder took the time to announce a bevy of new additions to the second season lineup of this phenomenal series and they landed some huge names for certain. Such as: Marilyn Manson (Sons of Anarchy), Ali Larter (The Rookie), Iman Benson (BlackAF), Ryan Kwanten (True Blood), Barbara Crampton (Re-Animator), C. Thomas Howell (Criminal Minds), Denise Crosby (Star Trek: The Next Generation), Breckin Meyer (Robot Chicken), Ted Raimi (The Evil Dead), Kevin Dillon (Entourage) and Eric Edelstein (We Bare Bears).

Which is a truly impressive lineup, since some of the names present here are in essence, horror royalty. And these fine thespians will join some other epic names that were announced earlier this year by Shudder. Wherein the network revealed the details of four of season two’s vignettes (to be directed by Showrunner/EP Greg Nicotero), and to refresh everyone on that cast roster and to build excitement further for year two; here are those details.

Per Shudder: Anna Camp (Pitch Perfect) and Adam Pally (The Mindy Project) will star in “Shapeshifters Anonymous” Parts 1 and 2, written by Greg Nicotero, based on a short story by J.A. Konrath (Last Call) about an unlucky soul who finds himself in need of a werewolf support group; Keith David (The Thing), Ashley Laurence (Hellraiser) and Josh McDermitt (The Walking Dead) will star in “Pesticide,” written by Frank Dietz (I Hate Kids), in which an exterminator makes an infernal bargain; and “Model Kid,” written by returning Creepshow writer John Esposito (season one’s “Night of the Paw”), is about a 12-year-old monster fan who turns to hand-built model kits to escape his unhappy reality. Additional titles and directors will be announced soon.

So, as you can see, the sophomore season of this incredible horror series is shaping up to be something quite special. Since that cast, combined with the skills of this already talented writing staff, will produce some genuinely chilling tales, the kind that should give us some quality nightmares. But while it is nice to know what kinds of stories await us in season two, this announcement does make the wait, all the more difficult. But the good news, is that A Creepshow Animated Special arrives tomorrow, and getting a chance to enjoy what that has to offer, should tide us over until the show returns in 2021.   

Caution: This article contains spoilers for Episode Four of ‘The Haunting of Bly Manor’.
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Perhaps one of the greatest mysteries out there when it comes to the human condition, is why we continually run from our problems and our feelings. Because deep down, each of us know that confronting the issues we face; will help us to grow and learn and bring us peace and strength as well. But despite knowing that, we still run and hide at every opportunity, and bury our emotions in an effort to appear strong and brave, while knowing full well that we are only delaying the inevitable. For the day will come when we can run from our problems no more. But while the reasons for such avoidances are often catered to the individual, there are some universal reasons as to why people do everything within their power to avoid dealing with those issues, and it just so happens that the next episode of The Haunting of Bly Manor takes the time to examine a couple of them. 

Which made ‘The Way It Came’ quite the poignant episode, one that was methodical in its examination of this topic. Because it genuinely took the time to help us to understand what would motivate someone to run away form their problems in the first place, and that means that Dani Clayton’s past finally came into focus, largely due to the fact that the death of Owen’s mother made her ponder upon her own loss and well, what we learned about Dani was heartbreaking for certain. Because prior to arriving at Bly, she was engaged, and preparing to spend the rest of her days with her high school sweetheart and while that should have brought her great joy and hope for the future, Dani was struggling with all of this. In part because she simply wasn’t ready, but also because… Eddie wasn’t what she wanted.

Because Dani came to discover that she had zero attraction to men and trying to navigate her newfound understanding of her sexuality and how to express that to Eddie, led to disaster. For before she could come out to him, Eddie threw a broken-hearted fit, one that eventually led to his death by way of a collision with a car. And learning of his passing and how he haunts Dani, is what led to the exploration in question. And as it turns out, our reasons for avoiding our problems or our pain relates to some supremely complex thoughts and powerful emotions. Such as fear. Because part of us believes that if we confront the ache in our heart and resolve it, the person that we are holding onto and grieving over, may suddenly leave our memories and that’s a terrifying prospect. One that we eventually learn isn’t real in the slightest.   

But truly, the most powerful part of this exploration came about when the story revealed that Dani, and in so many of us in the audience… are keen to hang onto our problems and our pain, simply because we believe that we deserve to be punished. A thought process that comes forth out of guilt primarily, since we believe that not saying goodbye properly or saying something salty before they left our lives makes us responsible for their end, and we need to carry this pain to atone for a moment that was in fact, completely and utterly out of our control. Which is something that Dani finally realizes by the end of the episode. Since we leave her in this particular tale, with a bottle of wine and her troubles and a determined look upon her face. One that speaks to how she is finally ready to make peace with what has happened. 
 
But what matters more, is that this particular tale did a phenomenal job of exploring some of the more ‘shameful’ and ‘selfish’ reasons that motivate us to avoid confronting our issues. And what it had to say here was brilliant and poignant and relevant, and kudos to this series for not passing judgment. Because this is all part of the grieving and healing process. But all therapeutic messages aside, this episode also shines for taking the time to finally fill us in on Dani’s backstory and what truly makes her tick. Because what we learned about her added depth to her already dynamic character and this grand reveal also leaves you rooting for Dani when all is said and done. For now, you want her to find the peace she craves and the right kind of love, since clearly spending time in the closet is ripping her soul to shreds and well… in the end, this episode just proves that Bly Manor really is a different kind of horror story. One that truly explores the power of the ghosts we carry and that is going to make for some incredible and moving moments as this unique ghost story continues along. Until next time.  

Caution: This article contains spoilers for Episode Four of ‘The Walking Dead: World Beyond’.
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Horror stories and zombie stories in particular, tend to stick to one big lesson when it comes to their commentary on the world. That way, the characters and the plot can provide us with a supremely important and poignant lesson. The kind that we can chew upon for days on end, and this is a method of storytelling that applies to the The Walking Dead Universe as well. For these stories of life at the end, do a wonderful job of using the dynamic characters that populate this devastated world; to explore every aspect of the human condition and all the good and bad that it has to offer. Which has led to some powerful moments for certain, the kind that have managed us to move us on a fundamental level.
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But while those kinds of moments have made for a special viewing experience, since emotional awareness is rare in zombie stories; they aren’t always the focus of the story in The Walking Dead and Fear the Walking Dead. For those shows have bigger goals in mind sometimes, and that is why The Walking Dead: World Beyond is such a refreshing venture. Because it really is the vehicle now driving the exploration of the human condition, since every episode of World Beyond has examined some powerful concepts in regard to trauma and loss and redemption and everything in between. And as an added bonus, as the show continues along, it’s also trying new things in regard to how these kinds of explorations play out. Take last night’s episode for instance. Since ‘The Wrong End of a Telescope’ was able to explore a grandiose concept in a unique and intimate manner by shaking up the traditional structure of this style of storytelling.

A feat that this particular episode accomplished, by breaking the group up inside the middle of a high school that they stepped into, to find shelter from a powerful storm. And by going their separate ways to check out the place and look for supplies, they were able to examine multiple and powerful concepts that related to the bigger one in question. Such as how we fear losing the people we care about. Something that both Felix and Elton explored as they searched the school. For Felix has seen some ugly things throughout the years, and despite his bravery, he made it apparent that he can’t handle the losses that have piled up since the world came to an end, and that’s precisely why he wants the group to turn around and go home to the Campus Colony. So that he doesn’t have to watch anyone that matters to him succumb to the horrors of this terrifying world. And this was quite the fascinating exploration to find in this story when all is said and done.

Simply because we don't see the characters in this universe speak that openly all that often. But Felix’s had no problem expressing his fears here, and quite frankly, throwing that into the mix, makes this the most relatable exploration that we’ve seen on the series to date. Since we’ve all been in Felix’s shoes and worried about the health and safety of our friends and family, to the point where we worry about losing them to something as simple as routine surgery. But what truly made this particular examination of the human condition so worth our while, is the sheer fact that it didn’t try to resolve our fear of losing those we love or even offer advice on the matter. It simply pointed out the fact that we share in this fear and it is justified, since death is an inevitability, and that’s a bold thing to do in a saga that has tried to resolve the root causes of our fears.

But while it was quite cool to see the show acknowledge a fear we all share, there were still more important ideas to dig into in this episode. Take Huck and Hope’s journey for instance. Since their quiet time together helped to remind us of the fact that our parents know more than we think they know, and that there will come a day when we realize that all the tough moments they made us endure, and the advice they offered us, weren’t to harm us, but to help us, and that is quite the important day in our lives. Because that is the day, we start to embrace their teachings and see the world in a new light, and it was quite incredible to be reminded of that moment and appreciate it by seeing Hope cross that threshold and this too was quite unique. Since once again, there was no lesson to be found here, just acknowledgement and understanding. But in the end, Iris and Silas’ segment of the story, and its ending, is what allowed for the audience to realize that we were being manipulated, in a good way, into a central theme storytelling wise.
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For their journey in this story focused heavily on the past, specifically what life was like for the students of this high school. Because everywhere they went, memories of joy and a life they don’t understand were on display and that left Iris and Silas wondering, what a normal childhood was like and if they will ever find the kinds of playful moments that everyday people did before the fall. And really the point of this segment and the story in general, was to serve as a reflection upon what it means to grow up. Of the moments where we realize that we have finite time on this planet, and that we should cherish every moment we experience because they will never come again. And seeing these intrepid characters come to this realization is a huge deal for certain. Because it allows for those who haven’t reached this crossroads yet to prepare for it in the back of their minds, all while allowing for those who have, to appreciate the significance of those moments and what they do for us.

But most important of all, it allows for our characters to grow up right before our eyes and this really did make for quite the brilliant episode when all is said and done. Simply because this was a masterful way to not telegraph what the story was looking to explore about the human condition, since at first glance this really just did seem like a transitional ‘day in the life’ episode. Plus, this type of detailed exploration reinforces the fact that week in and week out, we are going to dive into all kinds of powerful and unique topics about life and what it means to us and what it teaches us and that definitely motivates the viewer to continue this journey. To see exactly what kind of lessons await us and to see exactly how the show is going to surprise us while it teaches or reminds us about an important aspect of life, and of course… to also see where this plot is going take us.

Because this is still a zombie story through and through. One that features bad people and hordes of the living dead and the post-credits sequence is proof positive of that. Since we came to learn that the CRM is doing some horrible and twisted things in their quest to cure the world of walking death and that will likely add a sense of urgency to the story and everyone’s quest to get East. Because somehow, some way, the danger will be revealed. But since those are elements we will run into down the line, it is best we bask in the wonder of one fascinating tale. One that helped us to understand the wonderful care that went into crafting this series. Since it is slowly building to an incredible crescendo, which will allow for these characters to grow into something more before they face the CRM and all of their might and watching that unfold will make for one unique viewing experience. One that will change the landscape of how we tell stories that revolve around the living dead, forever. Until next time.  

Caution: This article contains spoilers for Episode 603 of ‘Fear the Walking Dead’.
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Thus far, season six of Fear the Walking Dead, has offered up some fascinating examinations in regard to the human condition. The kind that have outright questioned, what it actually takes for good and just people to survive in a world gone mad and thus far, the answer that the series has offered up in regard to that query, is quite powerful to say the least. For it has made it clear that operating within a grey area, and indulging our dark side as necessary, is perhaps the only way to survive insurmountable odds. And that’s motivated both Victor Strand and Morgan Jones to once again indulge in the darker behaviors and thoughts and more savage actions, that brought them this far in the first place and that’s also led to some shocking and poignant moments for certain. 

In fact, some of their actions have left the audience wondering if they will be able to recover from the dark place they’ve returned to, once this whole mess with Ginny comes to a close. But alas, that particular exploration will have to wait for another time. Because this series has plenty more to explore about the human condition and how people respond when faced with insurmountable odds and oppression. Such as exploring a concept that relates to a unique element that was briefly introduced during last week's episode. Because Victor and Alicia's long and winding journey toward Ginny’s Gulag last week, finally allowed for the audience to get a quick look at the world that Ginny has created, and uh… it’s not good. For what she’s put together is downright oppressive and terrifying, and it is clear that people have to work within the framework of her rules or face horrific and dangerous punishment. 

Which means that they live in a world of fear, and that kind of world is often without hope and that foundation is what led to the exploration in question in ‘Alaska’. For this particular tale pondered upon how exactly people find hope, or joy in a world that is devoid of those elements and Al and Dwight were the perfect vessels to conduct this exploration. For the two of them have been in some seriously rough situations before, the kind that seemed hopeless and terrifyingly dark. But they always seem to find a reason to go on, and believe in something more and once again, they found that here. In part by indulging in an age-old lesson when it comes to finding happiness or joy, by finding some kind of bright spot in the situation at hand.

In this case, that involved playing a little game. For Al and Dwight were now on a special mission from Ginny. One that involved looking for other groups of survivors. So, that they would either bring said survivors to Ginny's Gulch or document what went wrong at their respective outposts to prevent such a calamity from happening to Ginny's people. And thanks to the current state of the world; Al and Dwight found a lot of broken colonies and faced a lot of death and disappointment, and that motivated them to play a little game and collect drivers’ licenses like Pokémon, and it also dared them… to dream of a better life. One where they found their respective loves and were able to escape and just carve out a peaceful path for themselves, which definitely gave them a reason to go on with their unsettling mission, and oddly enough, this romantic daydream; was something that was suddenly potentially tangible for Al. 

Because Isabelle was still out there and Al had her hands on a CRM Radio and that allowed for her track her lost love’s movements and wouldn't you know it? Isabelle was coming quite close to their location. Which motivated Dwight to encourage Al to just go for it. After all, life was hell at this point, so why not just try and fight for something better? And that in turn motivated the both of them to huff it to the drop site in order to catch Isabelle in time and to also secure a solid body double/walker to help in faking Althea’s death. In order to keep suspicion away once she ventured off with her lady and well, once they got to the drop site, a new wrinkle came into play. Because this wasn’t some simple jaunt to the top of a building like Al and Dwight were expecting. For this building had a stronghold of survivors, the kind that were in distress.
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For rats were surging through this building and spreading bubonic plague and that motivated Al to do the unthinkable and press ahead and declare these folks immediately dead. Which spoke volumes to the fact that she was completely without hope at this point and eager to just escape the darkness. But seeing Dwight start to suffer from the plague since he had a run in with a rat, days before, and seeing the fight that the healthy survivors were putting up, helped to remind Al of quite the important lesson. In that, sometimes it is up to a single individual to inspire hope in others, even when that individual has none in their hearts. And that epiphany, motivated Al to not only wave off Isabelle. But to raid the CRM’s supply boxes. Which just so happened to have the supplies and medication needed to help these people, allowing for her to find hope through others, since she saved the day and many lives.   

Which means that we got our first real happy ending of the year. Since Al was able to get the group of survivors on the road to recovery and offer them a chance at a new beginning, and of course, this episode also found a way to examine how sometimes, holding out hope for something big in life, eventually pays off in spades. Because for ages now, Dwight has been hunting for his lost love Sherry and hoping for a grand reunion, and after he and Al saved the day and evacuated the survivors… he ran into Sherry and was able to embrace her after all these years. Which is quite the wonderful way to end this particular tale, since it puts a little hope into our hearts as well, since it suddenly seems as though things might not be so bad in the future for these characters, after all. 

If anything, this particular tale was quite the breath of fresh air, when all is said and done. Since it really did push the narrative into some uplifting territory and it was quite nice to have this story hammer home a message to hang onto hope regardless of the odds. Because that’s a message we all need right now. But while it was nice to have some warm and fuzzy moments in this tale, we would be remiss to not point out the foreshadowing that this episode presented us with, as well. For the creepy dudes with their apocalyptic messaging were the ones responsible for spreading the plague, implying that perhaps they believe that chaos and suffering is necessary to some kind of rebirth. But since their true intentions won’t be revealed until later on, it’s best we take the time to celebrate one uplifting and hopeful tale. One that reminded us to keep the faith and do our best to spread it to others, whenever possible. Because such an act, can bring about wonders untold. Until next time.  

Caution: This article contains spoilers for Episode 203 of ‘Eli Roth’s History of Horror’.
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It has often been said, that our bodies are in fact, temples, and that we should worship them accordingly and there is a lot of merit to that particular phrase and line of thinking. After all, our bodies and all the delicate and important organs inside of them are critical to our survival, and neglecting them and causing them harm, results in nothing but catastrophic trouble for us. Which is why we try, for the most part, to eat right and take care of them so that we never run into health issues with our bodies that we could have prevented. Which in essence means… we do harbor some fears in regard to the health and sanctity of our temples, the kind that are so deep rooted and troubling, that horror films are eager to pounce upon them and place them directly in the spotlight. 

In fact, body related horror films are so frightening and so impactful that they have their own rich history, to the point where they became the focus of this week’s episode of Eli Roth’s History of Horror, and well… what we learned about ‘Body Horror’ in this particular tale was supremely disturbing to say the least. Since this sub-genre is designed to tug at some deep-rooted fears, the kind that tend to wait for us in our nightmares. But before we examine the more unsettling aspects of these films, it is important to recognize that some of these stories aren’t as disturbing as their counterparts, since they have some important lessons to send our way, such as Clive Barker’s Hellraiser. For this particular tale goes beyond its gore and unsettling visuals to teach the audience an important lesson on obsession and how it can destroy us and consume us when we focus upon it and nothing more, as evidenced by Frank’s horrific journey in this tale. Which is quite the refreshing message to find in a body horror tale, when one considers the dark places that other ones go.

For films like Audition and Society hold nothing back in exploring the darkness of man, something they accomplish by injecting the age-old twist of ‘looks can be deceiving’ into their stories. Since the villains in both films appear to be everyday folks. But it doesn’t take long for these innocent or vapid people, respectively, to reveal to the audience that are in fact, horrific monsters. The kind that love to prey upon the innocent or the unjust and rip them to shreds in the most disturbing manner possible, of course, and really what makes these films so supremely horrific; are their lack of respect for the human body. For both movies treat flesh as toys and that leads to some supremely disgusting and bone chilling moments for certain, the kind that stay with you for ages on end since we genuinely expect our fellow man to have a little more respect for the vessel that sustains us. 

But truly, what makes body horror such a powerful sub-genre, is that it preys upon one of our most primal fears; the fact that we are terrified of losing control of our bodies. For we really do enjoy being able to run when we want or rest when we want and everything in between. So, when we are told that our bodies are corrupted with illness or are rejecting our commands because of something we cannot control, pure terror settles in and that’s precisely what movies such as Cabin Fever and pretty much everything David Cronenberg has ever made, take the time to explore. Granted Cabin Fever also explores the ills of man, but in the subtext of the film, it too relates to our overall fears of losing control. But undeniably, Cronenberg is the master of this sub-genre, since his movies are able to not only pluck at that terror on a primal level, but they put the flaws and the weaknesses of our bodies on full display, leaving us feeling vulnerable as we watch and that is quite the accomplishment. 

In the end however, this really was perhaps the most unsettling episode of this series to date, since it really did expose how much the fears we’ve outlined here, actually rattle us to our core. But that’s not a bad thing by any means. For horror and documentaries like this are designed to help us to face our fears and deconstruct them and hearing more about what people have taken away from these films and their experiences in putting them together, is healthy for certain. For now, we can approach these movies with an open mind, one that prompts us to examine the root cause of our fear, and that makes these types of stories as impactful and as influential as any other in the genre. But all unsettling visuals aside, this episode was in fact, quite good. For it really did teach us some incredible lessons about a sub-genre of horror that isn’t discussed enough and that definitely leaves one eager to see what other explorations await us as we continue our grand journey through the rich history of horror. Until next time.   

As the Halloween season begins to wind down, a great deal of us are starting to wrap up our spooky celebrations as we prepare for the upcoming Holiday season. But while turkey and presents are definitely going to be on our minds shortly, it is important to remember… that we still have a full week of Spooky Season left to celebrate.

Which means now is the perfect time to double down on the scary movies you planned to watch from your private collection or on a streaming service. In part to ensure that you achieve your viewing goals by Halloween, but also to clear your schedule for quite the wonderful horror event that is happening on Shudder, next Thursday.
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For earlier today, this iconic horror streaming service announced that the Creepshow Halloween special, now entitled; A Creepshow Animated Special, is going to make its debut on October 29, 2020. Which is the perfect way to bid farewell to the Halloween season since this particular special is going to offer up some dynamic tales of terror, and here are some details from Shudder, in regard to what you can expect from this special episode:

A Creepshow Animated Special features two stories directed by Creepshow showrunner Greg Nicotero, with animation by Octopie animation studio.
 
“Survivor Type,” based on the short story by Stephen King and adapted by Nicotero, stars Kiefer Sutherland (24, Designated Survivor) as a man determined to stay alive alone on a deserted island no matter what the cost.
 
“Twittering from the Circus of the Dead,” based on the short story by Joe Hill and adapted by Melanie Dale, stars Joey King (The Kissing Booth, The Act) as a teen whose family road trip includes a visit to the gravest show on earth.
 
As an added bonus, Shudder was also kind enough to release some delightful new artwork for this special (above) and a fascinating trailer as well, which we’ve included below. If anything, this is going to be a genuine Halloween treat. Since this series quickly established itself as one of the finest horror shows out there. Which means we can expect nothing less than top notch storytelling from this special, and some genuine scares and the prospect of a proper Halloween special from a network that understands the genre, is going to make the wait for this animated delight, a difficult one indeed.