One particular mental exercise that each and every one of us will take part in somewhere along the line… is pondering upon how great it would be to have total control over people. Where we could control their thoughts and their actions. Which is a fantasy that arises out of the fact, that people can be an outright pain in the butt to deal with, for a bevy of reasons. For instance, people can be stubborn and eager to resist suggestions that make life easier. Not to mention, they can be so rude and so cold for no reason and sometimes… they are just so much to handle from an energy and demand standpoint. So, we wonder how great it would be, to control the ones that annoy us the most.
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But of course, that fantasy eventually fades, and we get back to our everyday lives. Because there’s never going to be a day when we can get Dave from accounting to stop talking about the most asinine things ever. But alas, that irritation is simply part of the human experience and we do find ways to cope and find balance. But what if… the day actually came where we could control people with our minds? What would that look like? Would it give us the joy we hope for? Would it finally make life easier? Well as it turns out, storytelling is the best place to explore such concepts and believe it or not, one of the finest horror anthologies shows out there opted to ponder upon those questions and that possibility in its next episode.

For the Tales from the Darkside, episode, ‘Dream Girl’, takes the time to introduce us to a pair of people that well… grate upon one another’s nerves. For there’s Andrea Caldwell, a no-nonsense stage director that cannot stand her lazy stagehand Otto Schrog. Who seems to have taken a shine to her as cast members go missing at a critical time. Which brings forth a blow up between the two of them, one that reveals… that Otto has cracked the code to controlling human beings and now knows how to capture them and move them into a dream world where they are under his control and do his bidding… and Andrea is his next target, and she is soon privy to the horrors of Otto’s mental playhouse. But there is just one problem for Otto. In that, the people he’s locked away in his mind are coming to understand what’s happened… and they want Otto’s pedantic fantasies to end.

Which is a plot that quickly informs us… that being able to control others with one’s mind… would be a terrible gift to have. Simply because… it doesn’t matter how much supernatural power you have or how much control one chooses to exert… no human being wants to be put under someone’s thumb in that manner. For they have dreams, hopes, and desires in life and they will resist, and they will fight to have what they want. Yet, while that is indeed a fascinating lesson to learn, one that makes sense, it does beg a secondary question. In that, well, what if someone were to do this and be benevolent about it? Would that bring forth peace and quiet? To which the show states… no. Since a touch of kindness and a desire to level the playing field, just leads to a new jerk wanting to be the big boss, implying that this kind of power… would create a vicious cycle of sorrow.
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All of which makes, for a fascinating episode that in many ways… does not resemble the traditional horror present in this saga. But make no mistake about it… there are some creepy and unsettling elements here. For instance, there is the obvious one; Otto’s desire to exert control over people. Because it takes a twisted mind to make that happen, a real monster if you will and that’s eerie. As are the dream sequences that play out since you see normal people just fall under the spell of Otto and are helpless to resist him until he is at his weakest, and the thought of being stuck in that world, is equally as gross and scary. But above all, it’s the dream sequences that bring forth the terror here, since they are so surreal and outlandish that they truly disorient the viewer and confuse them and leave them uncomfortable, and this genre is all about that vibe.

But while there are some fascinating concepts here and some genuinely ethereal moments, let’s be honest… this is an episode that won’t appeal to all and understandably so. For this is in a way… almost gothic horror and features that slow burn style present within that subgenre that some find… boring. For lack of a better word. Not to mention, it does take a while to get to the good stuff and enjoy the messages at hand. Which makes this a slightly weaker entry in season two than some might like, but they cannot all be perfect tales of terror, and this episode does deserve some accolade. After all, it tried something new, something creepy, and effort goes a long way in this genre, but if by chance you watch this one and don’t like it… don’t feel bad in the slightest. Because while this is one is indeed ambitious, it is nowhere near perfect. Until next time, try to enjoy the daylight.

Caution: This article contains spoilers for Episode 305 of ‘Chucky’. To revisit the previous episode, click here.
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There are a great many aspects of the horror genre that continue to make it fascinating and important to the fabric of storytelling. After all, it holds up a mirror to our modern world and forces us to ponder deeply upon who we are as a species and a society, and of course… it is an emotional genre. One that ponders deeply upon our experiences and our traumas and one big aspect about it that doesn’t receive enough accolade, is the sheer fact that horror is one of the few genres out there that is eager to explore causality.  Because what happens in these stories is impactful and reminds us that our actions have consequences and never was the power of this more evident, than during last night’s episode of Chucky on SYFY and USA Network.

Because ‘Death Becomes Her’ spent a great deal of its time pondering deeply upon the power of causality and consequences. As evidenced by the fact that the president and his family, were more or less reeling with PTSD in this tale. Because the horrors that happened on Halloween hung heavy over the hallowed halls of the most powerful home in America, and that brought about either a mass psychosis within the White House, or an outright awakening of the spirits within. But one way or another, we saw everyone suffer greatly from what happened on that horrifying night, reminding us that death and destruction impacts so many and the show had more to explore regarding such matters, as evidenced by Jake and Devon’s journey.

For while they tasked Lexy with making another attempt to get back into the White House to get them access to Chucky, they dug deep into the origin of Chucky’s power and how perhaps they could use it to combat him. Which led to a road trip to visit the good doctor that gave Chucky a physical a few episodes ago. Which allowed for them to learn about Chucky’s condition and well… that revelation prompted Devon to really think differently about his relationship with Jake. Specifically, how perhaps they should just let nature take its course and let Chucky die. So, they could just live. Because they had spent so much time in the midst of the horrors of Chucky that they had yet to really enjoy life and all it has to offer, a move that spoke to the long-term impact of this nightmare, one that Jake talked Devon out of. To see this through and it is a good thing he did.

At least, it took a little while to understand that was the right call. Because initially, it seemed as though Chucky was ready to die as well. For he continued to deteriorate before our eyes, and well… the thrill of the kill was gone for him. Because despite killing a sassy maid with bleach, he could find no joy in the slaughter, and he truly thought… he would just let the kids come and take him out. A reality that spoke to Chucky pondering upon the consequences of his own actions and the path he’d taken, something you don’t see horror villains do that often. But before he truly committed to the end, Tiffany gave him inspiration since she finally took his call. In that, if this was the end, he had the chance to go out in a blaze of glory and kill as many as possible and that, gave an old dark soul grand inspiration to do the unthinkable.

Wherein Chucky hid and baited the president to attack him with renewed fervor and to rip out his eyes. To enjoy the thrill of the hunt, but also… to get his hands on the worst-case scenario. Specifically, the nuclear launch codes the President of the United States must carry at all times. So that he could burn everything to the ground before dying. A surprise that gave rise to real relief that the kids are coming, and that Jake pushed to keep the fight going, and this scary moment… also brought season three into focus. For now, we know, what Chucky’s endgame is, and this might be his biggest and baddest one to date. One grounded in consequences and legacy, and that made for one epic episode. One that was smart, quirky, and downright terrifying and it will be interesting to see how the final few episodes of season three play out, now that there’s a real sense of urgency hanging over this twisted journey. Until next time.

Caution: This article contains spoilers for the first half of Season 3 of ‘Chucky’.
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After carrying out a massacre in his hometown and upping the blood & carnage at a Catholic school, the Chucky TV show has made it clear that this big screen menace is just as sick and twisted in his small screen presentation. As the 2nd part of Season 3 prepares to premiere simultaneously on USA and SyFy, let’s see where the Good Guy Doll’s book of blood left us last time.

Season 2 finished things up on a number of cliffhangers as The Good Guy Trio (Jake, Devon, and Lexy played by Zackary Arthur, Bjorgvin Arnarson, & Alyvia Alyn Lind) were left in the care of their former teacher Ms. Fairchild after Chucky kills the last remaining parent (Mayor Cross), in an effort to save Glen’s life, Glen along with twin Glenda are transported back into their doll body renamed as G.G. and decide to travel England, Tiffany Valentine is framed and arrested for the murder of Mayor Cross, ultimately leaving Chucky on the run with Lexy’s younger sister Caroline. Season 2 gave us a lot more time with Tiffany, Glen & Glenda, and the various alter Chuckys. It kept the somewhat overabundant amount of storylines in season 1 to a small amount that allowed every character to shine while giving us some bloody kills and great character exposition. It also continued to shine in some of the areas that creator Don Mancini and his writing team have been terrific with in showing how these kids respond to these traumatic situations and deal with their grief, loss, and growing identity issues. Chucky at its core may be a show about a killer doll murdering dozens of people, but it hasn’t cut its heart out with all the carnage.

Season 3 was always going to be in a bit of a battle as even with some of the previous season’s cliffhangers, Chucky’s core story felt mostly complete. Sure, there are still some core characters from Chucky’s past that we hope are going to show up at some point (Detective Norris, Karen Barclay, DeSilva, the Kincaids), but in a weird comparison, Chucky feels a bit like the end of the Stephen Spielberg classic, Hook. He’s been on so many adventures that at this point, just to live is as exciting as it’s likely going to get. That doesn’t mean that Chucky needs to wrap it up anytime soon, especially as Mancini has recently said he’s working on another film in the franchise (theatrically, hopefully) and that he still has more ideas for the show, it just likely means that folks need to temper their expectations for where these stories will take our under 3ft killer in the future. Whether that means Space, versus another killer doll (Hello M3GAN), or… to the White House.

Season 3 plants us firmly at 1600 Pennsylvania Ave, Chucky currently masquerading as the doll “Joseph” is firmly planted with the First Family at the White House but is facing his toughest battle yet, as his god Damballa has apparently abandoned him, and after decades of moving body to body, human to doll, Chucky not only is growing old but dying. It’s honestly one of the more interesting storylines Mancini could take this, as the prior 2 seasons have already explored Chucky’s various foes facing off against him, Glen/Glenda coming & going, and more of the on again/off again relationship with Tiffany, we’ve been seeing more and more of Chucky’s power thru Damballa so getting to explore more of that seemed the most interesting path to go down. Chucky becoming more human isn’t completely a new thread though as the original 3 Child’s Play movies established the longer, he was in the doll’s body the more human he would become, so the idea that without Damballa’s power he would begin to naturally age makes a lot of sense. This storyline manages to provide one of the franchise’s best scenes ever where Chucky goes to see a doctor about his condition. We’ve seen some absolute hilarity from this franchise, but that scene is going to be hard to beat.
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Our story this season focuses on Chucky looking to carry out a string of murders that would put him back in the good graces of Damballa and hopefully stop whatever is going on with these changes. The Good Guy Trio, hot on Chucky’s trail, manage to find a way in after Lexy is able to connect with the President’s older son, but fail to stop their foe, resulting in the murder of Ms. Fairchild amongst others. It’s an interesting thread for Chucky to return to as the Good Guy Trio across the show have always had at least one adult they could fall back to, as the three all approach 18, they may have lost the guardian who could possibly look out for them. This season feels different as the Good Guy Trio seems almost as supporting characters this time around, and with Chucky’s screentime not going up too much more, there’s a bit of a weird absence in the 4 episodes we’ve gotten thus far.

Disconnected from the main thread, Tiffany Valentine (in Jennifer Tilly’s body) has been arrested and charged with the murder of Lexy’s mother, Mayor Cross. Thanks to testimony from Nica Pearce & the Good Guy Trio, Tiffany is sentenced to death but through the use of a voodoo doll may be able to escape from prison. After being so directly involved in season 1 events, and eventually brought into the carnage of season 2, it’s hard not to feel like Tiffany’s storyline just doesn’t have any connection to Chucky’s. Given how their relationship has left off most recently with the two attempting to kill each other, you would think Tiffany would obviously stay out of Chucky’s path, but I have to imagine that once she gets wind of his ailing nature that’s likely what’s going to bring her right back to her mini monster.

The various strikes from last year, definitely played a big part in the breakup of this season’s episodes, and I’m hoping that the 2nd batch really helps to fill that noticeable absence. Chucky clearly needs to do something even more outlandish than he can imagine, to find himself back in Damballa’s good graces, but it’s possible that that may not necessarily mean outlandish in terms of scope. The show so far has established that The Good Guy Trio and anyone of the previously established canon (Chucky, Tiffany, Glen/Glenda, Andy, Kyle, Nica) so far are off limits when it comes to death, anyone else can be killed off (sometimes numerous times, sometimes horrifically), but no one with too big of stakes (except Sarah Sherman, cause that one hurt me deep!) is biting the dust. Could it finally be time for Chucky to take a stab at one of its main players? They gave us a HORRIFYING fake-out with Alex Vincent’s Andy Barclay in the 3rd episode, but it’s possible that in order to properly appease Damballa, Mancini might have Chucky finally catch the number of his various foes in order to raise the stakes.
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The 2nd batch of episodes for Season 3 certainly have a lot of places they can go, with Tiffany possibly escaping from prison and Nica still out there somewhere, I have to expect that Chucky’s plot will undoubtedly bring those two back into in the fold. Chucky has to figure out something huge to save his life before time runs out, and with all the pieces moving into place, it may finally be time to play!

Lastly, I can’t leave things off without mentioning the absolute wonderful titles of Season 3’s episodes: “Murder at 1600”, “Let the Right One In”, “Jennifer’s Body”, “Dressed to Kill.” With the episodes “Death Becomes Her”, “Panic Room”, “There Will Be Blood”, and “Final Destination” remaining, it’s clear that the writer’s room is having an insane amount of fun with their stories this year!

‘Chucky’ Season 3 returns to air at 10pm EST Wednesday April 10th on USA & SyFy with new episodes available to stream the next day on Peacock.

Caution: This article contains spoilers for the motion picture, ‘Baghead’.
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It is definitely safe to say, that when trying times find their way into our lives, that we each respond to them in unique and fascinating ways. Some people for instance, find fury in having life get so difficult and unleash that fury in the hopes of finding a way to cope. While others, simply shut down and hide and process the events surrounding them as best they can, because that’s all they know how to do. While there are others… who acknowledge the ugly and put their head down and push through it, believing that the only way out is through and that the emotions that come from such events can be dealt with later once the dust has settled. But regardless of which path one subscribes to, they all equate to one thing: survival.

Because that’s all we are trying to do as we cope with loss, grief, difficult times or big changes that stress. We just need to survive until tomorrow, until the dawn arrives, and our problems are gone, and those paths help us do that. Thankfully though, that need to survive fades when peace arrives, so life can go back to normal. But for some folks, there’s little chance they will let those survival mechanisms go. Because the clarity it affords them, the strength it gives them… is too powerful to let go. So, they hang onto it, keep it fresh, consequences be damned, and there will be consequences for not letting it go. Since survival mode is never meant for long term use and well, the potential dangers of what could happen and who we could become in prolonged survival mode, is top of mind today… simply because it serves as the central exploration of the new Shudder horror feature, Baghead.

A feat that this film accomplishes by introducing us to a woman named Iris Lark who… is struggling badly. Because she cannot get a break in life, and she is constantly in motion and working to survive and well, for a brief moment… it appears that peace is upon her. For a phone call from a solicitor reveals that her estranged father, Owen, has passed and he left her a massive and quaint pub for her inheritance. Which would indeed turn her fortunes around. But shortly arriving at the pub and moving into its living quarters does Iris come to learn she’s inherited a nightmare. For she is now the guardian of a horrible spirit that lurks in the basement, one that can allow for folks to communicate with the dead for two minutes before causing emotional trauma, and the being known only as Baghead is ready to move beyond parlor tricks and live in our world, and it will indeed be up to the new owner of the property to keep that from happening.

Which at first glance, seems more akin to a story grounded in notions of the sins of the father and how they haunt us, with some commentary regarding our inability to let death go, peppered in, since others are eager to speak to the dead beyond Iris. But those are merely support plot devices, designed to help bring the central exploration into play, which is showcased by way of Baghead and iris. For Iris obviously, is in survival mode in this story and pushes hard and does whatever it takes to keep going, to find her peace and if that means stepping near evil, so be it. Which brings forth some consequences, the kind that inform us that going this route does bring harm. To others and ourselves because we don’t take time to think in survival mode, we just do and when we play with the wrong concepts to find peace, disaster will strike, and people will get hurt.
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All of which properly explores the negative power of survival mode and showcases how it can be dangerous to ourselves and others when it goes on for too long. But what’s truly impressive about this horror feature, is that it takes it exploration regarding survival mode one step further. Specifically, by having Baghead personify it. For this monster is survival mode to a tee, since it provides the fear that propels people forward in this story, and teases peace before ripping it away, prompting the characters to push harder and harder to obtain it. Not to mention, it’s desire to consume and be in charge, reflects those dangers nicely, and that makes for one brilliant horror feature. One that properly showcases this concept in a manner that is both supremely fascinating and also incredibly terrifying.

After all, this is still a scary story and by virtue, it is Baghead’s spiritual nature that brings forth the scares. Since its ability to bring forth the dead to converse, and weaponize emotion leads to some genuinely horrifying scenes that feel relatable since they prey upon some of our most primal fears. Not to mention, the camera work, the setting, and the lighting and some delightful editing choices lead to some solid and impactful jump scares. The kind that genuinely make your skin crawl, and leave you worried about what’s to come and those scares, and those powerful explorations bring forth a story that is refreshing and original in nature and truly keeps you guessing from beginning to end with the mythos it creates and the broken characters it presents us with. Ones that teach us to let go of what we think keeps us strong when we have a moment to breathe, since it can poison us worse than what we left behind.

Truly, few shows in 2023 caught our attention the way that Anne Rice’s Interview with the Vampire did. Simply because, audiences quickly understood that this series was and remains the vampire story that fans of the genre have been waiting for. One that is dark, brooding, and terrifying in all the right ways, but is also progressive and explorative, since it features representation and concepts that the genre has long held back from pondering upon. And we love it so much, that we have poured over every detail as fans, and we are eager to consume anything relating to the upcoming second season. 
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Which is something that AMC is aware of, and it is why they are being so kind and are sending gifts our way often now. For hot off of the release of the extended season two trailer, AMC has just dropped a second, season two trailer, and some key art and updated details for the show. Which we are happy to share with all of you. Because much like us, you’re counting down the seconds to the return of this dynamic and compelling series, one that truly does continue to impress with its amazing storytelling and proper respect of this iconic tale. 

‘AMC Networks released a second riveting trailer for the new season of the critically acclaimed series Anne Rice’s Interview with the Vampire, premiering May 12, 2024 on AMC and AMC+, during tonight’s season finale episode of The Walking Dead: The Ones Who Live. The network also released the first of a series of key art images for the highly anticipated return of the second season. The series stars Jacob Anderson, along with Sam Reid, Eric Bogosian, Assad Zaman, Delainey Hayles and Ben Daniels.
 
The interview continues in season two. In the year 2022, the vampire Louis de Pointe du Lac (Anderson) recounts his life story to journalist Daniel Molloy (Bogosian). Picking up from the bloody events in New Orleans in 1940 when Louis and teen fledgling Claudia (Hayles) conspired to kill the Vampire Lestat de Lioncourt (Reid), Louis tells of his adventures in Europe, a quest to discover Old World Vampires and the Theatre Des Vampires in Paris, with Claudia. It is in Paris that Louis first meets the Vampire Armand (Zaman). Their courtship and love affair will prove to have devastating consequences both in the past and in the future, and Molloy will probe to get to the truths buried within the memories.
 
Season two of Anne Rice’s Interview with the Vampire is executive produced by award-winning producer Mark Johnson, creator and showrunner Rolin Jones, Mark Taylor, along with Christopher Rice and the late Anne Rice.’

One giant benefit that comes with being a fan of The Walking Dead Universe, is that the saga is always in motion. There’s always a new show or new season on the horizon and the fans enjoy non-stop excitement regarding that fact, by often getting little sneak peeks or announcements as we transition from one to the other and that golden TWD rule was adhered to shortly after the finale for The Walking Dead: The Ones Who Lived aired on AMC and AMC+ last night. For the series premiere of Parish hosted a special sneak peek of season two of The Walking Dead: Daryl Dixon – The Book of Carol. 
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A sample that informed us that the next chapter in this saga is on the horizon and that the second most important power couple in the franchise will be showcased once again, in some form or fashion, and well, if by chance you missed that sneak peek or are just now hearing about it… we have it, and updated details on season two, to share with all of you. So, we can all begin to properly countdown to the next chapter in the TWD Universe and take part in the tradition of seeing what lies ahead from a franchise that always has something in motion for its loyal fans. 

‘AMC Networks debuted a sneak peek from season two of The Walking Dead: Daryl Dixon – The Book of Carol, premiering this summer on AMC and AMC+, in last night’s season premiere of Parish. The new season picks up where The Walking Dead: Daryl Dixon left off, following fan-favorite characters Daryl Dixon (Norman Reedus) and Carol Peletier (Melissa McBride). They both confront old demons while she fights to find her friend and he struggles with his decision to stay in France, causing tension at the Nest.
 
The Walking Dead: Daryl Dixon – The Book of Carol stars Reedus, McBride, Clémence Poésy, Louis Puech Scigliuzzi, Laika Blanc Francard, Anne Charrier, Romain Levi and Eriq Ebouaney, andis executive produced by showrunner David Zabel, Scott M. Gimple, Reedus, McBride, Greg Nicotero, Angela Kang, Brian Bockrath, Daniel Percival, Jason Richman and Steve Squillante.’

Caution: This article contains spoilers for the Finale of ‘The Walking Dead: The Ones Who Live’. To revisit the previous episode, click here.
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Over the course of the past few weeks, we’ve talked at length regarding the many incredible moments and explorations that the hit AMC series, The Walking Dead: The Ones Who Live has sent our way. For not only has this show finally explored what happened to Rick Grimes and Michonne after they exited the primary storylines of the flagship series The Walking Dead, but it has also taken the time to ponder deeply upon terrifying modern concepts. Such as what’s causing the rise of rhetoric in the modern world and the seeming indoctrination of individuals that otherwise wouldn’t ever place doubt in science and common sense.

All of which has given rise to some terrifying storytelling. The kind that has made it clear what the source point is, and how easily this happens in our world and its left us worried for our own future and the future of the world of The Walking Dead Universe. Since there seems to be no end to these issues in either world. Which is why the finale of this phenomenal series is of note. Because it brought all of those explorations and meaningful moments together to inform, that while our worries are sound, and while the days may indeed be dark now… dawn will come. There will be a moment when people do band together, to say enough to such nonsense, and fight back against it, and expose it for the masses so the trance will be lifted. 

Courtesy of… a decision to stand. A decision to fight back and stop at nothing to make sure the fearmongers cannot have their way and that is precisely what ‘The Last Time’ provided us with. A fight against the Civic Republic Military, one that would finally expose its rotten core, heinous crimes, and manipulative ways. One brought to life by two of the greatest heroes this new world has ever known, Rick Grimes and Michonne. Who finally made their way back-to-back to base, and once they arrived, they immediately got to work on handling their own respective plans to take the fight to Major General Jonathan Beale. Which for Michonne meant, finding the Dossier that Jadis/Anne left behind to cause trouble for Alexandria. A move that she was swift and successful in accomplishing, which brought safety to home and let a tiny measure of peace wash over her. 

Whereas Rick, settled back into the fold as a Major Sergeant to gain Beale’s trust and finally receive the Echelon briefing. Which turned out to be a terrifying talk for Rick, one that was extended to Michonne in a unique manner. For she spotted a mission briefing taking place while Beale prepared tea for Mister Grimes and once they both settled in to learn, did the next horrors ahead unfold. For it was quickly revealed to Michonne (and eventually Rick) that Portland, the last anchor of the Civic Republic, was slated for termination in the same manner that Omaha was destroyed in The Walking Dead: World Beyond. Largely because fear had completely and utterly consumed Beale. Because of his incorrect understanding of the situation at hand. 

Which according to Beale, was about the survival of humanity. Since the walking dead now were traveling the countryside in million strong herds and of course, there was that data floating about that only fourteen years remained for all of humanity. Ergo, mankind needed a stronghold. A central point from which to grow and that had to be the home of the Civic Republic, and the CRM had to protect it and drive humanity’s return. So, Portland would fall, and its destruction would generate enough fear to facilitate Martial Law in Philly and in turn, end democracy and freedom and then… genocide would come to fruition. Wherein communities such as the Commonwealth, Alexandria, and possibly whatever became of M.A.D.R.E. would burn to the ground in the name of a fresh start, to enact a fascist, fearful, agenda to regrow the population from Philadelphia, under Beale’s maddening watch.

But that was something… neither Rick nor Michonne were good with. So, they stood tall, banded together, and pieced together quite the plan. One that would see Major General Beale die and become the one thing he hated the most, alongside an unfortunate lackey, so they could use the dead to deploy a Nat inspired explosive device. One that would poison Beale-loyal CRM forces and bring about the investigation that was needed to stop further bloodshed and tyranny. And despite Thorne’s extreme efforts to put a stop to this plan, since she was able to figure out that Rick was up to something… the explosion took place as expected and the core of the Civic Republic Military, collapsed on that very day and what came next… was nothing but pure beauty through and through.  

For the Civic Republic government did indeed transform the Civic Republic Military, into a force for good. One that brought forth hope and resources during these trying times, instead of instilling fear, which likely helped the M.A.D.R.E. team and the Commonwealth and Alexandria and speaking of Alexandria… these brave actions brought forth one beautiful ending for this series. Because after years of pain and want from being away from their children, Rick and Michonne finally saw Judith and RJ again, and in doing so, the story not only brought the lessons present here regarding a need to fight and a need to stand against tyranny and lies, home. But that beautiful ending also spoke to why it’s so important we be rid of this nonsense. Because there are things more important in this life. 

Such as the children we raise and the tomorrow we look toward. Because there is only one human race and only one world we call home, and living in fear of nonsense or worrying about which side is right, which deity is the correct one, and whether or not the votes were there or if shareholders made their dividend is a waste of time. We should instead turn our attention to the next generation and ourselves and be better, want better, so tomorrow is about so much more. Such as the moments we are left with at the end of this tale and well, that makes The Ones Who Live, quite the pertinent and powerful tale. One that truly took The Walking Dead Universe into bold new territory and gave us so much wonder and so many magnificent moments that we of course, want more of. But if this is indeed the happy end for Rick Grimes and Michonne that we’ve been waiting for, then this will indeed, do. For they fought for the future, for what was right and were rewarded with peace at last, and it doesn't get much better than that, for a farewell story.

Truly April is quite the amazing month for horror fans for one reason and one reason alone. In that, we are halfway to Halloween. The favorite holiday of horror fans everywhere, and truly… this is a time of year that horror fans celebrate mightily at home. Courtesy of watch parties of our favorite spooky stories, or we take part in celebrations that others send our way, such as the one that Shudder has prepared for us. For Shudder is the premier horror streamer, and they are more than happy to celebrate the Halfway to Halloween mark in epic fashion, as evidenced by their lineup for this momentous occasion.
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For not only will Shudder be home to more of season six of the highly acclaimed series, The Last Drive-In with Joe Bob Briggs, but they will be releasing some epic horror features. One of which has the horror world abuzz as you read this, and well… since you’re eager to plan ahead for this wonderfully terrifying, unofficial holiday, here is Shudder’s April 2024 Halfway to Halloween programming lineup. One that will send shivers down our spine as we continue to countdown the days to the return of Sam Hain. 

Directed by Colin Cairnes and Cameron Cairnes 
Streaming On Shudder April 19 
Available in US, CA, UKI 

Synopsis 
October 31, 1977. Johnny Carson rival Jack Delroy hosts a syndicated late night talk show ‘Night Owls’ that has long been a trusted companion to insomniacs around the country. A year after the tragic death of Jack’s wife, ratings have plummeted. Desperate to turn his fortunes around, Jack plans a Halloween special like no other, unaware that he is about to unleash evil into the living rooms of America. Starring David Dastmalchian (Oppenheimer) and Laura Gordon (Reckoning). 

Directed by Sébastien Vanicek 
Streaming On Shudder April 26 
Available in US, CA, UKI, AU 

Synopsis 
Director Sébastien Vanicek makes his feature film debut with a story that follows Kaleb, who is about to turn 30 and has never been lonelier. He’s fighting with his sister over a matter of inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a bazaar and brings it back to his flat. It only takes a moment for it to escape and reproduce, turning the whole place into a dreadful web trap. Starring Théo Christine (Suprêmes), Finnegan Oldfield (Final Cut), Jérôme Niel (Smoking Causes Coughing), Sofia Lesaffre (Les Misérables) and Lisa Nyarko. 

Shudder Original Series 
Season 6 Episodes Continue Biweekly LIVE Premieres on Shudder TV 
Friday, April 12; Debuts on-demand Sunday, April 14 
Friday, April 26; Debuts on-demand Sunday, April 28 
Available in US and CA 

Synopsis 
The supersized sixth season continues with all-new episodes debuting biweekly. 

April 1 
Mute Witness 
A mute makeup artist working on a slasher movie being shot in Moscow, is locked in the studio after hours. While there, she witnesses a brutal murder, and must escape capture. 
The Gates 
A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he is in, and all of those in it. 
Drag Me to Hell 
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point. 
Ghost Stories (2017) 
After receiving a file with details of three unexplained cases of apparitions, skeptical professor Phillip Goodman embarks on a terrifying trip. 
The Rental 
Two couples rent a vacation home for what should be a celebratory weekend getaway. 
At the Devil’s Door 
A real estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there. 
The Wind 
A plainswoman faces the harshness and isolation of the untamed lad in the Western frontier of the late 1800s. 
Summoning Sylvia 
A gay bachelor party turns spooky when sinister spirits are suddenly summoned. 
Madman 
A legendary psychopathic murderer stalks a summer camp. 
*The Last Drive-In: Joe Bob’s Dinners of Death: Madman episode also available 
Spookies 
A wicked sorcerer tries to sacrifice a group of people inside his house with the intention of using their vitality to keep his wife alive. 
*The Last Drive-In: Joe Bob’s Dinners of Death: Spookies episode also available 
Creepshow 
Five grisly tales from a kid’s comic book about a murdered father rising from his grave, a bizarre meteor, a vengeful husband, a mysterious crate’s occupant, and a plague of cockroaches. 
April 4 
Gateway 
In an ordinary abandoned house – on what could be your ordinary street – a gang of desperate criminals have found something – or it has found them. 
Wake Wood 
The parents of a girl who was killed by a savage dog are granted the opportunity to spend three days with their deceased daughter. 
Emelie 
A couple’s replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities. 
April 8 
Children Shouldn’t Play with Dead Things 
Two estranged siblings go to their late scientist father’s farmhouse to make sense of his incomplete work. They soon discover an evil entity, buried in time and space for millions of years, has been released and begun wreaking havoc. 
The Third Saturday in October 
When a psycho goes on a murderous rampage after surviving a botched execution, only two survivors of his initial attack can stop him. 
The Third Saturday in October Part V 
Follow an implacable killer as he stalks and butchers the occupants of houses across the stretch of one lone country road while the residents prepare to watch a yearly college-football bout. 
April 15 
The Tunnel 
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story, it quickly becomes clear the story is hunting them. 
The Tunnel: The Other Side of Darkness 
On the 10th anniversary of the Australian found footage film The Tunnel, this documentary delves into the filmmakers endeavors to challenge how films are financed and distributed, and the lasting impact The Tunnel had internationally. 
April 22 
The House of the Devil (2009) 
In 1983, financially struggling college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger. 
*The Last Drive-In: Joe Bob’s Dinners of Death: The House of the Devil episode also available 
The Innkeepers 
During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel’s haunted past begin to experience disturbing events as old guests check in for a stay. 
The Changeling (1980) 
After the death of his wife and daughter in a car crash, a music professor staying in a long-vacant Seattle mansion is dragged into a decades-old mystery by an inexplicable presence in the mansion’s attic. 
*The Last Drive-In: Joe Bob’s Dinners of Death: The Changeling episode also available 
Final Cut (aka Death Games) 
A reporter and his girlfriend follow around a famous actor/entrepreneur and discover some dirt on him to be made public. 
13th Floor 
As a child, a girl witnessed her father electrocute a young boy. When she grows into an adult, the ghost of the murdered boy appears to her, and together they set out to expose the crimes of her father. 

Caution: This article contains spoilers for the motion picture, ‘You’ll Never Find Me’.
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We really have reached a unique point in horror history. For the genre has in essence, reached an evolutionary point. Where it is no longer just about horrible monsters that go bump in the night because audiences have demanded more of the genre. Specifically, fans have made it clear they want the genre to turn its attention to the biggest monster of all, humanity. So that we can better understand the dark side of the human condition, and what brings it to life, so that we can quell the darkness and improve as a species and make horror features pure fantasy over reflections of what we see on the six o’clock news when someone makes a terrible choice.

Which is a demand that has led to some stunning storytelling from the industry. The kind that has now showcased how trauma is a monster and a ghost we carry with us everywhere. How addiction can transform us into the worst version of ourselves and of course… how and why people do indeed choose to cross the line and commit harm against others, and well… the genre is showing no signs of slowing down when it comes to these explorations. In fact, it appears poised to take them to the next level, as evidenced by a brand-new horror feature that was recently released on Shudder entitled, You’ll Never Find Me. A disturbing film that takes us places we never expect to go; the final minutes of a person’s life and into the mind of the person that took it.

A feat that this story accomplishes by plunging us into an uncomfortable night, in the middle of nowhere. Wherein a man named Patrick is waiting for… something in the silence of his trailer. What exactly, we don’t know, we just know he is deeply disturbed by the arrival of a young woman in the midst of a storm. For he clearly does not want her there for reasons that are not initially quite clear. But as this woman spends time with Patrick and learns about his past and why he’s so nervous and so oddly calm with the prospect of death, does it become clear that Patrick is supremely dangerous and loves to rob young women of their lives, and she is his next target. Unless of course, she can turn the tables on Patrick as he laments and struggles with the reality that he must kill again and that… this visitor is not what she appears to be.

Which at first glance, appears to be a plot grounded in more American Psycho-esque concepts. Since that summary really doesn’t make it clear as to whether or not Patrick has committed a crime and quite frankly, neither does the film to the very, very end. But it does become evident that Patrick is in fact, a serial killer and well… that makes everything that leads to that all-important moment… horrifying in nature. Since it deeply explores what those final moments look like for a person, and what it showcases regarding that, is utterly horrifying. Since we are privy to the fear and the terror that surges through one’s veins before losing their life, giving rise to a morbid perspective on death and how quickly it comes for those in the hands of monsters, and how hollow and disgusting that moment can be.
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A move that does indeed showcase the cruelty that man is capable of, and how much evil goes into the act of murder. But this film offers us so much more. By also taking us inside the mind of Patrick, wherein we learn what motivates him to kill, and that is designed to teach us what creates this evil. Which relates to a true destruction of one’s mind and psyche through trauma and darkness. The kind that piles upon a soul and never leaves and is sometimes self-inflicted. Since we also come to learn that that Patrick remembers deeply the lives he’s taken and struggles with the act to a certain degree. Postulating the real possibility that being a monster akin to Patrick is a tortured existence, one filled with regret and fear and well… that’s the bright spot in this film.

Because it means that the monsters suffer, and the monsters are indeed scared and small on the inside, and that’s welcome comfort in a motion picture that is as bleak as they come. Because this one, is dark and twisted and truly savage from beginning to end. To the point where you are uncomfortable the minute the story starts and well… that deserves endless praise, as does every single second of this story. Simply because this is that rare horror film that not only pushes horror into new territory and explorations, but truly offers up visceral emotions that leave you squirming in your seat. Making this a grand experiment in raw fear as well, one designed to immerse us, and that makes this a must-see feature. Because this one really does take us on an emotional rollercoaster and gives us plenty to ponder upon, and you can never go wrong with a horror film that accomplishes such thoughtful and unsettling feats.

Caution: This article contains spoilers for Episode Five of ‘The Walking Dead: The Ones Who Live’. To revisit the previous episode, clickhere.
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It is definitely safe to say, that the hit AMC series, The Walking Dead: The Ones Who Live, is offering up some of the most ambitious storytelling for the franchise in years. For not only is the show taking the time to put Rick Grimes and Michonne through the wringer emotionally and challenge them in ways they’ve never been challenged before, but the series is also eager to examine core aspects of our world and society that the franchise hasn’t dug into before. Such as what is creating the wanton madness that people seem to be succumbing to, and how we can stop that on a more personal level in our lives. 

Which would be plenty for the audience since we could pour over that for months and years on end. But this ambitious series isn’t even remotely done with its examinations regarding the troubles of the world right now, and its possible fixes, as evidenced by last night’s tale. For ‘Become’ was a story that flat out pondered upon, what would us everyday folks need to do, to push back against the lies, and the rhetoric that are happening at the highest level, and put a stop to it? Because it is not enough to change one heart and one mind at a time, we need this to end, so we can finally move forward in this, the 21st Century, and well… what it offered regarding that was fascinating.

After that is… we enjoyed the wonder of a love story. Because this episode picked up a little while after last week’s tale, wherein we came to learn that Rick and Michonne had made some strides in their voyage east. For they made their way to Wyoming and clearly, they were reconnecting as a couple. For the laughter was returning to their relationship, as were the endless smiles that spoke to a connection that only true love can provide. Plus, as they healed emotional wounds and reconnected, they also discovered how to be heroes again. For while in Wyoming they found a lovely place to say the night near the national park, and while there… they found people in great peril.

Which meant, our heroes swooped in to offer rescue, and lessons as well. Because sadly, heroism and a meal weren’t appreciated by this group, and they turned their weapons upon Rick and Michonne. Which was a stupid mistake of course since they are the best of the best in the world of the dead. So, they humbled them, stepped aside, and went back to healing their love and well… that was when quite the surprise came into play. In that, they were not alone at their quaint little cabin. Because a stranger followed them through the night and knew exactly how to evade the traps and warnings that Rick and Michonne set up to enjoy a good night’s rest, all because the Warrant Officer of the Civic Republic Military wanted to complete her mission.

For Jadis could not let them escape and could not risk the truth about the CRM getting out, even though Rick and Michonne wanted no part of it. So, she turned her weapons upon our heroes and paid quite the price for offering up a grandiose explanation as to how she found them, why she chased them and how perhaps… death would serve their families well. Since she stated it would keep Alexandria and every other community that way a secret. But it was a price so dire that Jadis, the woman who outright killed Huck and committed atrocities untold, went on the run and enlisted the help of those renegades in the woods to try and trap Rick and Michonne and fulfill her plans and well, that’s when the lesson at hand came into play.
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Because the little cat and mouse game that Jadis played at a nearby museum/makeshift shelter, wherein Rick and Michonne spoke to morality and standing up against tyranny put Jadis on a unique path. Wherein she reflected upon how she visited Father Gabriel in secret, where she could be Anne and speak freely about her crimes, and those chats helped her to understand in the midst of the chaos surrounding her… that she was choosing an ideology over anything else. An ideal instead of what was actually right. And pondering upon those lessons from her love, put her in a tough place, where she began to waiver and began to question if Rick and Michonne had the right perspective. But for a time… it seemed as though she would only side with the Civic Republic Military.

But a bite from the monsters she created in this instance, combined with the cunning nature of our heroes and an idea from Michonne, changed her perspective. For Michonne correctly pointed out what we’ve known about the CRM for some time now, how it is not the way and needed to be destroyed. Which was what Anne needed at the end, and she offered Alexandria freedom, along with a blessing to destroy the CRM from the inside to finally bring the right balance to the world. All of which taught us… that to end this madness we first must all make a choice, and really decide which side we want to be on, with an open and clear mind. So, we can see what Anne saw here in her final moments, specifically… that she committed to evil in the name of fear, from the promise of greatness that would never come, and once a fair number of us have done that and picked the right side… comes the hard work.

For not everyone will see things as we do, which means… we have to rally. We must do whatever it takes to showcase the lies and the wrongdoing of those who are making evil promises under the guise of protection and prosperity. For the truth will set us free and while that is easier said than done, those are fine lessons to learn here, the kind that may indeed come to fruition during next week’s finale, since Rick and Michonne are ready to teach the CRM the ultimate lesson in humility. But while we anxiously await to see what that battle will look like; we can celebrate another amazing tale from this series. One that reminded us just why we love Rick and Michonne so much, saw the return of Seth Gilliam as Father Gabriel, and it gave a proper sendoff to Jadis/Anne and Pollyanna McIntosh deserves a round of applause for her work here. For this was a great send off, and she will be missed within the fabric of the franchise as the years roll along. And now that Jadis has found her redemption, and the stage is set for a final showdown with one disgusting villain, all we can do now is sit and countdown the minutes to the end of this incredible season of storytelling. Until next time.