Caution: This article contains spoilers for Episode 202 of ‘Horror’s Greatest’. To revisit the Season Two Premiere, click here.
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One the best aspects of the horror genre, is the sheer fact that it can take anything from our regular world and turn it into a scary story. For example, the movie, Thankskilling. A saucy horror-comedy that resolves around a Thanksgiving turkey eager to turn the tables and the blades on people. Something only horror could make happen, and it doesn’t end there. Since we’ve seen killer ice cream men stab people with a vanilla cone and believe it or not… this is a genre that can even take romantic concepts and turn them into something scary.

For proof, well look no further than this week’s episode of Horror’s Greatest on Shudder. Simply because ‘Killer Dates’ was the focus of this week’s journey through the genre, and the show was eager to showcase the bevy of horror stories revolving around the darkness that can accompany dates and love, in the most creative ways no less. Since stories such as My Bloody Valentine speak to matters of the heart, blood and all, and we’ve seen some unique variations of evil romance stories take place within the genre. Such as what happened to dear Carrie in Carrie, since she was basically baited and switched, romantically, into being the school’s joke, only for that to backfire.

But of course, we were also treated to explorations regarding the trauma that love can cause since Terror Train works within that realm and well… that’s really what made this episode so wonderfully special. The fact that it very succinctly broke down how love works so well in the genre. In part, because love creates great fear within us all. Because love is the unknown and it scares the hell out of us to put ourselves out there and really be so vulnerable in order to find it. So, these movies in many ways, express those fears and help us process them. Since there is really little chance a bad date will end with us say… getting sliced and diced a la Audition. So, that helps us to cope a bit, and these films also help us process another fear regarding love.

In that, we are terrified of being rejected. Of having that special someone humiliate us and harm us emotionally by not wanting us or perhaps falling out of love with us. And these movies ponder upon that as well. Since they do indeed express the shame, we feel when embarrassed and the terror of rejection. All so that we understand… that’s just part of life, and we have to go through that to grow and such pain will help us to find our real partner and if we cannot handle and understand all that… well then, we end up like the monsters that don’t get over it. Making some of these stories cautionary tales if you will, impactful ones for certain and these examinations made… for one engaging tale.

One that truly, went far deeper than other episodes from this series. Which isn’t an insult by any means, since we’ve established that this show is about education and introduction. But here, it was all about the learning and the wonder of these movies and that’s just fine. Because in a way, that does accomplish the core goals of this series. Since it helps the horror lover learn about a subgenre that is impactful and fun, and the newcomers get to understand how deep horror can go and how well it helps us to face our fears and hopefully… we see a few more episodes in this vein in season two. Because it was just riveting from start to finish since it truly showcased horror’s wonder. Until next time.

Caution: This article contains spoilers for the Season Two Premiere of ‘Anne Rice’s Mayfair Witches’. To revisit the Season One Finale, click here.
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When we last settled into enjoy the wondrous AMC series, Anne Rice’s Mayfair Witches, we were left with a real sense of worry. For while Dr. Rowan Fielding came into her own with her powers and accomplished some wonders, she was also… the victim of a long con. One involving an ancient prophecy that involved some manipulation from members of the Talamasca, and her own family, that eventually made her the mother of the seeming spawn of Satan, Lasher. Leaving us to wonder what would become of Rowan, and Sip for that matter as well, since his desire to do the right thing put him in hot water with his bosses and well, thankfully, the season two premiere of this magnificent show, let us know what was to come of our heroes.

In that, tough days were ahead because of those moments. For instance, ‘Lasher’, informed us that Sip was basically on the run and doing his best to avoid accountability, and of course the many, many deaths that had come forth in the family, brought other members home. Since Moira Mayfair, a no-nonsense Mayfair, returned to this iconic city to spit some truth and demand some answers, two things the family does not care for in the slightest. But above all, this episode made it clear that Rowan, was in a tough place. Because she was indeed now a mother… to a being that was growing at a shockingly rapid rate. To the point where Lasher was a teenager in a matter of days. Which prompted Rowan to try and figure out what to do with Lasher and how best to understand if he was indeed the dark threat all thought him to be.

So, Rowan dug deep into the family’s archives to learn more about him and even went so far as to contact an old friend named Sam Larkin to try and understand Lasher’s DNA in an effort to explore his growth spurts and the sheer fact that a spirit was now a corporeal being of sorts. Which allowed for the story to fool us and make it seem as though good moments were ahead instead. Because Rowan was a caring mother. Granted, she was caring for a son that consumed an unholy amount of milk and hid in the shadows. But he was safe and found some comfort and care from family members. Which in turn seemingly sent out good vibes into the world. For Sip was brought in and told that he was going to be just fine as long as he played ball and did his duties as asked. Which involved helping to capture Lasher. Plus, Cortland paid a penance for his twisted actions. By spending time in a weird space between spaces where ghosts haunted him.

Not to mention, Rowan found some agency and direction again as a healer. Since she spent a little time at the hospital the family owned. Wherein she was able to use her powers to help others know what would become of their health and she of course, asked Josephine if she could take the job that was offered to her in this place. So, she could start to rebuild her life after such a harrowing turn of events. Plus, even Lasher for a short time… seemed to be acclimating to his humanity. Since he was quick to obey at last and was even learning how to dress like a gentleman. But his creepy need to express his desire for his mother put her in a tough space again… and soon after, the dark clouds on the horizon gathered regarding this family and the troubles that lie ahead. 
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Simply because, Lasher’s needs and wants extended beyond what he expressed in the house and begged for in an unwholesome manner. So, he set out into the world to find what he needed, and it did not take him long to do so and that cost another person their life. Which rightfully brought him into the realm of punishment once again. For he brought the body of the woman he killed to the homestead and was banished to the basement. All so Rowan could try and use her powers to save a life, but alas… she could not… and she was forced to bury the body and make amends with the reality that Lasher was and would remain a monster, and there was little hope of saving him from that darkness, and she would have to do something about him. What exactly, she did not know in that moment, for bigger issues were at hand.

Mainly because while Rowan was handling dark family business, Lasher, now fully grown, broke out of the house… and it was revealed he killed another Mayfair before rushing off into the night. To undoubtedly cause more mischief and harm, setting the stage for dark days ahead. Wherein Rowan will have to make difficult choices. But while we wait to see how she handles this mess, we can celebrate, one intense season premiere. One that did not waste a single second and plunged us back into this world in an epic manner, all to let us know… that we need to buckle up. For a dangerous rollercoaster lie ahead, one that will take our breath away as a manipulated mother makes some difficult choices regarding the fragile future of her family. Until next time.

Truly, the first season of Anne Rice’s Mayfair Witches on AMC, was quite the bold venture. In large part because the show opted to lean hard into its gothic roots and offer up a slow-burning tale. One that focused heavily on Dr. Rowan Fielding and her life, and the sprawling discovery of how her bloodline tied into the world of the supernatural. All of which is a bit uncommon in this day and age of storytelling, where the push is to grab one’s attention and really wow an audience. Which isn’t a bad thing by any means, since we do enjoy some epic stories from that edict. But one really cannot go wrong with a little old-school gothic horror, and the wonder of season one didn’t end there.
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Because it also updated the story to speak to relevant and timely issues that women face in the modern world. Plus, that slow-burn approach helped to flesh out this incredible world and introduce us to the Talamasca and the lore surrounding the Mayfield family. But above all, it set the stage for a harrowing journey for Rowan. One where she would face great challenges because of the darkness that slowly crept into her life. Of course, we’ve all been waiting patiently to see how she handles such madness, but thankfully, we are now but days from learning what will become of Rowan after being tricked into carrying Lasher, and we here at NTG thought it would be worthwhile to review season two ahead of its Sunday premiere on AMC, in a spoiler-free manner of course.

Mainly because, if you’re reading this, you’re eager to learn more and also because… there’s a lot to celebrate about season two of the show. Such as the fact that its juicy plot offers up a dynamically different second season. For it does pick up shortly after season one with Rowan dealing with the fact, she is now mother to a demon. Which isn’t a spoiler, since we all knew it was coming. But that reality, puts Rowan and so many other characters on a path of discovery. Wherein they must all ponder upon their choices, their past and the reality of the world they live in. Giving rise to a supremely cerebral second season that is quite introspective at times, regarding some heavy concepts that horror is just now diving into. 

Not to mention, with a year of storytelling under their belt, the writers’ room of this series opted to up the ante storytelling wise. Which brings forth a far more intense season that moves at a breathtaking pace. Not to mention, there’s some new characters in the mix this season, named Moira Mayfair and Sam Larkin, played by Alyssa Jirrels and Ben Feldman respectively, who further enrich this story and bring about poignant conflicts that relate to that journey of the discovery. And the end result of all of these elements, is an intense and thoughtful new season of storytelling. One that truly stays with you when an episode ends courtesy of some fascinating commentary on the human condition. But above all, it ups the ante and creates new stakes for these characters to overcome. 

Plus, we would be remiss to not point out, that there’s just some amazing acting to be found this season. Which is saying something, considering that everyone involved sold their characters in a dynamic manner in season one. But again, a second season brings comfort and familiarity that the actors can use to their advantage. In addition to the fact that so many of them commit to giving us their best. Out of a sense of elevated professionalism or a love for the source material and well, the best news of all is that we are but days away from enjoying more of this magnificent show. For season two of Anne Rice’s Mayfair Witches, arrives on January 5th on AMC and AMC+, and we cannot wait for all of you to enjoy one incredible season of storytelling, one that does Anne Rice proud.

Nerds That Geek was able to attend a roundtable interview with cast members, Harry Hamlin (Cortland Mayfair), Tongayi Chirisa (Ciprien Grieve), Alyssa Jirrels (Moira Mayfair), and Ben Feldman (Sam Larkin), wherein they offered the following answers to a question posed by this article’s writer: “What does it mean to be part of such a huge franchise?”

Harry Hamlin: “You know, I'm just going to jump in quickly on that, from the inside out. And I've been in some franchises before. Then some, you know, some shows that were considered big. We don't really know that on the inside, you know, you have that perception of what we're doing. We are just showing up for work every morning and doing the next indicated action. And then you guys form your opinion about whether it's a big franchise or not. So, I'm glad to hear that you think it is a big franchise. That's great.”

Tongayi Chirisa: “I mean, it's actually pretty true. It's like, you know, like the pebble effect, you throw something in the water, it ripples out, but you don't quite understand, or quite know how far reaching it is, you know, until you start to get the feedback. So, I haven't personally heard anything, but I think if anything, is the testament, I think with it being released on Netflix a couple of months ago and being in the Top 10 for what, six to eight weeks, or something like that, I don't know what those numbers translate to, but I think that's a big deal to be top 10 for that long. So hopefully that that will translate to something monumental at some point. We'll know these numbers, but very excited nonetheless.” 

Ben Feldman: “I'll also say for me personally, and, specific to this particular universe. Anne Rice was like my mom's favorite. My mom passed away a couple years ago, but when she was around, she had Anne Rice posters all over her walls and pictures of her going to Anne Rice parties and vampires licking her cleavage and just like wigs, and she read all the books, and my mom considered herself a witch, and she did tarot cards, and she wrote in the witch language. So, for me, of the universes you could be a part of, I think this is such a really interesting and strange and bizarre one to be a part of. And that's how it connects to me. Specifically, it was one of the reasons why I joined, yeah.”
 
Harry Hamlin: “So, you grew up with pictures of witches licking your mother’s cleavage?”
 
Ben Feldman: “The picture in our office. Like, the biggest picture framed was, like, this guy, I think he had, like a leather collar with spikes on it, like it was a real S&M kind of dom situation. And my mom was, it was an Anne Rice party. And my mom had this, like, sequined, super low-cut dress and like a wig on and a witch hat. And he was… he was groping her. So that's… if anybody wants a little window into how I grew up.” (Laughter from all.)
 
Alyssa Jirrels: “I mean, I echo, I think what Harry said, and what everybody said, really. But it's, I wasn't super aware of Anne Rice, but it's a cool thing to sort of watch people come out of the woodworks, who are so passionate about this genre, like people who love the genre, love this genre. So that's very exciting to sort of get to see various friends and family’s obsession with, you know, things like this. And it was exciting to be in New Orleans as well, because they're so proud of Anne Rice, and it's really, it's a blessing to be able to kind of go into a new world in that way.”
 
This interview has been lightly edited and condensed for clarity.

Caution: This article contains spoilers for the Season Two Premiere of ‘Horror’s Greatest’. To revisit the Season One Finale, click here.
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It is definitely safe to say that the Shudder series, Horror’s Greatest, is one of the most unique horror documentaries to hit the airwaves in recent memory. Simply because it is designed to do more than the average horror doc. For it not only offers up suggestions for those who adore the genre and follow it closely, but it also serves as a gateway series for those new to the genre. Who want to learn about its wonder and that has given rise to a magnificent hybrid series that celebrates the genre and educates and thankfully, a new season of this refreshing series has returned to Shudder’s lineup.

For Tuesday saw the season two premiere of the show drop and ‘Animal Attacks’ did not disappoint. For once more, the series took the time to explore a vast overview of this subgenre of films. By of course, offering up a unique history lesson regarding what early animal attack films looked like and what gave rise to their creation. Which as it turns out, relates to the fact that there was a chance to offer early commentary on how we were transforming our world in a shockingly fast manner and that nature might opt to fight back in ways that we could not imagine because of that. An idea that was a little ahead of its time and led to a bevy of animal attack films that really didn’t offer up stunning scares.

But of course, that all changed in 1975, when a movie about a man-eating shark hit theaters. For Jaws figured out how to really tap into our primal fears regarding animal attacks and explored new horizons for scares, and that of course… became the watermark for the subgenre. Wherein every story that followed did its best to tap into that primal fear and thanks to that, we’ve been treated to some stunning animal attack films for decades on end. Some of which are quite camp, such as Piranha and Alligator, while others embrace the fun and the thrill of scares, such as Arachnophobia and Deep Blue Sea. But what matters most, is that these movies now harbor a structure that is impactful and having so many of these movies out there has helped us to understand their popularity and importance to us.

Which is related heavily to the fact… that they remind us of how fragile we are. Because despite being at the top of the food chain and literally being masters of the world, our bodies are not invincible and are easily damaged and we are cognizant of that fact, and that nature can surprise us at any moment, and inflict great harm upon us, physically. Which is scary, but such fears can be explored safely in these stories. Since they let us face our deep-rooted fears of spiders or giant sharks swallowing us whole, head on. Which in turn allows for us to process those long standing fears and worries, and potentially overcome them, and that makes these movies essential viewing and their own unique form of therapy, and that’s why we love them so.

If anything, this was just the perfect way to kick off the new season of the show. Because this is a subgenre of horror that honestly, we don’t pay enough attention to, despite the fact that animal attack movies are a huge part of horror and have been around for far longer than we often recall. So, it was great to see this series spotlight that and have some fine horror minds explore the meaning of these films and share some fine memories about their own encounters with them, and it does leave us eager for more of this show. So, that salty veterans can see what other corners of the genre are overlooked or learn of new films to watch, while the newbies get the chance to explore more of the majesty of the smartest and most dynamic genre out there. Until next time.

Caution: This article contains spoilers for the Season One Finale of ‘Horror’s Greatest’. To revisit the previous episode, clickhere.
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What’s fascinating about the horror genre, be it in print or on screen, is that it really is quite the exclusive club when it comes to the people that give it life and it makes sense as to why that is the case. After all, the genre really has never known this level of popularity before, and it was oft frowned upon by so many. So, it stands to reason that only a handful of giants would be the ones shepherding its fate, and we of course… thank them for it. Because without their love of the genre, we would not be here talking about it and celebrating it and what’s equally as wild… is that throughout the years of disdain and now success… there is one man who remains a constant in the genre… Stephen King.

For Mister King’s work is a big reason why horror is cool today, and his work is so prolific in print that filmmakers are eager to adapt it and bring it to life, and have been for ages on end, and that’s brought about a bevy of horror films from the true maestro of the genre. But which ones are worth watching? And of course, why is King’s work so popular from an adaptation standpoint? Well as it turns out, the season one finale of Horror’s Greatest on Shudder focused upon just that, and well, we definitely will walk away from ‘Stephen King Adaptations’ with a new appreciation for his work and a list of new stories to watch, since this episode covered so, so many.

Such as the biggest of the big. Like The Shining and Doctor Sleep. Two films that truly blend together the wonder of his work and the fear his stories are able to generate in all of us. Not to mention, this episode made sure to showcase many of his timeless stories. Such as IT. Specifically, the powerhouse two-part adaptation that recently arrived in theaters since that is a magnum opus in its own right. Plus, many, many, many of the cult classics that bear his name were put on display here. To properly educate the audience on the King visual library. Everything from such iconic stories as Cujo, Carrie, and Christine, to the many cult classics that we adore. Such as Salem’s Lot or Thinner.

But what really makes this finale worthwhile, is that goes far beyond just educating old and new horror fans regarding the catalog that Stephen King has brought to the table and mere recommendations. For it really takes the time to look at the impact his films and books have had upon the genre and how important his work has been. Not to mention, it outright breaks down what makes King’s work so powerful and poignant in horror, since he truly is a master of creating stories that are shockingly human, despite what’s happening in the story. Not to mention… he can make stories about rotten people compelling and unique. All of which made it clear, how important his work is to the pop culture landscape as well as horror, and it was wonderful to see this show offer more than a download of his many movies.

Because it is important to understand what makes the master’s work tick, and well… that was a nice way to wrap up season one of this unique show. Since it really did help us to understand why Stephen King and horror are synonymous and how his transcendent works have helped to lower the gates for horror and bring it into the mainstream. For people are eager to see scary stories now, and they are always eager to enjoy a Stephen King story on the small or silver screen. And well, now that we’ve reached the end of season one, the great news… is that we are hours away from the premiere of season two, and all the wondrous lessons it will send our way about what makes this incredible genre, so great. Until next time.

One particular question we ask ourselves often in the modern world, is whether or not bad people… feel any sense of guilt or remorse for the horrible things they say and do. And we ask that question, simply because the world is a sour place right now, one where bad people are in positions of power and influence and day in and day out, they say awful things and they commit to awful actions and causes. The kind that marginalizes people, or discriminates and inspires violence and well… how the hell does a person that inspires that… sleep at night? Knowing full well they caused harm to another human being in the name of a political party or ideology, and part of hoping for a ‘yes’ answer… is that it might bring forth a sense of accountability.
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So that maybe, just maybe… they’ll stop. But they don’t. So, we believe that the answer to that question is a big fat ‘no’. But in reality, they do feel a measure of something for the actions they partake in. It might not come in the form of a sleepless night, like we’ve experienced when we commit to an act that is out of the norm for us, but it is there and often in private. As is likely the real accountability in their souls for the awful things they’ve done. But what does that look like? And quite frankly, when would that kind of tortured remorse come forth? Well, it just so happens that a horror feature that recently screened at Dances With Films, explores the answers to those questions in a stunningly uncomfortable manner in Our Happy Place.

Which this film accomplishes by plunging us into a tough period of time for a woman named Raya. For her life has transformed in so many ways. For not that long ago, she and her husband Paul were living the good life and enjoying the spoils of a happy marriage, but Paul fell ill and is nothing short of an invalid and Raya is simply beside herself. For her life now consists of caring for him and hoping desperately for his return and the stress of this appears to be having a horrible negative effect upon her. For she has begun to sleepwalk and awakens in the morning often, in the middle of the woods, cold and alone. Which scares her to no end since it is unsettling behavior, and that prompts her to try and figure out the root cause, and that too causes strife. For it leads Raya down a rabbit hole that uncovers some dark secrets about her husband and her life, the kind that make it clear she’s punishing herself for letting darkness persist.

Which is a supremely creative way to get to that central theme. Simply because, the vast majority of this feature plays out like a good ol’ fashioned spiritual horror flick. Wherein it seems that something evil and sinister is stalking this couple from the darkness of the night. That in turn, leads to some solid sour vibes and some wondrous scares. Wherein the tension is as thick as can be and where one is dreading what awaits in the shadows, and that’s just fine. Since the movie pitches itself to be a horror film, and there’s nothing wrong with delivering on that promise. But truly, the horror vibe and setting are nothing more than a ruse. Because truly, this is a story about whether or not bad people feel remorse and whether or not they punish themselves the way the rest of us do for their actions.
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That is explored once Raya begins to uncover the truth about her marriage and her life, and while we won’t spoil what she uncovers here, because that would ruin the ending to a carefully crafted film, what we will say… is that it does indeed properly explore how there is remorse and punishment for evil acts for people that commit to them. For bad deeds do surround this marriage, and indifference to certain actions is what Raya took part in. Which means a lot of what she experiences here is guilt based, and perhaps manifestations of a hellish punishment she believes she deserves. Which adds unique depth to this story and catharsis for the audience. For at last, we see guilt for rotten acts, we see suffering over what indifference creates, and the ending does indeed bring all of that together in a manner that truly satisfies. 

Which comes courtesy of a well written script and great direction from Paul Bickel, who also plays Paul in this story. And he has assembled a smart film, that is filled with lovely surprises and dark twists and turns that truly compel you to finish the journey to understand the complete story of what happened here. Plus, Raya Miles, who plays Raya, does an amazing job selling the confusion and the pain present in this story and all of these elements allow for a compelling and engaging horror story to come to life. One that truly does explore how bad deeds are punished and how bad people suffer for their actions, all while treating us to some solid scares that stay with you long after this story has come to an end. Courtesy of a quality exploration of the dark side of the human condition, and the penance for those who choose to embrace it in any capacity.

There was a time where themed television content was relegated to holidays, really. Since you wouldn’t see spooky stuff on television until Halloween, holiday themed stories would wait for the turkey to be carved, and patriotic movies were only shown during the nation’s birthday. Out of a strange belief that was the only time such stories could be celebrated. But as time has rolled along, it’s become clear that people are eager for those stories at any old time, and that they loved themed content groupings because it’s fun and celebrates storytelling and that’s why we are seeing such celebrations year-round, and a new one is coming up in a couple of weeks.

For recently, AMC Networks released a massive extended look at season two of Anne Rice’s Mayfair Witches, to celebrate the epic season ahead but also… to announce the celebration of witches that awaits everyone in January. For AMC is also going to launch ‘Wicked: Stories of Magic & Mystery’ across its various platforms. To just remind us of the wonder of the witch and the value of these stories, and well, since you’re eager to enjoy that celebration and learn more about season two of Mayfair Witches, here is that extended look at season two of the show and all the details on ‘Wicked’ courtesy of AMC.

‘AMC Networks debuted a new extended look at Anne Rice’s Mayfair Witches season two as part of an enchanting slate of witchy content, catchup opportunities and more leading into the series’ anticipated return on Sunday, January 5 at 9:00 p.m. ET/PT. Mayfair’s second season, starring Alexandra Daddario, Jack Huston, Harry Hamlin, Tongayi Chirisa and Alyssa Jirrels, will debut on AMC and AMC+, as well as across all of AMC’s linear networks- BBC AMERICA, IFC, SundanceTV and WEtv- for a multi-network premiere night event. 

The new extended look at Mayfair season two, which will also be available on AMC+ on December 22, features never-before-seen clips and exclusive interviews with the cast, as well as a season one recap.  Fans can also catch up on Mayfair Witches season one on AMC, with a marathon premiering Friday, January 3, or streaming on AMC+.
 
AMC Networks will also rollout Wicked: Stories of Magic & Mystery, a collection of mystical series and witchy films across its various platforms, including:

• A Discovery of Witches, the supernatural fantasy drama starring Matthew Goode and Teresa Palmer, is available to binge now on AMC+, Sundance Now and Acorn TV.
• Sanctuary: A Witch's Tale will follow the Mayfair season two premiere on AMC for a two-hour block of witchy programming. The series’ first season will also re-release on AMC+ and Sundance Now and debut on Acorn TV on Sunday, January 5.
• Two Witches, the horror movie about an aging, malevolent witch who intercedes in the lives of two young women, debuts Monday, January 6 on Shudder.
• Domino Day: Lone Witch, starring Siena Kelly as a powerful witch with a dark secret, is available to binge now on AMC+, Sundance Now and ALLBLK.
• RLJE’s Burying the Ex, a horror comedy starring Daddario, Anton Yelchin (Star Trek) and Ashley Greene (Twilight), streams on AMC+ beginning Friday, December 27. 

 
Mayfair Witches’ new season continues the journey of Rowan Mayfair (Daddario) after she has unwittingly given birth to the demon Lasher (Huston). She is determined to understand what he has become – human or monster? – and to use him to fulfill her purpose as a healer, but when tragedy strikes, she must put aside her own desires and fight to protect her family.    
 
Additional season two cast includes Ben Feldman, Ted Levine and Thora Birch, amongst others. The series is executive produced by Mark Johnson, showrunner Esta Spalding, Tom Williams, Michelle Ashford, Christopher Rice and the late Anne Rice, and is produced by AMC Studios. '

Caution: This article contains spoilers for the Season One Finale of ‘The Creep Tapes’. To revisit the previous episode, click here.
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It is definitely safe to say, that the new Shudder series, The Creep Tapes, has been one of the most refreshing horror shows to hit the airwaves in 2024. Simply because, it has revitalized the found footage subgenre once again by giving us a more terrifying iteration of Josef. Since he is at his most primal here and he’s never been scarier. Not to mention, the entire season of storytelling has been mired in surprises. For not only have we been treated to good scares and dark moments that make us audibly gasp, but this has also turned out to be something of a character study of Josef. Since we’ve come to see how insane he truly is and understand that his mind has been badly damaged by trauma.

All of which has given rise to a story that in essence, has served as a chance to explore what made Josef a serial killer. One complete with all the hallmarks of how these monsters are born. Well, minus the most important one of all. Specifically, an understanding of how he grew up. Since that tends to also solidify how these monsters come to life. But since Mark Duplass and Patrick Brice are great writers that are eager to truly explore every aspect of Josef in this season of storytelling, the season one finale of this show was the perfect time to ponder upon Josef’s past and what helped shape his madness early on in life, and that made ‘Mom (and Albert)’ the most impressive story to date in this saga.

Simply because, it did indeed feature a homecoming for Josef. For fresh off of another kill, he felt the need to ground himself by visiting his mother. Who had a new place out in the woods and well, it was clear early on in this reunion that her mental state is no better than her son’s. Since she used fear and deception to greet him and of course, babied him when he is clearly a grown-ass man. But that was what Josef wanted and craved and that was why we all felt nervous when Albert, mom’s new lover, dropped by as well. Because a pseudo-alpha male like Josef would not be able to handle another rooster about the hen house and well… once Albert discovered the truth about Josef… our worst fears were realized yet again, with a cameo from Peachfuzz no less.

But what mattered more here, was what happened after Albert died. Because that helped us to understand what kind of upbringing Josef had, and that impacted his present mental state. For Mommy Dearest helped her son bury the body, and she encouraged his murderous ways and even let her 480-month-old baby nurse from her bosom once again, in a chilling and unsettling sequence for certain. One that let us know that Josef grew up in a busted home, one where he faced no accountability for his troubling behavioral issues and where his worst instincts were nurtured in the most unwholesome ways imaginable. Which does inform us that he went through forms of abuse that absolutely sent him down a dark path that created a monster.

Which made, for one brilliant season finale. Because this… this completed our journey and gave us enough to really understand what created Josef and why he has such a bloodlust. Because truly, he’s a man without wholesome connection and has never had to suffer accountability for anything he’s done, and that… combined with severe imbalances in his mind, has given rise to this. Which does not engender pity. No instead, it makes us fear him more. Because that kind of unfettered freedom knows no bounds, and who knows how far he will push his boundaries, and hopefully we get more seasons of this show. To see how far Josef will go and to be chilled even further by a story that sometimes… feels too real. Courtesy of one incredible character and a no holds barred approach to exploring his depravity.

Caution: This article contains spoilers for the motion picture, ‘The Soul Eater’.
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It really is quite fascinating what is happening in the world of horror right now. Because more and more, the monsters of old are taking a back seat in the genre. Which seems shocking but think about it for a second. For the zombies that once ruled the cities of the world in horror stories, are now the secondary characters and something more of a nuisance than anything else. Whereas vampires, and werewolves and all the other classic monsters in the genre are enjoying tribute stories and/or remakes and reboots of their journeys to give them license, since they are also passengers in most modern horror stories, and the grand question is… why?

Why are the classic monsters being denied agency and the spotlight for the moment in the very genre they helped to create? Well, the answer to such a question is simple. In that, the many creatives working in the genre have discovered the wonder of exploring the worst monster of all, mankind. For we can be rotten and cruel beings, who use stories and lies to justify our actions. Not to mention, some of us think little of others and do not cherish life in the slightest, and that’s terrifying for certain, and worth exploring. To open our eyes to the ugliness we exhibit in an effort to create change and that’s why a new horror film on the digital marketplace is if note, since The Soul Eater, has much to say about the monsters we can be.

A feat that this film accomplishes by introducing us to a pair of hot shot investigators named Elizabeth and Franck, who while polarizing opposites personality wise, are forced to work the same case. For in a small town nestled in the hills, a mother and a father brutally attacked one another. Not to mention, children have gone missing from this place often, making it clear that this town is mired in something sinister. In fact, it doesn’t take long for this duo to learn that there is a strong belief that a local legend, known as the Soul Eater, has come to feed upon people in this town. A revelation that rocks our heroes to their core since there’s no chance that a monster can be real in 2024. But as they dig deeper, it becomes clear that something evil is alive and well in this town. The only question is what is driving the darkness, and what they find… will change their outlook on life.

Which is… a wonderful way to explore that central theme of how we are the absolute worst. Because it is indeed people causing trouble in this story and they use the story of the Soul Eater to move about in the shadows, but it is the actions present here by the villain of the story that matters more. Since they do showcase the darkness we carry, how willing we are to disregard others’ well-being when we can get ahead and how power can corrupt. Which makes for an ugly story really. One that truly ponders upon the worst parts of us, and how hard it is for us to let go of that power when it becomes beneficial. But while that alone is fascinating, we also need to point out how the cover story of the Soul Eater adds unique depth to this story.

Simply because… it also speaks to how in modern times… people are quick to hide behind stories when bad things happen. After all, conspiracy theories run rampant in the world right now, and so many are believing the lies of dark and dumb individuals who are eager to tell them to gain power. All of which speaks to how… there is a collective shock in this world. One that revolves around how there is evil in this world, and that it is thriving, and it is supremely difficult for so many to process the evil and the chaos. So, we instead turn to stories and fables, and utter nonsense to cope with the darkness that surrounds us. Which is a fascinating element to inject into this story, but welcome… since it adds to what is… a bleak and tragic tale.

One that really plunges us into the underbelly of humanity and showcases how darkness really does create a ripple effect in the sea that is mankind, and that makes for a must-see horror feature. Because you can never go wrong with a horror story that features incredible depth, and scares that we can relate to. Because that helps us to process the world we sometimes don’t understand, and what’s nice is that this twisted tale also harbors something for everyone horror wise. Since it does feature some solid, moody scares that are unsettling. Not to mention, there is gore present here, and it is impactful and well, all of these elements create a powerful and tragic tale. One that informs us that we can expect more films in this vein, since human beings truly are far more terrifying than a walking corpse or a wolf hybrid, courtesy of our ability to choose harm over good.

It is definitely safe to say that the Shudder horror series, Horror’s Greatest, was quite the sensation when it debuted earlier this year. Simply because it offered up wondrous lessons to those unimitated to the genre, as to why they should partake in the terror that horror provides, and it also served… as a magnificent series of lessons to those who already love the genre. Since it dug deep into what makes the genre great through unique lessons and a fine showcasing of some of its best aspects. But, alas, we were only treated to a handful of lovely episodes, the kind that definitely left us ready for more and thankfully… Shudder understands that we are eager to explore more of what the genre has to offer.
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Which is why they recently announced the release date for a new season of the show, and they even dropped a trailer and key art for season two of a series that wonderfully ponders upon the majesty of the best genre around. And of course, since you are a fan of the show and want to know what to expect from a second season… here are all the details on year two of this show, and that trailer and art, so we can properly prepare for another year of quality exploration regarding the genre that captives us so.

‘Ring in the new year with Shudder, AMC Networks’ premium streaming service for horror, thrillers and the supernatural, to celebrate the new season of Shudder Original series Horror’s Greatest debuting Tuesday, December 31. The streamer released today the trailer and key art for Season 2 which features interviews with David Dastmalchian (Late Night with the Devil), Kate Siegel (Fall of the House of Usher, The Haunting), Joe Hill (Locke & Key, NOS4A2), Tom Holland (Fright Night, Child’s Play), Jenn Wexler (The Sacrifice Game, The Ranger), Ted Geoghegan (Brooklyn 45), Dewayne Perkins (The Blackening), Jonah Ray Rodrigues (Destroy All Neighbors), Gigi Saul Guerrero (Satanic Hispanics, El Gigante), Alex Winter (Destroy All Neighbors), Tananarive Due (Horror Noire), Swanthula and Dracmorda Boulet (The Boulet Brothers Dragula), Joe Begos (Christmas Bloody Christmas) and more. The series, which is also available to stream on AMC+, comes from Marwar Junction Productions (Perfect Wife), the producers of The 101 Scariest Horror Movie Moments of All Time.
 
Horror’s Greatest is a deep dive into everything we love about horror -- from fresh looks at classics to unearthing scores of hidden gems, this series has something for every fright film enthusiast. A gallery of ghoulish pros, including actors, directors, writers, composers, and special effects artists, draw on their unique knowledge to answer the big questions: What are the must-see films in horror’s many sub-genres? What’s the appeal of horror tropes, and how do today’s filmmakers subvert our expectations? What shape does horror take in countries outside of the United States? The answers encompass the breath of the nightmares we watch for our entertainment.
 
Horror’s Greatest was produced by Marwar Junction Productions and showrunner/executive producer Kurt Sayenga. Joseph Freed and Allison Berkley are executive producers for Marwar Junction Productions.
 
 
SEASON 2 EPISODES:
 
Episode 1 – “Animal Attacks” – Premieres Tuesday, December 31 on SHUDDER and AMC+ 
A great animal attack movie pushes all of our human-against-nature buttons. From demented sharks to unhinged chimps, this episode sorts out the leaders of the cinematic pack. We also shame the worst horror pets (and give treats to the best).
 
Episode 2 – “Killer Dates” – Premieres Tuesday, January 7 on SHUDDER and AMC+ 
Dates in horror are worst-case scenarios that go way past awkward silences. Your lovemate is either a serial killer, a tormented psychic, or comes from a family that wants to hunt you for sport. Looking for love inevitably leads to blood and carnage.
 
Episode 3 – “Hidden Gems” – Premieres Tuesday, January 14 on SHUDDER and AMC+ 
What special film would you recommend to the ghoul who has “seen everything?” In this episode, genre mavens select 13 movies that have been forgotten, overlooked, unfairly maligned, or are hard to find – all bloody gems hidden beneath the floorboards.
 
Episode 4 – “Film Scores” – Premieres Tuesday, January 21 on SHUDDER and AMC+ 
From King Kong’s epic orchestra to the unnerving electronics of Under the Skin to the suspenseful muted strings in Psycho, composers have used every style of music to frighten audiences. Horror scores blaze trails, bringing new instruments and radical musical forms into popular consciousness.
 
Episode 5 – “Space Horror” – Premieres Tuesday, January 28 on SHUDDER and AMC+ 
Alien. 2001. Forbidden Planet. Many of the greatest sci-fi movies ever made are also horror films. The vastness of space, the claustrophobia of space travel, and the inconceivable horrors that might lurk in the void make for spine-tingling filmmaking.’