Written by John Edward Betancourt THIS IS THE EMERGENCY SPOILER ALERT SYSTEM...YOU ARE ADVISED TO READ AT YOUR OWN RISK... One of the biggest marks of a quality television show, is when the series in question is so darn good, you essentially drop everything to watch it and that's basically where I am at when it comes to The Orville. Because this phenomenal science fiction series is so top notch when it comes to its storytelling, giving it anything less than my full attention would be a grave mistake on my part because I would most likely miss out on something unique and special. It might be a joke, it might be a tender moment, but every single second of this series offers up something truly incredible and as I settled in to focus on last night's episode, 'If the Stars Should Appear', I was left wondering what kinds of surprises we would be in store for when it comes to this particular tale. Would Seth MacFarlane put tears in my eyes like he did with 'About a Girl'? Would he leave me in stitches with hilarious antics, or would the series once again delve deep into a quality homage to Star Trek? Well as it turns out, this latest chapter in the crew's adventures would accomplish all three things since this story was filled to the brim with more quality social commentary, homages and fantastic humor. But before we dig too deeply into the more cerebral moments of this episode, we need to take a moment and talk about last night's homage to the franchise this series so loves because this tribute was quite unexpected. After all, while it's easy to focus on the biggest and most memorable moments that Star Trek has to offer, one cannot forget that the soundtrack to this storied series is just as important as the story playing out on the screen and last night, The Orville paid homage to one of Trek's most prolific composers, Jerry Goldsmith. Because when Mercer and the away team approached the mysterious behemoth of a vessel they had stumbled upon, there were overtures of Goldsmith's score from Star Trek: The Motion Picture, specifically when the crew of the Enterprise explored the massive ship that housed V'ger and I won't lie, as a big time Trekkie, I got goosebumps hearing that chilling score come to life once again. But outside of the wonderful geek out moments this episode provided me with, the centerpiece of the night was the show's commentary on the conflict that exists between religion and science and once again, MacFarlane's script handles this in masterful fashion by giving us a society that hasn't a clue that they're traveling amongst the stars since their religious beliefs matter over anything else and really, what made this portion of the story work so well was the fact that it wasn't done in heavy handed fashion. There were no easy answers offered up here, just an objective presentation on the dangers of religion when it is in the hands of the wrong kind of people, and also, kudos to the show for taking the time to bring this up, and send chills down our spine with the real world parallels it presented when the villain of the story, Hamelac, incited mob violence and murder in the name of his God. However, while that was indeed a sobering part of the story, MacFarlane found a way to end this tale in the most uplifting way imaginable when the away team finally discovers the bridge of the ship, wherein they learn the original purpose of this vessel was a dedication to exploration (thanks to an ultra cool cameo from Liam Neeson). So, in order to put an end to the internal strife of this isolated society, Mercer has Issac open up the ship's 'sunroof', exposing the vastness of space to the people below and there was something incredibly beautiful and magical about watching this society see the wonder of the galaxy appear before their eyes and considering the fact that Mercer is having Union liaisons sent to this ship to help them figure out how their own vessel works, it's clear now that these people have earned a second chance to do things right and see what amazing mysteries await them amongst the stars... As for the laughs, well let's be honest, nothing from last night is going to top hearing Lieutenant LaMarr shout 'Boom, bitch!' after blasting an enemy ship to bits, but seeing Klydar enjoy comfort food and musicals to combat the effects of a fight with Bortus is a close second. Which brings me to the last element about last night's episode that truly caught my eye...this crew is slowly becoming a true family, and that's a big deal. Seeing them trust one another, and unify only helps strengthen the story because as they bond, we bond with them and I'm really looking forward to seeing this crew grow closer as the weeks progress. Either way, this was simply another quality episode. Week in and week out, The Orville delivers and it's quickly becoming one of my favorite shows and with Academy Award Winner Charlize Theron dropping in as a guest star next week...it's clear this show is only going to get better. Until next time.
3 Comments
Antonio
9/29/2017 11:03:28 am
When the (supposedly) parody does a better job than original. The Orville is better at being "Star Trek" than ST: Discovery. And as someone who grew up watching Star Trek, I'm really really happy this happened. Maybe now people at CBS and Paramount begin to re-evaluate the direction they're going after they handed out Star Trek to people who don't know or even care about it.
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JohnB
9/29/2017 01:57:29 pm
Well said/written... I was pretty concerned with the first episode but I hung in there with you to see if it would improve.
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Siobhan
9/30/2017 12:55:54 pm
Show is moderately entertaining. Good fare for young children, family entertainment, and those that only like PG fare. The writing is not great, the jokes are flat and it's still better than most anything FOX has on the air. That being said, my issue is that Seth MacFarlane either knows his audience is ignorant or is just banking on them. We are 4 episodes into the Orville and he has used the major plot from episodes of Star Trek, TNG, AND old radio shows like the Whistler. He isn't even really trying to be original. I don't think he's able to. He's the Puff Daddy of TV. He makes decent dance club remixes but someone else has to have done the majority of the work else he doesn't have anything. THAT'S why the show has some really flat parts and sub par dialogue. That is when he trying to work around his borrowed story lines.
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