Written by John Edward Betancourt It’s surreal to know that we are but weeks away from the end of quite the saga. Specifically, the tragedy that is the life and times of one Tariq St. Patrick. For this young man has been through hell in the Power Universe and his struggles have extended now between two shows. Wherein he’s tried to reconcile his father’s identity, and failed in doing so, and he’s tried to find his own path, with mixed results. But in a few short weeks we will see how Tariq’s story ends, and if he can avoid the dark path his father went down or if he will be a true chip off of the old block. Of course, STARZ is aware of the fact that we are eager to know how it is going to end, and that is why earlier today, the network took the time to release key art and a trailer for the final season of Power Book II: Ghost. The kind that hints at the possibility that perhaps Tariq’s fate might be as dark it gets, just like dear old dad and well, since you’re dying to see what lies ahead… here is that trailer, that art, and all the details we have, on the final chapter in Tariq’s desperate quest to find his own path in the world… courtesy of STARZ. ‘ STARZ released today the trailer and key art for season four of “Power Book II: Ghost,” with a suspenseful, high intensity trailer for the highly anticipated final season of the drama series. Part one of “Power Book II: Ghost” debuts on Friday, June 7, at midnight ET on the STARZ app, coinciding with the 10th Anniversary of Power’s debut on STARZ. On linear, it will debut on STARZ at 8:00 PM ET/PT in the U.S. and 9:00 PM ET in Canada. Part two premieres on Friday, September 6, at midnight ET on the STARZ app and on STARZ at 8:00 PM ET/PT in the U.S. and 9:00 PM ET in Canada on linear. With targets on his back from all angles, Tariq must decide whether to embrace the St. Patrick name for better or for worse. Everyone is on the hunt for revenge and each character’s respective motivations fuel their power of choice to dive deeper into the game or fight their way out. As power dynamics and family tensions reach their peak, the high-adrenaline twists and turns of this season will have viewers guessing who, if anyone, makes it out alive. Series star, Michael Rainey Jr. adds, “While this chapter of “Power Book II: Ghost” is ending, you absolutely cannot miss this final season. I’ve loved working with this cast and crew and we can’t wait for you to see this epic grand finale to a series that’s been so close to our hearts over the past four years. The Power Universe is blessed with the most amazing fans and I personally can’t wait for their reactions as all of the action unfolds!” Season four of “Power Book II: Ghost” cast includes Michael Rainey Jr. as “Tariq St. Patrick,” Mary J. Blige as “Monet Tejada,” Cliff “Method Man” Smith as “Davis MacLean,” Gianni Paolo as “Brayden Weston,” Woody McClain as “Cane Tejada,” Lovell Adams-Gray as “Dru Tejada,” LaToya Tonodeo as “Diana Tejada,” Alix Lapri as “Effie Morales,” Larenz Tate as “Rashad Tate,” Caroline Chikezie as “Noma,” and Michael Ealy as “Detective Don Carter.” Additionally recurring actors include, LightSkinKeisha as “Brushaundria Carmichael” “Power Book II: Ghost” is the first series in the expanded “Power” Universe franchise. Brett Mahoney (“Empire,” “The Following”) serves as showrunner and executive producer for season four. The “Power” Universe series is executive produced by the creator and showrunner of the original “Power,” which inspired the full universe, Courtney A. Kemp through her production company End of Episode, Curtis “50 Cent” Jackson through G-Unit Film and Television, and Mark Canton through Canton Entertainment. Lionsgate Television produces the series for STARZ. ABOUT “POWER BOOK II: GHOST” SEASON FOUR New alliances have been formed with each faction and Tariq and Brayden must find a way back into the game. But Brayden starts flirting with a new, reckless lifestyle, leaving Tariq to wonder if there really is room for two at the top. With Monet left for dead, Davis facing potential disbarment, and Effie looking to secure her future at Stanford, everyone’s on their own. Diana and Dru continue to question their roles while Cane levels up and starts working with Noma. As Noma is fighting to establish her business in the States and keep her daughter Anya in line, she finds her way on Tariq and Brayden’s radar. With the fate of his future in the game and his family at the forefront, Tariq must reconcile his past to rise to the top of the food chain and become who he needs to be to protect those he loves most. FOLLOW “POWER BOOK II: GHOST” ON SOCIAL Instagram:@GhostStarz Facebook:@GhostStarz Join the conversation with #PowerGhost #PowerTV and #STARZ About STARZ STARZ (www.starz.com), a Lionsgate company, is a leading media streaming platform committed to delivering premium content that amplifies narratives by, about and for women and underrepresented audiences. STARZ is home to the highly rated and first-of-its-kind STARZ app that offers the ability to stream or download STARZ premium content, as well as the flagship domestic STARZ® service, including STARZ ENCORE, 17 premium pay TV channels, and the associated on-demand and online services. STARZ is available across digital OTT platforms and multichannel video distributors, including cable operators, satellite television providers, and telecommunications companies. In February 2021, STARZ launched #TakeTheLead, a multi-faceted and innovative inclusion initiative expanding its existing efforts to improve representation on screen, behind the camera and throughout the company. About Lionsgate Lionsgate (NYSE: LGF.A, LGF.B) encompasses world-class motion picture and television studio operations aligned with the STARZ premium subscription platform to bring a unique and varied portfolio of entertainment to consumers around the world. The Company’s film, television, subscription and location-based entertainment businesses are backed by a 20,000+ title library and a valuable collection of iconic film and television franchises. A digital age company driven by its entrepreneurial culture and commitment to innovation, the Lionsgate brand is synonymous with bold, original, relatable entertainment for audiences worldwide.’
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Written by John Edward Betancourt
Caution: This article contains spoilers for the Finale of ‘Predator v Prey’. To revisit the previous episode, click here.
Over the course of the past two weeks, we’ve learned some fascinating facts about some of the predators of our world, courtesy of the BBC America series, Predator v Prey. For this fascinating saga has put the predator in a new light and informed us of the fact that they aren’t born killers or are completely and utterly gifted with the ability to kill. They have to learn how to be superior in the wild and how to properly use the gifts they’ve been given biologically, especially when their surroundings come into play. And we’ve also come to learn how science matters regarding how the hunters hunt the hunted and for its finale, this series took these lessons to a whole new level. For ‘Crocodile’ happened to be a journey that focused heavily on the science of the kill for the croc, and how they rely on knowledge of their environment to make a kill. Alongside a grand understanding of how they grow and how they make it into the wild as adults. Which we learned here was no easy task, since a mother croc can lay a bevy of eggs and only a handful of the crocs that hatch will survive. For biology forces her often to step away from the nest, to not overheat and outright survive and that often allows for scavengers and other hungry animals to treat themselves to an egg before it has hatched, and even when they are hatchlings, tiny crocs must watch out for starved adults to make it to another day. Because the crocodile in and of itself is a fine hunter and knows an opportunity for a meal when it sees one, regardless of cannibalistic tendencies. So, this hunter might be the only one where the ‘strongest survive’ mentality applies to their child rearing and with good reason. For when they reach adulthood, their hunting requires some serious smarts and some serious timing. Because the majority of the meals the croc enjoys, happens during the Great Migration of the seasons. Wherein a majority of animals come to the riverbanks that crocs hang out in, to get a drink, regardless of the incredible risk before them. For they are being watched carefully by the crocodile and if the circumstances and the science line up perfectly, alongside a solid understanding of the river the crocodile lives within, disaster will strike for those thirsty. For the crocodile uses all of those elements to hunt. For it will disguise itself within the rived bed and use its biological gifts to silently watch and wait beneath the water for the right time, and it will use science and its knowledge of its environment to to hunt a wayward soul in its waters and well… we saw how that can fail, and how incredible it is when it succeeds. Since the right mix allows for the crocodile to strike with incredible precision and in doing so, can find sustenance and peace for months on end. But what mattered more here, were the fascinating lessons regarding how those elements come together in the hunt. Since it provided us with unprecedented data on the majesty and the brilliance of this predator. In fact, it was so thorough and so incredible, that really the only complaint that we can bring forth regarding this episode, is that it brings us to the end of the journey. Which is a shame. Simply because this has been a powerful and comprehensive series. One that has taught us more about predators than we’ve ever known before, and it did so in a compelling manner that obviously leaves us hungry for more. But all good things must come to an end, and this does leave us with a fine understanding of how the predator is more than meets the eye and it will undoubtedly force us to think differently the next time we see a hawk drop from the sky or see a shark burst from the ocean. For now, we know, there’s science and logic behind how a predator hunts for the prey that sustains it. Watch ‘Predator v Prey’
Written by John Edward Betancourt
Caution: This article contains spoilers for Episode Two of ‘The Tattooist of Auschwitz’. To revisit the Series Premiere, click here.
When we last settled in to discuss the stunning new Peacock series, The Tattooist of Auschwitz, we talked at length about how the show’s series premiere, was nothing short of a frightening experience. For that opening chapter, immersed us within the nightmare that was Auschwitz. Wherein we saw people suffer greatly and die horribly in the name of the ideals put forth by a small man that history will never see in a positive light and that made, for a chilling opening to this story. Wherein we too were surrounded by darkness and well, the next chapter in this harrowing story, made sure to continue that unsettling tradition. For ‘Episode 2’ was also filed to the brim with more devastating cruelty. Courtesy of a grander look at the operations of Auschwitz. Where Lali was able to see segments of this awful place that others did not and came to learn of how far the cruelty in this place extended. After all, Stefan correctly pointed out that if one listened closely, one would not hear a single baby cry throughout the camp. Which meant that yes, the Nazis went there and did that, because the regime was disgusting through and through and that made for some sobering moments, the kind that were bookended by more familiar faces leaving and more suffering from top to bottom. Leaving all of us to wonder if by chance… there would be any sliver of hope as the premiere hinted there may be, and thankfully, there was. Because amid the terrors of this camp, was the bare beginnings of a beautiful love story. Or rather as beautiful as it can get amongst suffering and death and fear. But Lali simply could not stop thinking about Gita and went the extra mile to try and find her and found a shocking ally in doing so. Because for some reason Stefan was eager to well, get involved in such matters. In exchange for romantic words to use on his own girlfriend, and he was a man of his word and when he promised to get a note to Gita for that aforementioned price, he did. Which allowed for Lali and Gita to feel something other than fear. That sliver of hope, of the wonder that love sends through the very core of our veins and that magic didn’t end with one note. Because Stefan truly took a liking to this. To the point where he allowed for more notes to come through, and he was eager to talk about emotions and feelings with Lali. All of which made for a confusing relationship, since we’ve watched Stefan do awful things in the name of the Reich. But there was that tiny sliver of humanity there, the kind that we can easily question regarding its authenticity. Especially after his actions at the end of this tale. Wherein Stefan felt the need to visit Gita and discovered an infected wound, and rather than treat that wound, and do one right thing, he let it be. Plus, he also mocked Lali by telling him of that wound and left us with worry and a bevy of question regarding Gita’s fate. After all, those who were ill at Auschwitz, were deemed ‘worthless’ and sent to die. But while we wait to see if she heals or if a different path for this story awaits, we can revel in the power of one stunning episode. One that showcased how far the Nazi regime was willing to sink to achieve its ‘Final Solution’ while also giving us… the same glimmer of hope that Lali needed back then. For it was glorious to see love blossom and refreshing to see smiles and light in a place where gray ruled the day. For it reminded us of the power of love and the power of the human spirit. Because it takes great power to create that kind of spark and to stoke it, and that really is a fine remind of how love transcends all. Hopefully, it continues, and if it does, it will be interesting to see how this duo keeps it alive in a place where death is everywhere. Until next time. Watch ‘The Tattooist of Auschwitz’
Written by John Edward Betancourt
Caution: This article contains spoilers for Episode 12011 of ‘Chicago Fire’.
There was a time, where it seemed that certain aspects of our world were off limits to nefarious agents. As though there was an unspoken agreement that they could not impart harm in certain places and could not make use of certain tools to impart that harm. But somewhere along the line that changed, and a free for all came forth. One that has indeed created a mantra of worry and a fear that we aren’t that safe in the world and there is merit to that concern. Since we see sacred places come under fire often, and we hope and pray that a hero will step in and stop such madness before it happens. Sadly of course, we rarely get that, so we turn to television and other stories to find that catharsis. In fact, a taste of that calm and that sense of justice arrived via last night’s episode of Chicago Fire on NBC. A feat that ‘Inside Man’ accomplished by outright surprising us. Since this particular story opened with concerns about Damon and a quiet night at the firehouse. Wherein everyone was going about their business and settling in for a wonderful night of sleep and hopefully one free from a call. Which is when this story took quite the turn. For while Kelly was cleaning up some tools and going about his business, a terrifying sight fell before him. Wherein three men with weapons came into the station and they were quick to secure the perimeter before opening up the garage door and outright stealing one of the trucks. Wherein Kelly of course, joined them on the ride because no one was going to steal his ride. Which brought forth panic and worry in the station. Because now a truck and one of their own were missing and that meant the police had to get involved, and everyone had to figure out what the motive was to steal that kind of a truck and that… most certainly did not deliver catharsis. Since this sequence pitted firefighter against firefighter since Ritter did have to rightfully bring up Damon’s odd behavior. Not to mention, we quietly came to learn this trio was going to use that truck and a stolen ambulance to cause great harm with explosives. Since emergency vehicles, a sacred symbol of safety… could get into places where others could not. But thankfully, catharsis was to come. Since Chicago P.D. was in on the case to help, and their suggestions and Kelly’s quick thinking, allowed for everyone to come together and be heroes. In fact, Kelly went all out in this story to ensure that evil did not win the day. Since he sabotaged the plans of these men at every turn, even going so far as to fire a weapon to make sure they were slowed down, and when that didn’t do the trick, he made contact with the firehouse, and even found a way to broadcast his location, and he made every effort to stop those men and save the day. Which led to an epic and explosive finale. One where the truck was lost, and gunfire was exchanged, but the bad guys lost, and that was the catharsis we desire. Because these guys were that worst nightmare we worry about. Those folks that cross all the lines in the name of evil, and care not who they hurt in the process. They just want to sow chaos and suffering, and thankfully, these great heroes stood in their way and kept so many safe. Which brought about, one wild episode when all is said and done. Because this one, really took us on a ride. One filled with unexpected surprises, and thrills and chills. Plus, we still don’t know if Damon is legit or was somehow involved in this mess. But what mattered most, was that this was escapist television at its finest. For it really did pluck at an outstanding concern in our minds and addressed it in the way we need right now. Because it really is quite the joy when we can see the good guys win, and see evil be defeated in a manner that is humiliating through and through, and this was a great way to accomplish that. Since it spoke to the nobility of the characters here, and let them shine, giving rise to a bit of originality as well, and now that evil is off to jail, it will be interesting to see what lies ahead for these firefighters as this fascinating season rolls on. Until next time. Watch ‘Chicago Fire’
Written by John Edward Betancourt
Caution: This article contains spoilers for Episode 507 of ‘Star Trek: Discovery’. To revisit the previous episode, clickhere.
If there is one particular situation that Star Trek fans enjoy seeing the captains in this Universe handle, it is the No-Win Scenario. Because every fan knows that every captain is forced to face that possibility as a cadet through the Kobayashi Maru Test, and that said test… ignites a special fire in those very captains. The kind that prompted Jim Kirk to cheat it, and where Jean-Luc Picard, Benjamin Sisko and Kathryn Janeway learned from the test in a manner that allowed for them to scheme their way out of impossible scenarios. But to date, we’ve not seen Captain Michael Burnham, and her intrepid crew face one, since there were options and escape routes to the many challenges they’ve faced over the years. But that all changed during this week’s episode of Star Trek: Discovery on Paramount+. Simply because ‘Erigah’ saw the No-Win Scenario come to heart of the Federation, and how it was handled by our intrepid captain, was quite crafty in nature. And this came forth, courtesy of a distress call. For Moll fired one off with L’ak badly wounded, and that was how Starfleet was able to capture them at last. Which brought our villains aboard the U.S.S. Discovery, wherein Burnham hoped for a grand opportunity to make peace with them. But alas, that distress call made it to the very heart of the Breen Imperium and that prompted Primarch Ruhn to alert the Federation that the Breen were coming, and they expected their prisoners to be handed over. Which meant, Burnham had precious little time to figure out how best to best the Breen, and that prompted her to learn from L’ak post haste about his standing in the Imperium and how the Federation was basically being dragged into a succession battle because of the Erigah that L’ak imparted upon himself, and well, that led… to the handling of the No-Win Scenario by Burnham. Because Starfleet was facing quite the foe, a ship that appeared to be bigger than the Borg Cube the crew of the Enterprise-D faced in ‘The Last Generation’, alongside a leader that seemed to be unwilling to listen to anything but his own voice. But through a gambit, hard conversations with her first officer and a desire to see peace, it seemed as though Burnham was going to win the day and solve this scenario with ease.
But alas, the best laid plans never account for the x-factor, which always happens to be people and Moll, almost screwed the whole thing up. Because while peace was being made and while Burnham was working to execute a plan that would give them freedom in exchange for never chasing the Progentior technology ever again… she escaped, and L’ak harmed his ailing body and that led… to the death of the Heir to the Emperor and a tough decision on Starfleet’s part. Wherein they let Moll join the Breen as part of the hunt for the technology. In order to ensure Starfleet’s survival and in order to give the crew of the Discovery a fighting chance to get to the technology before anyone else. Which did indeed bring about a very unique solve to the No-Win Scenario.
Since compromise, guile, and outright kindness kept the Federation from having to fight for its very existence on this day, and we finally were able to see Burnham handle such a matter and that made for one fascinating exploration of her character. One that showcased her growth as a leader since she pulled together all of her experiences in Starfleet to solve this matter, and it also gave rise to an intense tale. One that ended on a high note despite the scares. Just because, while all of that chaos was taking place, the science division came to learn that the next clue in the search for this powerful technology, will take them to the Badlands, and they will undoubtedly move post haste to find it. For the clock is ticking and all of the galaxy lies in the balance. If anything, this was just a very slick transitional episode. One that shifted the plot toward the endgame for certain. Because with L’ak dead and a broken Moll out there, it’s just a good old-fashioned race to the finish line. One that promises to be epic in nature, and that will make the wait for next week’s episode quite difficult, thanks to that sense of urgency now hanging over this tale. But before we turn our attention toward that, this episode does deserve a round of applause. For keeping us on the edge of our seats, for the respect it paid to Deep Space Nine and for truly setting the stage for a final fight between a Federation eager to bring peace to all, and an Imperium that will stop at nothing to consolidate its stranglehold. Until next time. For more regarding the final season of ‘Star Trek: Discovery’, check out our interview with the show’s Co-Showruner, Michelle Paradise. Watch ‘Star Trek: Discovery’
Written by John Edward Betancourt
There are a great many reasons that audiences have utterly fallen in love with the hit Acorn TV series, My Life Is Murder. For starters, the cases are unique. For this is that rare crime show that will offer up a variety of unique cases for Alexa Crowe to solve. Ones that range from complex and emotional think pieces to cases that harbor disturbing and cruel crimes and there are some outright goofy ones that lighten the mood. Not to mention, it harbors some amazing and complex characters. Since Alexa Crowe is both a tough-as-nails investigator that takes no gruff from anyone… and a person with wounds to heal, who is doing her best to grow and find peace.
Which makes her supremely relatable and a treat to watch since Lucy Lawless and her immense skills allows for the character to flip between both as needed and well, those simple elements have left us eager for a new season of this series, one that is finally about to drop into our laps on June 17. Wherein we can finally enjoy more of what this show has to offer and since Acorn TV is fully aware of how much we adore this series… and since we are close to its return… the network thought today was the perfect day to drop a first-look image from season four, and a trailer and more. Which we will share with you now, so we can all properly count down the days to the return of Alexa Crowe. ‘Acorn TV today released an all-new trailer and photography from the anticipated fourth season of its hit crime drama My Life Is Murder starring Lucy Lawless (Spartacus, Xena: Warrior Princess). The eight-episode season debuts with two episodes on Monday, June 17 on Acorn TV and BBC AMERICA in the US, and the season will continue every Monday on both platforms, ending with a two-episode finale. My Life Is Murder is also available on Acorn TV in Canada, UK (including Northern Ireland) and Australia. Starring Lawless as the fearless and unapologetic investigator Alexa Crowe, this new season features a slew of puzzling cases ranging from homicidal hairdressers to wicked widows and brutal ballet to deadly soufflés. Eight new mysteries. Eight new worlds. Eight diabolical killers that only Alexa Crowe can catch. But this time, Alexa is bringing her friends and family along for the ride: Tech guru Madison (Ebony Vagulans, The Furies) is stepping up, contributing her considerable technical skills to Alexa's investigations and the two of them have fallen into a comfortable mentor-mentee relationship. Though neither of them will ever agree on who is the mentor and who is the student. Cafe owner Reuben (Joe Naufahu, Game of Thrones) is stepping in. Brother Will (Martin Henderson, Virgin River) is staying close. Detective Harry (Rawiri Jobe, Shortland Street) has her back and cranky cat, Chowder, can’t help complicating everything. Emboldened by the changes in her life, ready to revisit demons of the past and excited to embrace her future, this year Alexa is even more of a force, determined to reveal the most carefully hidden secrets that crack the most bewildering cases. And, somehow, she and her fabulous whanau (chosen family) still have a bunch of fun along the way. Let the Auckland adventures begin again… My Life Is Murder is a Greenstone TV Production for TVNZ and Acorn TV and DCD Rights Ltd., in association with Network 10. The series’ executive producers are Rachel Antony, Claire Tonkin, Lucy Lawless, Harriet Crampton, Nicky Davies Williams and Pilar Perez for DCD Rights and Don Klees for Acorn TV. About Acorn TV AMC Networks’ Acorn TV is North America’s largest streaming service specializing in premium British and international television. Acorn TV adds exclusive programming every week to a deep library of revered mysteries, dramas, and comedies – all commercial-free. Acorn TV’s recent slate is comprised of critically acclaimed commissioned and original series including popular New Zealand detective series My Life Is Murder (Lucy Lawless), acclaimed Irish crime thriller Bloodlands (James Nesbitt, co-executive produced by Jed Mercurio), British crime drama Whitstable Pearl (Kerry Godliman), Kiwi romantic comedy Under the Vines and British detective drama Dalgliesh (Bertie Carvel), to name a few. Current and upcoming Acorn TV Original Series include UK detective drama Harry Wild (Jane Seymour), Signora Volpe (Emilia Fox), The Chelsea Detective (Adrian Scarborough) and many more. The above add to a growing catalog of popular bingeable dramas including Jack Irish (Guy Pearce), Doc Martin (Martin Clunes), Deadwater Fell (David Tennant, Cush Jumbo), all 24 seasons of fan-favorite Midsomer Murders and highly-rated drama The Nest, among others. “glorious streaming service… an essential must-have” – The Hollywood Reporter “Netflix for the Anglophile” – NPR Acorn TV is available for $7.99/month or $79.99/year. Facebook: OfficialAcornTV – Twitter: @AcornTV – Instagram: @Acorn_tv About BBC AMERICA BBC AMERICA is a hub of innovative, culturally contagious programming including the Peabody Award-winning series Killing Eve starring Golden Globe® and SAG® Award-winner Sandra Oh and Emmy® Award-winner Jodie Comer. The network is the definitive television home and co-producer of the most iconic natural history series and franchises including Planet Earth, Blue Planet, Dynasties, Eden: Untamed Planet, Frozen Planet and Seven Worlds, One Planet. BBCA transforms every Saturday into Wonderstruck, a weekly destination for wildlife and wonder. A joint venture between AMC Networks and BBC Studios (the commercial arm of the BBC), BBCA’s influential shows such as Doctor Who, Orphan Black, Luther and The Graham Norton Show have attracted critical acclaim and earned Emmy® Awards, Golden Globes®, Peabody Awards, Critics’ Choice Awards, NAACP Image Awards, TCA Awards and more. BBC AMERICA is available across all platforms, including on-air, online, on demand and mobile. Find out more by visiting press.amcnetworks.com. BBCA on social: YouTube – Twitter – Instagram – Facebook – Tumblr’ Written by John Edward Betancourt
Caution: This article contains spoilers for Episodes 108 and 109 of ‘Grand Cayman: Secrets in Paradise’. To revisit the previous episodes, click here.
More often than not in reality television, drama is something that is treated as commonplace. Where people fight, serve up tea for others to sip upon before the story moves onto the next dramatic moment. All because a fair number of these shows think that’s what the audience wants to see and what the audience craves and that is why the Freeform series, Grand Cayman: Secrets in Paradise is of note. Because it continues to yes, offer elements we are used to… but it offers so much more. Such as moments of consequence for the drama at hand and for proof… look no further than this week’s edition of the show. Because ‘Trouble in Paradise’ and ‘The Cookie Crumbles’ did not simply move onto the next big moment of sorrow for everyone, it took the time to explore the fallout of those moments and their emotional impact upon others and that led to a powerhouse set of tales. One where the entire group was worried deeply about Chelsea. Since no one held her to account for her actions in a negative light. They realized… they should have handled that situation better because of what she was going through. So, they gave her space, reached out as needed and mended wounds and relationships because not all drama comes from a place of malice. Sometimes its people crying out for care, and they need that, and it was great to see this show point that out. However, while one could see that as a positive way to handle drama, make no mistake about it… there were some negative consequences to be found in this block of episodes. Because Trevor did a lot of bad and awful things at his bachelor party, the kind motivated by Dillon’s Dude-Bro mentality and he also allowed for Trevor to indulge in his worst instincts while drunk. Despite pleas from others to pull him away. But alas, it all happened, and motivated more toxic behavior because he was encouraged to lie. But no lie could escape Victoria’s keen understanding of the moment and that put this relationship in deep peril. Giving rise to genuine consequences for drama. The kind that may see a relationship shatter because these boys felt the need to be stupid little boys. Yet, while those two plot threads were enough to shatter tropes and offer us a vastly different kind of reality show, there was still one more key concern on the island that came to a head. Specifically, Elizabeth’s machinations. Because for some time now, she has been able to navigate life on the island in ghostly and borderline disrespectful manner, and because of the unfortunate responses to her cautious approach to island life, she has had defenders. But at last, it would seem that Elizabeth has crossed a red line and will now face consequences for her actions and aloof nature. Because she basically pawned the grand opening of Bird Bakery on Julian, and well, that left Julian rightfully angry and ready to confront her. Which will appear to take place in the season finale of this show. But while we wait for that, we can sit back and revel in a very different reality television episode. One that really did showcase that actions have consequences, and some are good, most are bad. But they will be there, and we must face them accordingly if we are to heal and grow and that was refreshing to see on display here. Because it needs to be stated and because it offered up another supremely human episode. One filled with raw and relatable moments and truly, it would seem the finale will be filled with them as well. Since Elizabeth is on the hot seat and Dillon, is about to pay the piper for his dismissive nature of the moment and other’s feelings. Until next time. Watch ‘Grand Cayman: Secrets in Paradise’
Written by John Edward Betancourt
Caution: This article contains spoilers for Episode 206 of ‘American Rust: Broken Justice’. To revisit the previous episode, click here.
There comes a point in every crime drama, where all the various plot threads begin to jell together and understandably so. Because every crime drama features a heavy, some kind of villain that serves as the major problem in the tale that the heroes need to battle. Not to mention, a lot of what the characters need, and desire comes into focus as well, and tying together those plot threads and really showcasing the heavy’s power all helps to move us toward resolution of the story, and well, that’s top of mind today, simply because the next episode of American Rust: Broken Justice, offered all of that. A feat that ‘Daddy Issues’ accomplished by quickly making it clear that Landwill, happens to be one of the grand villains hanging over this particular season. Simply because, despite Lee’s amazing progress in bringing settlements forth for the folks that ‘lost’ their water tests, Landwill made it clear just how far and how deep their reach can go in this community. Thanks to the fact that threats abound came forth for Mrs. McKenna from the company, the kind that prompted her to quickly burn whatever evidence she had regarding her own involvement with the company, so that she could quickly turn herself into the police and state that she was the one that murdered her husband. A move that could be related to fear and related to wanting the protection of a cell because of the power of this company, and well, that was indeed the perfect way to explore the raw power of Landwill and why everyone in this story should be afraid of them. Which made Grace’s journey here a little scary. Since she agreed to work with Landwill on a more intimate basis as an outright sales rep, with no knowledge of their power, and she wasn’t the only one who started down a more focused and terrifying path. Since Billy really slipped into the darkness here, for he was genuinely disturbed about the fact that his grand tormentor in prison was back on the street and free from consequence. Which prompted him to think deeply upon killing the man, simply because he wanted that catharsis and peace, and while he did not commit to that here, because of a good moral reason, it was still terrifying to see that his journey this season will indeed be dark and tortured and possibly bring him to a place where there can be no redemption. But there was mention that we have more than one villain on our hands and that was fully confirmed by Del’s journey in this tale. Because as he and Angela worked with the FBI to come up with a plan to bring down the Brotherhood, Fisher continued to solidify his power within the organization. Since we came to learn here, that he did indeed kill Vic with impunity, and was going to great lengths to cover his rear in the wake of that death. Even going so far to have planted a listening device in Vic’s apartment while Del was hiding on the balcony, and he was carefully monitoring everyone and everything to make sure that the Brotherhood would be protected and functional. Which will lead to dark days for Del and Angela, now that Fisher has made it clear she’s a target for speaking up about her concerns. All of which really did bring the season into focus, since now we know, Landwill and the Brotherhood will be the big problems, but of course, some other moments will be peppered in to break things up. Such as Billy’s journey into darkness and Grace’s dealings with Landwill. In fact, it would also seem we’re basically done with Steve Park’s ‘thorn in the side’ mentality thanks to the powerhouse embarrassments he faced here over his never-ending quest to bring down Del and Grace. But what matters more, is that the next four episodes should move the plot forward in a powerhouse manner, the kind that will put us onto the edge of our seats as we wait to see how Landwill and the Brotherhood will be defeated, or if they can be, because of the power they yield. Watch ‘American Rust: Broken Justice’
Written by John Edward Betancourt We really are living in quite the unique time when it comes to the world of television. For not only is there more content than ever before, the kind that features something for everyone, but we are also in era of television where cancellation doesn’t mean the end for a television show. Because on several occasions, a series that has been announced as cancelled at one network, is saved, and moved to another. Wherein it thrives, fades, or comes to an appropriate conclusion and well, it just so happens that AMC Networks has made strides for the last of those options to take place for a beloved series. For AMC has rescued Snowpiercer, from the jaws of cancellation so that the series can conclude on its own terms with a fourth and final season, and well, the time draws near to send the series off, in style no less. For earlier today AMC announced when the first three seasons will stream on AMC+ and when the fourth and final season will debut on the network, along with offering up some first look photos at season four and details on this farewell season. And well, since you’re here because you’re a fan of this series and are eager to see how it is going to end, here are all those details and those first look photos, so you can properly prepare yourself for the end of this epic four-year journey. ‘The eagerly anticipated fourth and final season of the gripping hit drama Snowpiercer is set to premiere exclusively on AMC and AMC+ Sunday, July 21 at 9pm ET/PT. Seasons 1 and 2 of the critically acclaimed thriller will be available to stream exclusively on AMC+ beginning Saturday, June 1, with the third season debuting on the service Saturday, June 8. Snowpiercer stars Oscar® winner Jennifer Connelly, GRAMMY® and Tony® Award-winner Daveed Diggs, Sean Bean, Rowan Blanchard, Emmy® nominee Alison Wright, Mickey Sumner, Iddo Goldberg, Katie McGuinness, Tony®Award-winner and GRAMMY® nominee Lena Hall, Sam Otto, Chelsea Harris, Mike O’Malley, Roberto Urbina and Sheila Vand. Previously announced new cast members for Season 4 include Clark Gregg (Agents of S.H.I.E.L.D., The Avengers, Thor) and Tony® Award-winner Michael Aronov (The Drop, The Americans, Operation Finale). “We can’t wait to share the final season of this thrill ride of a series with this vibrant fan community and new viewers starting July 21 on AMC and AMC+, with plenty of time built in to catch up on previous seasons on a variety of on demand platforms and AMC+ before then,” said Courtney Thomasma, Executive Vice President of Streaming for AMC Networks. “Snowpiercer is an entertaining drama with a great cast and seeing how the ride ends will be a highlight of summer viewing worthy of a 1001-car train.” Set more than seven years after the world has become a frozen wasteland, Snowpiercer centers on the remnants of humanity who inhabit a perpetually moving train, with 1001 cars, that circles the globe. Class warfare, social injustice and the politics of survival play out in this riveting television adaptation based on the graphic novel series by Jacques Lob and Jean-Marc Rochette, and the film from Oscar®-winner Bong Joon Ho (Parasite). The action-packed finale of season three left a split of the train with Melanie Cavill (Jennifer Connelly) leading the Eternal Engine and those passengers who chose to stay aboard Snowpiercer for relative safety, and Andre Layton (Daveed Diggs) leading the others on Big Alice who chose to adventure to the unknown, outside world of New Eden. Snowpiercer Season 4 is executive produced by Paul Zbyszewski (Lost, Agents of S.H.I.E.L.D, Helstrom), Christoph Schrewe; Marty Adelstein, Becky Clements and Alissa Bachner through Tomorrow Studios; Matthew O’Connor, Ben Rosenblatt and Scott Derrickson, along with the original film’s producers Bong Joon Ho, Miky Lee, Jinnie Choi, Park Chan-wook, Lee Tae-hun and Dooho Choi. The show is produced by Tomorrow Studios (an ITV Studios partner) along with CJ Entertainment. ITV Studios distributes Snowpiercer internationally. About AMC Networks AMC Networks (Nasdaq: AMCX) is home to many of the greatest stories and characters in TV and film and the premier destination for passionate and engaged fan communities around the world. The company creates and curates celebrated series and films across distinct brands and makes them available to audiences everywhere. Its portfolio includes targeted streaming services AMC+, Acorn TV, Shudder, Sundance Now, ALLBLK and HIDIVE; cable networks AMC, BBC AMERICA (operated through a joint venture with BBC Studios, which includes U.S. distribution and sales responsibilities for BBC News), IFC, SundanceTV and WE tv; and film distribution labels IFC Films and RLJE Films. The company also operates AMC Studios, its in-house studio, production and distribution operation behind acclaimed and fan-favorite originals including The Walking Dead Universe and the Anne Rice Immortal Universe; and AMC Networks International, its international programming business. About Tomorrow Studios Tomorrow Studios, a partnership with ITV Studios, develops and produces compelling scripted television series with top tier talent for a global audience. Spearheaded by CEO/Founder Marty Adelstein and President/Partner Becky Clements, the leading production company has amassed critical and popular success for its network, cable and streaming series including award-nominated live action adaptation of the classic manga ONE PIECE (Netflix); PHYSICAL, starring Emmy® nominee Rose Byrne (Apple TV+); Emmy® nominated SNOWPIERCER, starring Oscar® winner Jennifer Connelly and Grammy® and Tony Award® winner Daveed Diggs (AMC); and the critically acclaimed adult animation series 10 YEAR OLD TOM (Max), written by Steve Dildarian, produced by their animation JV label Work Friends. The studio has first look deals with Julia Garner’s Alma Margo, Frank Spotnitz’s Big Light Productions, Craig Gillespie, and Midnight Radio. Projects are also in development with Stephanie Laing and Scott Free Productions. Previous credits include Emmy® nominated COWBOY BEBOP (Netflix), LET THE RIGHT ONE IN (Showtime), LAST MAN STANDING (FOX), GOOD BEHAVIOR (TNT), and AQUARIUS (NBC). More information can be found at https://www.tomorrow-studio.com.’ Written by John Edward Betancourt Caution: This article contains spoilers for the Series Premiere of ‘The Green Veil’. Time and time again, we’ve heard about how important it is to understand history, so that its mistakes are never repeated again, and that lesson has been popping up more than ever lately. Because just like that, there is a strange obsession in the United States, to return to a ‘simpler’ time, to that era of Americana where supposedly life was just amazing and nothing was wrong with America. Unless of course you count, the physical and mental abuse so many underwent in that era, in the name of the perfect family mode, and the wanton racism and disgusting views toward BIPOC and LGBTQIA+ individuals that ran rampant. But somehow, that’s been forgotten, and we need to be reminded of it, and storytelling is thankfully helping with that. For instance, The Network series, The Green Veil, showcases the ugliness that is Americana by plunging us into the everyday lives of the Rogers family. A perfect family unit composed of Gordon, Mabel and their adopted daughter, Abigail. Well, that is… a perfect family unit in Gordon’s mind. Because he is the breadwinner in the family as an FBI Special Agent, so what he says goes. Which means, Mabel and Abigail are best seen and not heard, and they are expected to put on a constant show of that perfect family life. But while behind closed doors, there is abuse and suffering and downright ugliness in the home. A fascinating twist that allows for ‘Your children are my children’ and ‘Your country is my country’ to perfectly express how this was an awful time in American history, one motivated by nonsense really. Nonsense in the respect that Gordon has suppressed his pain and his own emotions over his childhood trauma of being ripped away from his Native American family, a practice from that era, out of the belief that Americana will heal him. Which helps to give rise to a hollow and sorrowful household. One where Gordon only knows anger and demand, and where Mabel only knows boredom and a desperate longing to feel and be more than Gordon’s sex toy. And Abigail, is merely caught in the middle and eager for her own catharsis and freedom from a family life that is meddlesome and pathetic, and filled with ugly through and through. All of which gives us… that fascinating lesson as to why ‘Make America Great Again’ is a stupid phrase. Because we weren’t great then and we have lots of work to do now. But while it is indeed fascinating to showcase why we don’t want to go backwards and why doing so would cause great harm since it would enable all the awful things, we see in these two-opening tales… there’s more to this story than a mere walk, through a lobotomized portion of our history. For Gordon is also investigating some odd extraterrestrial accounts in the area. That have resulted in missing persons and odd occurrences such as crop circles and strange lights in the nighttime sky. Which gives rise to many questions as to whether or not, Gordon and his team are onto something real or if this is nothing more than allegory for a deeper exploration regarding our xenophobic fears as a society or if its cover to rob more families of their children. Time will tell of course, but while we wait to see what the deeper meaning is, we can revel in some brilliant opening chapters. Ones that truly immersed us in a time and a vibe composed of pure and utter lies, and reminded us how Americana’s death truly benefitted all since it did lead to progress. Not enough mind you, but progress, nevertheless. All of which compels one to continue this fascinating journey. To see what other nightmares await the Rogers family within the walls of their own home and beyond, as they continue to be subjected to ideals and concepts that were out of date when put in place. Courtesy of a society that was desperate to impart peace instead of building it in a lasting manner. Until next time. Watch ‘The Green Veil’ on The Network. |
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