When we think about family, a wealth of thoughts come to our minds. There are obviously the memories, both the good and the bad ones since that’s part of the family experience. And of course, there’s that incredible sense of belonging that comes with knowing we literally share DNA with only a handful of humans in this world. But of the many things that we think of when we ponder upon family; the proud tradition (or traditions) that our family takes part in, is something that often stands out. Because some of these elicit a genuine sense of pride since they’re so unique and important, while others… sadly bring about feelings of shame. Because they’re not that great and we would love to be rid of them and oddly enough, tradition and family just so happened to serve as the central themes in the next episode of CHiPs.
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Which is something that was accomplished in ‘Vagabonds’, by having the audience spend a lot of time with the current generation of the Wilson family, a legendary clan that used to be known for cleaning out a town with their swift hands and clever minds. But when the matriarch came down ill, the family disappeared from law enforcement’s radar, that is… until we catch up with the family here. Because Lonny and Daws, the last surviving sons of the family, made a pact to keep the legend alive and to rip off as many people as possible and they definitely kept their word. Because if it wasn’t in someone’s trunk, they stole it, and if the opportunity was there to scam someone, they took it and it really was something to watch this family in action since they were fast and efficient and smart in every caper, they took part in.

But unfortunately for the family, they ran into Ponch and Jon and our dynamic duo were instantly suspicious of them. But without concrete evidence that a crime was committed during their first encounter, all they could do was pass the word and the description of the family along and well, the constant pressure of having the fuzz on their backs, is what brought about the story’s exploration on tradition. Because Lonny Wilson’s wife, Claire, was more or less done with living in this manner. She wanted to settle down and raise their son Jamie right. Whereas Daws Wilson wanted nothing more than to enjoy the life that his grandmother taught him, and to keep the legend of the family alive and it was really was quite different to see the series dip its toes into something this philosophical and it was fascinating to watch two brothers fight over which path forward was the correct one.

Sadly though, as ugly battles go, eventually there are casualties and, in this case, it turned out to be young Jamie. Because a stupid suggestion from Daws on a scam stunt got the young man hurt, and that prompted Ponch and Jon to finally step in to try and help the kid and stop the family from digging themselves a deeper legal hole. Which brought about some unique moments, since Jon took the time to confront both Lonny and Jamie about their life of crime in bold and fierce fashion and that’s just something that Jon doesn’t normally do. But it was clear he was passionate about Jamie being used as a pawn and in bittersweet fashion, those confrontations led to the end of the Wilson legend. Because Daws panicked when his brother decided enough was enough and kidnapped his nephew before leading everyone on a dangerous chase, one that ended with bumps and bruises, and handcuffs.

If anything, this really was quite the unique episode of CHiPs for certain. Because the show gave the Wilson family a lot of screen time, to the point where we truly got to know them, and that may be due to the fact that Lonny Wilson was played by screen legend Ed Harris. Who wasn’t a household name just yet. But he was on his way in 1981, since he showed up here and also starred in George Romero’s Knightriders earlier in that same year and well… he did a phenomenal job and it was quite cool to see him share space with Erik Estrada and Larry Wilcox. And oddly enough, there’s another Romero-universe alum in this story as well since McKee Anderson, who played Claire Wilson, was also in the 1990 remake of Night of the Living Dead that George penned. But all geeking out aside, this really was a quality tale, one that definitely grabbed hold of you and never let go and hopefully, there are plenty more engrossing stories such as this one, waiting for us to enjoy as season five rolls along. Until next time. 

If you take a moment to think about it, modern society has done a fine job of outlining how people should live their lives. Because it’s an outright expectation that we go to college to learn about the world and get a taste of independence, and while we are doing all of that; we should also be finding our passion in life. So that when we graduate, we can pursue said passion full tilt and stop at nothing to get it, and once we achieve our dream, we can settle down and start a family and make new memories as we bask in the wonder of everything we’ve earned through hard work and determination and dedication, and there is a grand reason as to why this is so important.
 
Because there is going to come a day when we will depart this life for whatever waits beyond and when we reach those final moments, we should be able to look back on the life we’ve lived and feel nothing but joy. For we did everything on our bucket list, and there is no unfinished business to follow us into whatever afterlife we believe in, and well, that is quite the lovely way to live one’s life. But as we begin that grand journey, we quickly come to learn that life doesn’t quite work that way. In fact, it is chaotic and messy and sometimes our hopes and dreams have to be set aside to deal with the surprises that have dropped into our laps. And it just so happens, that this strange duality when it comes the reality of life, and our vision of how to lead it, served as the focal point of last night’s episode of Dispatches from Elsewhere.
 
For ‘Janice’ took the time to explore Janice’s life and all of the ups and downs that she’s seen over the years and it just so happens that her journey outright embodies the chaos of the universe. For every plan that she ever made never quite came to fruition. Instead she took the time to dedicate herself to her darling Lev in ways that only the bravest of people can handle. And while she is clearly content with how her path has gone, it was imperative that this episode challenge the audience and in turn Janice, in an important manner. By asking her and in turn the viewer, as to whether or not rolling with the punches and shifting our life around for others, when we had such grand designs for our own future; is acceptable or not.

​Thankfully, the answer to that question is a resounding yes, but how the story got to that answer is what made it so impactful and special. Because in this particular tale, Janice was able to use The I.D.E.A. device that we’ve heard so much about at the Jejune shareholder meeting, after she and Peter and Simone snuck in to find Fredwynn. And while she was in the virtual environment that this device creates, she was able to come face to face with her younger self and be challenged by the Janice of yesterday, since the younger iteration of herself was supremely disappointed with the path now taken. But older Janice held firm to her decisions in life and made it clear that sometimes we have no choice but to take the hand we’ve been dealt. Because sometimes sacrifice is necessary, especially when it involves people that we love dearly.
 
Yet as this series is wont to do, it had plenty more for the audience to ponder upon outside of its central theme. Because the grand reveal that the Jejune Institute and the Elsewhere Society are in cahoots, leaves one to wonder exactly what the end game is here for our characters and this dynamic story. And it seems to be that for some reason, Coleman is using his vast resources to teach the characters (and the viewer) some important lessons on life and it would seem that in Janice’s instance, the message is clear. In that; it’s okay to make compromises as we go, as long we remember to put ourselves back on track when the time is right. For we still have to live and indulge in what truly makes us happy and Janice’s journey serves as a fine reminder, that it is never too late to make that happen.
 
If anything, this was just another impressive episode from what is clearly, a brilliant and well-thought out series. Because it takes some seriously solid writing to embed a message that profound into a story this entertaining and Jordan Harrison and Jason Segel, who wrote this tale, deserve our thanks for giving us such a beautiful story and also, serious credit needs to be given to Sally Field as well. For she put on an acting clinic in this story, the kind that definitely brought tears to one’s eyes with the emotion she was able to project. But what matters most when it comes to this tale, is that it also serves to remind us, that life doesn’t end when tragedy strikes, and it is up to us to find the balance. And it was equally as refreshing to see the story inform the audience, that there isn’t a specific time frame in making that happen. Either way, this series continues to impress, and it should be interesting to see what relevant life message awaits us next week, when Fredwynn steps into the spotlight. Until then.

Perhaps the true beauty of Better Call Saul, is the sheer fact that this series can be whatever it wants, whenever it wants. For at times it has been a rip-roaring comedy, one that leaves the audiences in stitches with its incredibly unique brand of humor, as was the case in the second season tale ‘Cobbler’. Or, the series can move us to tears with powerful dramatic moments that straight up break our heart, as was often the case when Chuck went the extra mile in hurting his brother. But what’s truly impressive about this show’s chameleon-like abilities storytelling wise, is that it is likely the only series on television that can straight up abandon any progress in regard to its plot and still entertain its audience from beginning to end.
 
A feat which is quite frankly accomplished by its dynamic and colorful characters. Because the people that populate this world and the talented actors that bring them to life, are truly compelling on screen and we really could watch them do simple tasks for hours on end and still find ourselves entertained because of how well everything works on this series, and for proof, just look at last night’s episode. Because ‘Namaste’ really didn’t move the plot forward all that much. Instead, it took the time to offer up a slice of life examination, the kind that reminds us what these characters stand for and where they are at in their lives and that really did make for an hour of engrossing television, despite the fact that the moments we experienced were somewhat bleak in nature.
 
Because this particular tale took the time to show us just how badly Mike Ehrmantraut is struggling with the unresolved darkness in his soul right now, and how he is going to extreme measures to try and squelch it, no matter the cost. And it should be interesting to see exactly where this fiery desire takes him in the days to come since it put in him grave danger and has brought him to a truly unique place in both literal and figurative fashion. Plus, we were also reminded of how much Gus Fring loves and demands control over all things in life, and how he expects everyone that surrounds him to be perfect and see things from his perspective, and his minimalist sequence was simply fascinating to watch. Because he was able to convey so much with a look and a disappointed tone and it is always incredible to see Gus in action and see how he commands respect from people in such a simplistic manner.

But while it was fascinating to see Gus and Mike deal with a few complications in their respective journeys, this is Jimmy McGill’s story through and through and seeing where he is at right now made for the most compelling story of the night. For Jimmy finally had the opportunity to settle the score with Howard Hamlin, all because dear Howard made a critical miscalculation when it comes to Mister McGill. For he thought that he could finally right a wrong by making Jimmy an offer to join HHM as a regular lawyer there and clearly, Jimmy saw this as quite the insult. Because despite the fact that Howard apologized for not fighting for him harder back in the day, Jimmy saw this as nothing more than an attempt for Mister Hamlin to get what he wants and if he really did care, he would have stood up for Jimmy back in the day. So rather than give him a direct answer, he bounced a few bowling balls into Howard’s lovely car.
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Plus, we were also privy to the wonder of Saul Goodman once again and boy did the Saul segments of this story yield some powerful moments. For the follow up sequence to the 50% Off Boys helped to remind us that cash is king, and Saul is in this to just get paid and enjoy the thrill of the game and really that sequence and the one in the courthouse were twisted poetry in motion. Because when Saul is in the zone, it really is something else. But while it is always a delight to see Saul do his thing, there was a rhyme and a reason behind putting his talents on display once more. Because someone close to him is in need of his unique brand of chaos, and that just so happens to be Kim. Because she really is bothered by what Mesa Verde is doing to Mister Acker and since they won’t yield, she’s asked Saul to represent him because she knows he can sow a little chaos and well, one has to wonder if this is one thing that will eventually tear this couple apart.
 
Because Kim only likes to dabble in the darker side of things before her conscience takes hold once again and we all know that Jimmy is going to take this too far if the opportunity arises and that won’t sit well with Kim, since she likely just wants to teach Mesa Verde a valuable lesson. So, it should be interesting to see where this little twist takes us in the weeks to the come. But in the here and the now, this really was quite the entertaining and engrossing tale. Because these characters are outright addicting to watch and every performance here was just delightful and it really is impressive that a show that is designed to be a grand American tragedy, can pull off these little vignettes in such impressive fashion and it really is best we enjoy this little break while it lasts. Because it is only a matter of time before things get supremely dark again as we close in on Saul’s bleak future. Until next time.

​Normally when audiences tune into a popular television series, they haven’t a clue if trouble is on the horizon for said show. They simply know that it is on the air and ready to entertain them and they enjoy every single second that is available to them. But sometimes, trouble does arise for a particular series. The kind that eventually leads to the end, and thanks to the wonder of streaming services and home video in general, we can now go back and pinpoint where things went wrong for shows that were cancelled ages ago and it just so happens that home video and in turn these Retro Recaps are going to allow for us to revisit the beginning of the end of the wildly successful police serial, CHiPs. Because season five of this magnificent series, saw some serious turmoil behind the scenes.
 
Because Erik Estrada entered into a contract dispute with the producers in regard to his pay and disappeared from the series for seven episodes in protest, which of course prompted the producers to bring in a replacement actor to hang on the highways with Jon by way of Caitlyn Jenner, who then identified as Bruce Jenner. And while contract disputes are nothing new on television, this particular one seemingly opened the flood gates for all of the drama that was going on, off camera, and it would plant the seeds for all kinds of surprises in season six. But before we get too far ahead of ourselves in regard to that, it’s best we refocus upon the all-important fifth season. Because there are still some fascinating stories to discuss, such as the epic season five finale, ‘Suicide Stunt’.
 
For this particular tale saw Ponch and Jon and the CHP dealing with some big problems for certain. After all, a smart trio of thieves known as the Box Office Bandits were eluding the CHP at every single turn with their carefully crafted escape plans, and the folks at Central also had quite the annoying superstar to babysit as well. For a Hungarian motorcycle star named Janos Sbazo was in town for a charity event and since his country was still under Soviet rule in 1981, he was enjoying his newfound freedom to the fullest and was definitely eager to rekindle a long-lost romance from his youth. Because a woman named Maria, who now worked for the CHP, once had his heart years ago and he consistently kept finding ways to meet up with her, in order to show her how much he loved her. Which was… oddly creepy and oddly enough, the capture of the Box Office Bandits, turned him into one of the more memorable Creeps of the Week to ever appear on the series.
 
Because as the CHP finally brought said bandits to justice, Janos saw an opportunity to escape his wrangler and be with Maria and he went above and beyond to make that happen. For he set a dumpster at Central ablaze as a distraction, and then he stole Bonnie’s car with Maria in it while everyone was putting out the fire, all in the hopes of convincing her to marry her, and thanks to Ponch’s bravery, they were finally able to bring the guy in and send him back to Hungary post haste. If anything, the only real flaw in this tale is that no one bothered to deal with Janos sooner, in regard to his creepy and unsettling obsession with Maria. Because uh… pretty sure stopping a bus to ‘be with your lady’ and telling her that she will eventually love you, will indeed get you arrested and slapped with a restraining order in 2020 regardless of your standing, but here we are.
 
But issues with the CHP’s handling of Janos’ behavior aside, this episode was referred to as epic in nature simply because it is obvious that a lot of cash went into this construction of his particular story. For the series never really made use of aerial photography in the manner that it did here, and that made for some gorgeous shots and obviously there were some incredible stunts to be found here as well and really, while this was cool to see, in retrospect it is a tad frustrating in nature. Because while that kind of spending speaks to the show’s popularity and the producers’ willingness to invest that kind of cash to give the audience something worthwhile, why not take that money and give it to Erik and keep a star of the series happy? But alas, hindsight is indeed 20/20 and there’s no going back to fix this mistake and it is going to be downright fascinating to see how the series and the cast are going to juggle the challenges that lie ahead, as we dive into season five. Until next time.  

​There was a time, where anthology stories were quite the popular thing on television. Because there was something unique and refreshing about seeing a television series take the time to offer up complete stories with fresh characters and plotlines on a weekly basis and oddly enough, horror led the way in this particular style of storytelling. But eventually, NBC saw an opportunity to tell these kinds of tales in wholesome fashion and they tapped director/producer Steven Spielberg to bring a weekly prime-time anthology to life and just like that, Amazing Stories was born, and it was… magical. Because week in and week out, stories of the fantastical played out on the screen, and you never quite knew what kinds of twists and turns these stories were going to offer up.
 
But alas, the concept never quite caught on with everyday audiences and after two seasons, this fascinating series, disappeared from the airwaves. And oddly enough, its exit seemingly began the decline for anthology horror as well since those shows eventually went off the air on broadcast TV and gravitated instead to cable. But as time has gone on, our love of this style of show has slowly brought the anthology series back to life and as fate would have it, Amazing Stories has been given a brand-new opportunity to tell incredible tales once again on Apple TV+. And it just so happens that the series premiere of this new iteration of the show is actually quite good since it focuses on everything that made the series great in the first place.
 
After all, ‘The Cellar’ immediately pulls out the big guns by giving us a fish out of water story involving a man named Sam Taylor who unexpectedly travels through time thanks a strange set of natural circumstances and that’s really about as in line as it gets for this series. But while the science fiction aspect of the story works like a charm, and it is wonderful to be surrounded by fantastical storytelling once again, it doesn’t take long for the viewer to realize that this new iteration of the series is vastly different and better than its predecessor. Which may sound blasphemous in nature, but let’s be honest here. The original 80s series only ran for a half an hour, and that greatly hampered the 80s version from telling a fully realized and fleshed-out story, something that is rectified here.
 
For this particular episode runs for nearly a full hour and that allows for the script to unfold in natural and organic fashion and truly, the writing is what makes this episode work so well. Because this particular tale gives us a beautiful story involving two star-crossed lovers who truly don’t fit within their own respective time period. For Sam is a man who cannot focus since his modern life is full of too many choices, and dear Evelyn Porter is a turn of the century woman born too early since she dreams of a world where women are viewed as something more than an afterthought. And these two elements immediately suck you into the story because you want to see these lovers find a path forward where they can both have what they want and that leads to a powerful ending that won’t be spoiled here in the slightest.
 
Because it is something that needs to be experienced since it will move you and wow you since it is unconventional and unexpected, and the wonder of this story doesn’t end with its quality writing and overall structure. For the acting here is also top notch since Dylan O’Brien and Victoria Pedretti, who play Sam and Evelyn respectively, sell every single moment of a script that is in fact grounded in wild concepts and fine acting is something that the original also lacked from time to time. If anything, this really was one slick premiere, one that really does manage to impress with its overall quality and truly it does give this reviewer hope for a bold new era for this nearly forgotten series. Because if the stories that follow this one maintains this level of quality, then we are all in for one incredible ride, one that will ignite our imagination like never before. Until next time.  

When one reflects upon a documentary show, one that revolves around the wonder of nature, our minds instantly gravitate to the memorable moments present within said show. The kind that moved us in either breathtaking or heartbreaking fashion. Which is a wonderful thing for certain, since it motivates us to share the wonder of said documentary with others, so they too can partake in its majesty when they have a little free time. But while it is important to discuss these shows and share them with others, there is a critical aspect to documentaries that we honestly don’t discuss enough in popular media, and that would be; the behind the scenes crew who put these incredible stories together for all of us to enjoy.
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But the time has come to do so, and thankfully; Seven Worlds, One Planet took the time to truly appreciate their crew by making them the focal point of last night’s finale of the series. For ‘Making Of’ took us back around the globe with everyone that worked tirelessly to assemble a powerful story about the life that we share this planet with and well, this particular episode taught us a great many things about the folks behind the camera. For starters, we came to learn that the people who agree to capture incredible moments in our world, are supremely dedicated individuals. The kind that outright brave illnesses and awful weather to capture those all-important images that we chat up on social media.

Second to that. We also came to learn that every last one of these individuals are genuinely compassionate about the animals that they film, and it was fascinating to see the crew pull for these animals at every single turn, and call them by the names that the locals gave them and also see tears in their eyes upon the realization that their time with these precious animals is coming to a close. If anything, the North America crew likely provided us with the finest example of how deep that compassion runs. For they struggled with seeing a beluga whale lose its life to a polar bear and it really is quite incredible to know that in a way, the film crew and the audience were able to share emotions when it comes to these powerful moments, in the in the most unique way imaginable.

Yet while all of this was fascinating to learn in its own right, the bravery of these individuals is what will stay with us for some time. Because truly, they put themselves in harm’s way in order to bring the audience and the world incredible footage of nature in the raw, and it was definitely harrowing to see these men and women moving as quickly as possible to avoid being hit by large animals as they did their thing, and really the most powerful moment of the night in regard to bravery, involved the Africa crew. Because they found themselves under fire from poachers while trying to gather footage and it really doesn’t get more dangerous than that and it takes a brave soul to keep their cool when bullets are headed their way and these guys and gals handled that terrifying moment perfectly.

But what was truly impressive about this final chapter in the Seven Worlds, One Planet saga, is the sheer fact that it was still able to teach the audience about our impact on this world, and it accomplished that feat by way of the finale segment in Borneo. Wherein we were able to see through years of footage, how the orangutan’s world has transformed as mankind continues to grow and truly, the series deserves serious credit for informing us of possible ways to set this right and to infer that there may come a day where these hardworking individuals may not be able to film the majesty of animals in the wild, if we do not correct our course. In the end however, it really was wonderful to meet the people who put this magnificent documentary together and I thank them, for all of their hard work and dedication. Because four years of assembly paid off in spades since this truly was a powerful and informative documentary about our world and how we need to take better care of it.  

​For the most part, stories that revolve around loss and trauma and everything in between, tend to feature a fairly standard formula. The kind where we see our main character suffer and struggle with a painful moment in their life, before they finally decide to tackle it in fierce fashion before moving on and enjoying life in a wiser and a more complete fashion. Which is an oft inspirational way to go about telling this kind of tale, since it informs the audience that action is necessary when it comes to such matters and tackling it in a brave and bold manner will pay off in spades. But the fact of the matter is, this is an incomplete way to tell this story, since the road back from trauma is a long and complicated one.
 
Enter Star Trek: Picard. For this particular story has tackled all of the complicated matters that accompany the road to recovery. Such as how people shy away from the problem at hand, instead opting to fill the void with hollow pursuits or other endeavors that only temporarily heal, as is the case with just about everything that Admiral Picard has done following his exit from Starfleet. But while that alone should be enough to explore the road back in more a realistic and fascinating manner, the series has taken his journey one step further. For it has also shown us the external impact that isolation from grief causes since we’ve seen Picard have to face the disdain and disappointment from others in regards to his decision, and it just so happens that night’s episode of the series took the time to examine one more aspect of grief related isolation. Specifically, how it sometimes prompts us to steer clear of the people we care about the most; the kind that can help us navigate the rough waters swirling in our mind and our hearts.
 
But before we dive into how ‘Nepenthe’ ties into this particular theme, let’s talk about the wonder of the long-awaited reunion between Admiral Jean-Luc Picard and his longtime friends and shipmates Captain William Riker and Commander Deanna Troi. Because seeing them together again was… a beautifully heartfelt moment, one that undoubtedly brought tears to the eyes of people outside of this reviewer. But all emotional moments aside, this part of the story also deserves some serious credit for filling us in, as to what the Riker family has been up to since we last saw them in Star Trek: Nemesis. As it turns out, sometime after their arrival on the U.S.S. Titan, Will and Deanna had a son named Thaddeus, and sadly dear Thad came down an illness that could have been cured had it not been for the Synthetic ban. And his ailments and the arrival of their second child, Kestra, prompted the family to settle on the planet that shares the namesake of this episode, in order to spend time together before Thad passed into the great beyond.
 
Which makes it seem as though the Rikers would be healing as well when we meet them in this story and that support of one another would be the focal point instead. But at this point in their lives, they’ve made some peace with Thad’s passing and rallied around the Admiral. In fact, this was perhaps the most beautiful segment of the night since Will and Deanna were quick to welcome Picard and Soji in their home and protect them from trouble, and what was striking about their interactions is the sheer respect that they still held in their hearts for Jean-Luc. It was almost as if, he was still their captain and this was still the Enterprise and seeing that offered a familiar feel to this tale, one that made it seem as though The Next Generation never quite ended, and it was equally as delightful to see Riker and Troi put the pieces together in regard to Soji’s true identity and the trouble she and Picard were in, because that led to the central theme of the story.

For both Deanna and Will came to realize that Picard has lost some of his touch in his years of isolation and this was a grand opportunity to allow for the students to become the teacher at last, and they took the time to remind Jean-Luc what made him such a great captain and what makes him such a great man. Because sadly, Soji didn’t trust Picard in the slightest, and with good reason when one considers the horrors she’s been through recently. But thankfully, their care and their advice reached the Admiral and the old Jean-Luc, the one that believes in understanding and unity and cooperation finally emerged and his kind words and ability to engender trust finally reached Soji on a fundamental level and she’s now ready to work with Picard and find her home world and thankfully they’re now closer than ever before. Because a slightly off-kilter captain and Kestra, worked together to try and pinpoint the planet that Soji saw in her dream and well, they figured out the location and will be headed that way post haste.
 
Yet while all of this was hopeful and beautiful to watch in its own right, there was still strife and dark moments to be found in this tale and many of them played out aboard the Artifact. For Narissa was supremely displeased with the fact that Picard and Soji escaped capture and that meant retribution was in order, and unfortunately for the xB’s and Hugh, that measure of revenge was directly solely their way. Which meant that Narissa pulled a page from the Empire’s playbook and used pain and suffering to try and get information out of Hugh and that left this former Borg in a tough place emotionally as he watched friends die. And that prompted Hugh to enact a measure of payback on his own, one that would make the cube a scientific failure for the Romulans and sadly, his decision to stand up with Elnor at his side, ended in heartbreak. Because Narissa was able to wound Hugh mortally in battle, ending his long and winding journey and it’s a shame that Hugh won’t be able to see a galaxy where former Borg are thriving.
 
But while that was heartbreaking for certain, the sorrow didn’t end with Hugh. Because aboard the La Sirena, Agnes was having quite the crisis. Because despite seeing the end of the world via a Vulcan Mind Meld before leaving Earth and ingesting a tracking device to help Narek keep an eye on the crew, she no longer felt comfortable with this mission to end Soji’s life. For it went against everything she believed in, and betraying those beliefs cost her dearly already since her darling Bruce was dead at her hands. And that prompted Dr. Jurati to make some bold decisions once Rios and Raffi figured out that they were being hunted by something Romulan, and to slightly atone for her sins she put herself in harm’s way with a nasty neurotoxin, one that could have killed her but only put her into a coma. Which in turn, disabled the signal that Narek was using to track them, giving the crew a much-needed chance to finally finish their mission.
 
If anything, it’s best to declare this episode to be bittersweet at best. For while it was nice to see a wonderful reunion between Jean-Luc and some of his closest confidants/friends, it’s tough to see Hugh exit this franchise, since it’s safe to say that everyone was hoping to see him find peace in his life. But at least we know that his legacy will be one that is noble in nature, since he did everything, he could to save the xB’s and help them achieve a new life free from the pain of the Collective. But truly, the good in this episode does outweigh the ugly. Because seeing Picard bounce back after receiving fine advice from his friends is just a delight and truly it speaks to the fact that sometimes, it is our closest friends, the ones that are extended family, that bring us back from the brink. And now that Jean-Luc Picard has seemingly found his way as a leader once again, it should be interesting to see how he handles his toughest test in years. For now, he must confront the saboteur in his midst and battle the evil that is the Zhat Vash, all in the hopes of setting things right in the galaxy once again. Until next time.

Often times in stories that revolve around trauma and healing, there is a pivotal moment in said story, wherein the protagonist finally reaches a point where nothing is going to stop them from getting better and they dedicate themselves to leaving their pain behind. Which is inspirational and powerful in its own right since it does indeed motivate us to tackle our problems, but that surge in our hearts never lasts because deep down we know the characters have it easy. Because the road back from trauma is long and winding and often times filled with setbacks that leave us wondering if life is ever going to get better and that’s yet another reason to appreciate everything that Lodge 49 has to offer.
 
Because its next episode could have gone that traditional route. For when we last saw Ernie and Dud and Liz in ‘Something from Nothing’, they believed in themselves once again, they were filled with their first taste of happiness in ages and the show could have easily allowed for them to dive into all of their problems and start to address them in manic fashion. But that would have been a cop out for this series. Because this saga made it clear from the get-go that it was going to explore healing in raw and honest fashion, which means that the setbacks we face on our way back into the light had to take the center stage at some point, and it just so happens that ‘Apogee’ took the time to explore this conundrum in the most fascinating way imaginable.
 
For this particular tale made a point to show us how sometimes the setbacks we experience in life are self-inflicted, and much of that was explored by way of Ernie. Because regardless of the fact that he was getting everything he wanted in life professionally and romantically, he found ways to either sabotage them in his mind or in reality. For example, he consistently feared the deal with Captain was going to fail and made up some wild and panicked stories in his mind as to how that was going to happen, and with Connie, well he sabotaged that joy by being a little too open about this new arrangement that he and Scott came to. And while honesty is indeed the best policy, it’s clear now that he should have handled all of this vastly different fashion so that Connie didn’t pull away in the hurt manner that she did, leaving their love affair exactly where it was not that long ago… in tatters.

​If anything, Ernie’s segment really was a flawless exploration of how we create roadblocks for ourselves. But what was truly fascinating about this episode, is that it found a way to explore how self-sabotage can actually be a good thing from to time. Because sometimes, the path we choose to heal can do us more harm than good since it merely allows for us to survive, rather than allowing for us to truly address our underlying issues and that’s precisely what Liz came to discover in this story. Because while the executive program at Omni would solve her financial woes and net her respect and admiration, eventually she would be as miserable and as unfulfilled as Janet and thankfully, she made the choice to skip out on this opportunity so that she could properly heal and find her purpose in life and this was quite the inspirational segment to place within the story.
 
But truly, the centerpiece of this tale was its direct approach in regard to its theme and that was handled by both Dud and Ernie, but more so Dud. Because he firmly believed this deal with Captain would solve all of his problems since it would keep the Lodge open, which in turn would allow for him to heal since it has had a positive effect on him thus far. But the chaos of trying to find Gary’s accountant, and the revelation that there may not be any oil under Orbis after all, combined with Gary’s uh… little harpoon accident, served as a fine reminder that setbacks in general can and will happen as we try to heal and even though we know how this season ends, the uncertainty swirling in Dud’s mind as to what comes next for his life is still strong and unsettling after all this time.
 
However, another great aspect of this episode is how it also informs us that sometimes, setbacks are healthy for us as well. For when they happen, they force us to use another lesson from this season, and take inventory and ponder upon a way forward, and what Dud had to say about his dad before the porcelain Narwhal incident, indicates that he is finally starting to awaken from his funk and see his situation as it stands, and he’s starting to chart a path forward. And seeing that, adds new depth to this particular tale and it really does motivate one to continue the journey since every single lesson from this season comes together in beautiful fashion in ‘Full Fathom Five’ and it should be interesting to see what new wrinkles in that story we uncover, when the rewatch, resumes. Until next time.

Normally once an audience has come to the end of a pilot episode, they have a solid understanding of where the plot is heading and what the show stands for. Which is a wonderful thing since it lets the audience know if their time is going to be well spent going forward, and this has become a formula of sorts in this era of peak television. Because shows also understand that there is plenty to see out there, so why not be up front and honest and establish that this is the series you’re looking for. But while this particular model has made television accessible and comfortable, there is still room for stories that find ways to surprise us and for proof, look no further than Dispatches from Elsewhere.
 
Because this brand-new series has yet to tip its hand in regard to what the plot is going to involve, outside of the fact that our main characters are embroiled in a fascinating game that appears to relate to a grand struggle between freedom and oppressive control. But that’s not a bad thing in the slightest. For when we tune into this series, we haven’t a clue what to expect. We only know that we are going to go on a unique journey that explores something deep and meaningful about our humanity, and there’s a real excitement that comes with that and of course, all of that is precisely what fans of this new series felt right before they tuned into last night’s episode. But thankfully, it didn’t long for us to learn that ‘Simone’ was going to offer up another unique look at the human condition and what it brought to the table was quite fascinating.
 
Because this particular tale focused heavily on what it means to feel alone in the world and how it approached his examination was what made this story so special. For we came to learn in this episode that Simone is someone who dreads human contact and making connections, out of the fear that people that will see her in a negative light and this is another plot element that people can find supremely relatable. Because at some point or another in our lives, we’ve had this worry, one that is specifically catered to our needs and our quirks. And this was simply fascinating to see on screen since it was presented in frank and raw fashion, especially the moments where Simone took the time to speak to herself about her unhealthy actions because… we’ve all done that. But what matters more here is that Simone’s quirks allowed for the story to dive deeper into this concept and properly examine how sometimes we are our own worst enemy.

​Because in order to preserve the carefully crafted bubble of safety that Simone resided within, she consistently indulged her fears and backed away and/or sabotaged any meaningful human connection with potential friends and she even did that to Peter in this tale, and that’s a powerful thing to inject into a story. For often times, characters that avoid human contact, do so based upon pure trauma that shattered their psyche ages ago, as part of a grand plan to watch them heal. But instead, here we were treated to something that all of us have done or will do; which is back away or ruin an opportunity at something good because we simply don’t deem ourselves worthy. And it was nice to see a show finally address this habit and remind us that sometimes being ourselves is worth our while since it can in fact open up unexpected opportunities and relationships since the right people will accept us regardless of our quirks.
 
Yet we would be remiss to not discuss the fact that this episode also did a phenomenal job in regard to showing the audience some of the struggles that members of the LGBTQ community go through in their lives. And what’s truly amazing is that this story was able to sum up a lifetime’s worth of gender identity struggles in a matter of minutes and still allow for the audience to feel the gravity of Simone’s plight. Plus this episode also deserves some serious credit for taking the time to present a transgendered individual in a normal light, where she isn’t a gimmick or a sidekick, but a fully fleshed out character that Peter treats as an equal and that’s just refreshing for certain and it is something that more television shows need to do in general.
 
In the end however, this was just another brilliant episode for certain. Because not only did it feature an incredible performance from Eve Lindley, it was progressive and thoughtful in nature, and it was a beautiful character study, the kind that put more of our fears on display without looking down upon them, and really as the series continues along, it truly appears that this series is trying to relate to the outcast in all of us. Because there are parts of Peter that we identify with, and some of us feel inadequate like Simone and it is lovely to see a series reach out to people who don’t think they belong and remind them that; they do. And it is going to be quite intriguing to see what other unique and quirky elements in regard to our humanity this series is going to explore as we dive into the minds of Janice and Fredwynn. Until next time.

​Whether we like it or not, our reputation most certainly proceeds us. For we all carry with us some fascinating quirks and habits, and they are with us for so long in life, that eventually they define us. But rather than dive into endless examples that reinforce that fact, there’s something far more important to examine when it comes to reputation, specifically whether or not our it helps us or hinders us when all is said and done. Because sometimes how we are viewed by others can impact a great many things when reputation comes into play, and it just so happens that last night’s episode of Better Call Saul, took the time to examine this notion in fascinating fashion, by showing us the good and the bad that comes with how we are viewed.
 
Which made ‘The Guy for This’ quite the powerful episode when all is said and done. Since it offered such unique perspective on this matter, and for proof, look no further than Saul Goodman’s journey in this tale since his reputation helped to advance his career. For as it turns out, Nacho did indeed bring Jimmy/Saul to meet with Lalo, and the past is precisely why Jimmy found himself face to face with another ruthless Salamanca. Because Lalo had heard about the incident with Tuco and how Jimmy had done a phenomenal job of saving the lives of those two skaters and his own hide for that matter as well. Which means that Jimmy’s quick mind and ability to work a room were now legendary in their own right, and his new standing as a lawyer who will take on any case, made him the perfect guy to help the Salamanca empire out, for the right price of course.
 
But once the cash payment was agreed upon, Jimmy went to work and set up a grand lie for Krazy-8 to work with. One where he and Saul played a little game with the DEA in order to secure Domingo’s freedom all while setting Gus up, to take the fall, and this segment was downright incredible to watch. Because this was Jimmy in his element, and it was both horrifying and delightful to see him work the system and cut deals with his special brand of manic energy. Plus, it was equally as amazing to see the return of DEA Agents Hank Schrader and Steven Gomez and all fan service aside, what matters more here is that Jimmy’s reputation paid off in spades for him. Because he did indeed pull off exactly what Lalo knew he was capable of, and he got a grand taste of the good life financially and this act will only further cement his standing as a lawyer who can accomplish whatever wonders you need, regardless of the moral or financial cost.

​Which is a bittersweet result for certain. Because while it is indeed good for Jimmy/Saul, it’s bad for the audience since it only further brings Jimmy closer the much darker Saul we meet in Breaking Bad. But while Jimmy’s story in this tale features some measure of perspective, the genuine dark side of reputation was explored in far more direct fashion by way of two other key characters; Nacho and Kim. For Nacho once again dealt with the raw honesty of his father when dear old dad swung by to confront him over the fact that he tried to make a quiet deal to buy out the shop to get his dad to safety. But dad immediately knew his son was involved thanks to Nacho’s proclivity to throw cash around to get what he wants. But the saddest part about this particular plot thread is that dad didn’t see the gesture as kind, he just saw it as another reminder that his son was a drug dealer and well, he’s right and clearly Nacho’s reputation ruined an attempt at kindness and widened the rift between he and his father.
 
Yet while that is a supremely direct example of how a bad reputation does bad things for people, a more unique exploration was handled by Kim. Because she’s trying quite hard right now to find the balance between being a corporate lawyer and one that does a touch of good in the world and the former element is testing her like never before. Because in this story she was pulled away from her pro bono charity work to deal with a land dispute. For a man who lived on property that Mesa Verde bought out, firmly believed he did not need to vacate his home, despite the court ruling in the bank’s favor. And that brought about a tense confrontation, one where Kim unleashed her frustrations on the man to get him to comply. A move that eventually brought about guilt, and an attempt to set things right. But despite her best efforts to make peace with the man, she was nothing more than a scuzzy lawyer in his eyes and that reputation bothers her to no end because she really is trying to do a little good in the world and it was fascinating to see the story take the time to examine general reputations in this manner.
 
If anything, what truly made this episode so special, is the sheer fact that it worked hard to balance the impending future with its traditional character study style and truly, it succeeded in its endeavor. For the plot definitely moved forward since Saul Goodman is getting his colorful ties wrapped around the underworld and clearly the drug war is heating up behind the scenes, bringing us closer to Heisenberg’s reign. But what matters more, is that several characters were tested on a moral level, something that is key to the tragedy that awaits. Because eventually they will have some hard choices to make, and those vignettes brought about some powerful performances from Rhea Seehorn, Michael Mando and Juan Carlos Cantu, who plays Nacho’s dad, Manuel. Because he brought an unexpected gravity to a simple scene, as a father who loves his son but is furious at how he turned out. Which in many ways reflects the audience’s feelings about Saul, since he is a good man who is slipping away into the darkness and it should be interesting to see where the story goes from here, now that Saul Goodman has had a taste of the most addictive drug of all; money. Until next time.