Sujaya Dasgupta is a rising star in the entertainment industry and is quickly making an impact with appearances in Netflix’s Shadow and Bone and she’s even dropped by CBS’ Ghosts. Currently she stars as Kavita in the new Apple TV+ series, Shantaram, and we here at NTG had the honor of sitting down with Sujaya to discuss her new role and this series. John Betancourt: Let’s talk a little bit about what it was that attracted you to this project? Sujaya Dasgupta: Well, when I first read the sides, when I was auditioning, what really stood out to me was… was the writing of this character, this woman who was a modern Indian woman, who is so hungry and eager to prove herself, make her mark in her industry of journalism. And, you know, her storyline and her character was so independent of, you know, men and that stereotype, and that often stereotype that is written for South Asian women, it just didn't… it was not there in this script. And I was so drawn to that. That, you know, here's this powerful, independent woman who speaks her mind, is fearless. And she is chasing a story that will prove herself and prove to herself that she's as talented and capable, and fearless as her male counterparts. So that was the initial kind of thing that jumped out at me when I read it. John Betancourt: So, getting into your character a little further. Let’s talk more about those things that attracted you to her as an actor. So, aside from jumping off of the page, what is it about the nuances of the character that made you want to play her. Sujaya Dasgupta: Well, the journey through the whole series is such a rich one, and the arc as well that she goes on, it's one of the most exciting arcs in the show, I think. So, for me, as an actor to play that, you know, there was so much meat that I could get my teeth into, it's a really bad analogy. And I'm vegetarian. So that doesn't make any sense. (laughter) But it was so rich, and like you just said the nuance and subtleties in his character. It's not often that you get to read a part or play a part like this, especially for South Asian women, because, you know, it kind of plays against that stereotype of “subservient” and “reserved” or “stay at home” sort of woman. And we addressed that in the show as well, you know. And also, for me, it was just so interesting to dissect and analyze, you know, who this woman is, you know, what, what happened in her life? And, you know, what, what drove her to, to this place we meet her in now. And, you know, I love for me, as an actor, I love doing a lot of prep. So, I love doing a lot of research and asking a lot of questions about the character before I jump in, you know, who is this woman? Where does she come from? Why does she say the things she does, and you know, what drives her? And it was such a, you know, we were given such a rich context as well, given that we had the book, but also this script, which enabled me to dig deeper and deeper. That, I could because of the script, everything was in the script. And I tried to find out as much as I could from the script, and then fill in the blanks and flesh this character out as much as I could. But yeah, I really hope I've done the script, justice and, and provided you know, the nuances and subtleties that this character deserves as well. John Betancourt: I would say so. Sunjaya Dasgupta: Oh, brilliant! John Betancourt: Now something I love about this show is that is among other things, grounded in the search for meaning for the characters. What would you ultimately say Kavita is searching for in this story? Sujaya Dasgupta: I think she's really… she's really tired of where she is at the moment with her career where we… where we meet her in tonight's episode, in Episode Five, you know, she's really tired and just over the fact that she has to keep writing these trivial pieces about celebrities and that's all they see her as capable of and perhaps she's so hungry and searching for that for you know, what she thinks is the one story that will get her name out there and not just for, you know, selfish desires. She really does want to change the world. I think. I think she really wants to be one of those people that can use their position to do good and to amplify or showcase the real-life problems that were in Mumbai and Bombay and India at the time and be the forerunner in that. And also, just to prove it to herself and prove it to others that she is as capable as her male counterparts. And especially in such a male dominated industry like journalism, she has to work twice as hard to get to the same place as her male counterparts. So, I think she really is hungry for that one story that will show everyone what she can do. And I think that's what she's searching for… during this show, this season, anyway. John Betancourt: Now with this series being set in such a vastly different era of time, how did you as an actor prepare yourself for an era (the 1980s) that is just so foreign and behind us now. Sujaya Dasgupta: Yeah, the 80s. So far, far back, I watched a lot of 80s movies. My mom recommended actually. So, Hindi movies, ask me what they were, and I'll completely forget off the top of my head. (laughter from Sujaya and John) But there are a lot of because I really looked at Shabana Azmi, who's a brilliant actress. And she did a lot of wonderful issue-based films in the 80s. And I watched a lot of those. And I researched female journalists, especially those who were writing in the 80s. And then before that, just to gain a bit of context about what that world would have been, like, you know, being a journalist, especially a female journalist back then, and you know, how far they had come by then. And the challenges. And I read a couple of books as well that, that wrote about personal accounts of female journalists writing at the time, and they wrote a lot about kind of, you know, how, because it was so male dominated, how difficult that made it for the women working in this industry, which is nothing new. And it's just the same sort of, you know, sexism and just massive challenges, but cultural challenges as well. So it wasn't just in the workplace, it was outside of the workplace. So, all of that stuff factors in especially, you know, yes, during the 80s, I looked at a lot of the fashion as well, and the hair, because, you know, the whole look of it, as well informs the character, and the costume and things like that. So that helped. And the accent, I really listened to Shabana Azmi, when she did interviews in the 80s, Amrita Singh as well, I listened to. And just because, you know, they wouldn't speak exactly how they would now, you know… it would be, especially from considering backgrounds as well, and class and upbringing, it would be a very specific sort of accent. So those were the kinds of things that I was looking at to kind of base myself in that era of the 80s. John Betancourt: Now I’m also a big fan of how this show is laden with some positive and hopeful messaging. What is the number one message you hope that audiences take away from this season? Sujaya Dasgupta: I think exactly what you said… there is a sense of hope, because every single character in this in this show has a past or something they're almost running away from or searching for or trying to get away from. And everyone is on this path and individually, and, also how they come together, how it all interweaves. And entwines, and it's so interesting to see, to see how each life affects the next. But that sense of hope that you know, no matter where you've come from, and where you know, what walk of life you're from, it doesn't have to define where you're going, you know, you can absolutely change things for the good. And it does have that hopeful message, you know, for instance, Lin running away from his past. He really wants to become the man that he, you know, and see the man that he wants to be when he looks in the mirror and the man that the other characters see him as you know, he really wants to see that, and it is that hopeful message of it doesn't matter. That kind of sordid past that you've had. If your intentions are good and you and you want to change, there is absolutely a possibility to change. John Betancourt: That’s kind of what I’ve gathered too. He’s pushing in that direction. Slowly getting there. Sujaya Dasgupta: Yeah! Slowly, slowly. John Betancourt: Last question I have for you today, what are you most proud of when it comes to your work on the show? Sujaya Dasgupta: Wow, that's a good question. I… I think, for me, personally, I loved… because I love… just me, I'm, I'm a prep geek, I love doing prep, I love researching. And I think this… because of time as well because we did it during the height of COVID in two different countries. It enabled you to do intense work. And I think that let me get into her skin a bit more, maybe more than I would have if the situation was any different. So, I think the amount of prep that I did I'm quite proud of, but also just getting as a collective, getting through and making this during COVID. And we did it and we, you know, it doesn't matter what challenges were thrown at us it. It was just a testament to everyone's hard work that we did it and everyone was so positive as well. And I think for me, personally, just the challenges that that threw as well. You know, it was a long, it was a long process. It was a long filming process. But I think the way we all dealt with it, and me included, I think we can all be really proud of that and what we've produced as well. This interview has been lightly edited and condensed for clarity.
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It takes a lot to bring a television show to the small screen, and one of the most important pieces of that puzzle are the people at the top of the show. For they direct its vision and oversee its assembly and we here at Nerds That Geek were fortunate enough to talk with the brain trust of the Disney+ series, The Mysterious Benedict Society, before season two premieres. To gain insight on what the show means to Executive Producers and Creators, Phil Hay and Matt Manfredi and Executive Producers and Showrunners: Darren Swimmer and Todd Slavkin and what they hope people take away from season two of this delightful show! Executive Producers & Creators: |
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