Caution: This article contains spoilers for Episode 307 of ‘Chucky’. To revisit the previous episode, click here.
​
One particular moment that pops up now and again in film and television, and even in print, that is oddly frustrating, is when a character dies and crosses over to the great beyond. Because those moments are just so incredibly vague in nature. For the character (who is always a hero), really experiences nothing in that moment. They see something beautiful, reflect upon their life or they are sent back to handle unfinished business after getting a taste of the heavens. Granted, once in a great while, they might speak to someone resembling God or some higher power to learn more important lessons that we tend to let slip the wayside, but that’s as complex as it gets, and that is frustrating because this is a chance to explore the unknown and offer up something that ignites the imagination. 

Which is why last night’s episode of Chucky on SYFY and USA Network, was so supremely surprising. Because it took a horror story, to accomplish such a feat. For ‘There Will Be Blood’ opened up within the confines of an ethereal White House. Wherein Charles Lee ‘Chucky’ Ray appeared in the corporeal form he exhibited before jumping into a Good Guys doll and explored a place where old presidents and new haunts meandered about and it also brought forth… a meeting with the one and only, Damballa. Who took the form of Chucky the doll and this led… to an amazing bit of storytelling. Wherein at long last, Don Mancini explored what a conversation with someone’s maker or beloved deity might be like. Which in this case, was as pedantic as possible. Since Damballa only saw Charles’ mistakes and ignored him after the whole exorcism incident.

That in turn, prompted Charles to exert fury and frustration, and eventually meekness… to garner one more chance to be in Damballa’s good graces. Which led to a deal where ol’ Chucky had to murder from beyond the grave. But before we dig into that plan, this sequence needs a measure of applause. For it not only brought forth a bold moment for horror and storytelling in general, but it offered up a lot of satire regarding humanity’s dedication to religion and how we are likely getting a lot of what the good books tell us, wrong, and this sequence pondered upon how… it might not be as cool as one might think to meet a Deity. Since they might have their ethereal minds directed elsewhere or may just be petty a la Damballa. But none the less, Charles was indeed tasked with more murder to be in Damballa’s good graces again and holy hell, did Chucky deliver.

In fact, what followed, was some of the finest moments put forth in this series. For several reasons. Because Chucky’s actions lived up to the title of the episode since we were treated to an elevator’s weight in blood. The kind that would make Stanley Kubrick proud and Chucky brought forth a titanic body count. One that saw a presidential imposter, the new President of the United States and a member of a psychic team designed to clean the White House of evil, die horribly and violently in the name of Damballa. Plus, it also let Brad Dourif shine as Chucky in his human form once again and well, Brad simply let loose here with a performance for the ages, and he easily reminded us why we love him in this franchise so and why we adore him as an actor. 

But all blood and guts aside, this episode also deserves our awe, because it set up one amazing cliffhanger. One where Jake was ready to head into the afterlife in a desperate attempt to use his connection to Chucky to end this once and for all, which is a huge deal since so much risk hangs over this plan and not to mention, there’s a real possibility a problem awaits Jake in the afterlife. After all, he wasn’t the only one who died in this sequence since Tiffany was finally put to death for her crimes, and her love of Chucky may draw her to him in the spirit world. All of which sets the stage for an epic season finale, one that will have to top… this episode. For this one was simply sublime and the best of season three to date and well… now all we can do is wait and see how this incredible story and battle, wraps up come next week. Until then.

Caution: This article contains spoilers for the motion picture, ‘Late Night with the Devil’.
​
One particular question that we’ve either answered or asked to others, is just how far someone is willing to go, to have the dreams they desire. And what’s amazing is that everyone has answered or will answer this question in the exact same manner. In that, they would/will do whatever it takes to get that dream in hand. Because we firmly believe that is what must happen to bring forth our dreams and the happiness, we are eager to enjoy in this life, so we say that and ponder deeply upon what that entails and that is when… that question takes on new life for us. Because we also come to understand, that answer isn’t the right one at all.

Because anything means ANYTHING, and that might not be the way to handle this. Because anything will cause strife, or worse. If anything, that particular question and the potential fallout from following that answer to a tee is top of mind today, simply because it is explored in the most unique manner possible in the new Shudder feature, Late Night with the Devil. A grandiose and powerhouse horror story that opts to inject supernatural elements into that question, the kind where perhaps… someone pondered upon the possibility that anything could include, speaking with dark forces to have what one desires.

A feat that this film accomplishes by taking us back to Halloween, 1977, where Jack Delroy, the host of Night Owls with Jack Delroy, is in the midst of a desperate gambit. For despite carving out a niche market as late night’s number two host, Jack’s ratings have been suffering and his show appears to be in decline. In part because, Jack recently lost his wife to cancer and hasn’t been himself since her passing, but also, because his blurred vision has allowed for others to muck up the soul of his show. But on this night, Jack plans to execute quite the show to save his career. For Jack plans to host an occult themed Halloween episode, one complete with elements that have never been seen in the mainstream, but there is just one problem with this plan. In that, one of his guests is actually host to an ancient and dark being, and it is eager to be seen by the masses and will go all-out to showcase its power and its ties to folks within the studio.

Which really is… the perfect way to explore that central theme. Because Jack is, indeed, number two behind Johnny Carson and his iconic The Tonight Show, despite being a host that people love and adore, and he wants that number one slot so badly… he did in fact toy with evil and made asks of darkness to have what he wants. All of which makes this a cautionary tale that expresses how doing whatever it takes to be number one is a terrible idea. One that will hurt those we love, ostracize them, and push them away. Or in the case of this story, bring forth bloodshed and loss, and outright terror and suffering. All of which is unnecessary in this instance, since Jack has found success and has a fan base that loves him dearly and had he pondered upon that, perhaps he could have embraced his role as a solid alternative and enjoyed those spoils instead. Making this a tragedy of sorts as well.
​
But make no mistake about it, while there are a lot of lessons present here, this is still at its core a horror story and this movie outright delivers on such matters. In fact, what makes this movie so impressive is the sheer fact that it uses Jack’s good nature and hopefulness to suck you into what becomes a waking nightmare. One whose downward spiral is unsettling and well, that brings forth some stunning horror to say the least. The kind that features jump scares and visuals that nauseate and terrify, and the movie harbors an ending that is incredibly wild and horrifying and well, all of these elements make this, an outright brilliant feature through and through. In large part, because of solid scares and incredible gore that are used in an impactful and meaningful manner. The kind that truly gets under your skin and leaves you deeply disturbed.

But also, because it features a human story. One that we can relate to and one that satirizes the perfection that we pursue but can never achieve, and how that is just as damaging as the expectations that surround success and, in many ways, it speaks to how…we don’t know how to define success really. All of which is expressed through some amazing performances, with David Dastmalchian leading the way as Jack Delroy. Since he brings a real nuance to the tortured nature of Jack, the kind that we both pity and revile and well, perhaps calling this feature brilliant doesn’t do it justice. For it is also, a perfect horror film. One that features all the best tenets of the genre. For it is smart, engaging, and downright terrifying from beginning to end and it is a horror feature that you absolutely must-see the first chance you get. Because this one, really is that rare scary story, that truly has it all.

Caution: This article contains spoilers for Episode 306 of ‘Chucky’. To revisit the previous episode, click here.
​
There are a great many reasons that the Child’s Play/Chucky franchise continues to thrive after all these years. Such as the horror elements present here, since this saga keeps finding new ways to make a killer doll and his family as creepy and as scary as possible, through creative and devastating kills no less. Not to mention, this is a smart and progressive franchise as well, one that understands the importance of representation and diversity, and of course… offers amazing commentary on our world and the human condition. Plus, this is a series that keeps finding new ways to surprise us from a storytelling standpoint, something that is genuinely difficult in this day and age, but this series continues to find ways to do so, and for proof… well then look no further than last night’s stunning episode of the show on SYFY.

A feat that ‘Panic Room’ accomplished by offering deception from the start by appearing to be a transitional tale. One designed to set the stage for conflict between our heroes and Chucky, by making use of the president’s death to infuriate Chucky. Since Pryce took the time to bring in a dead ringer, named Randall Jenkins, for the now deceased President Collins. Which was a brilliant stroke of storytelling, since it found a way to get Devon Sawa back into the fold and let him make use of his acting chops by playing an entirely different character. But that aside, the imposter’s presence here was designed to bring a peaceful and logical end to President Collins’ time in the White House so the public would never know the truth, something that definitely looked like a setup for a long game. Since Chucky would want to take the credit for killing a president before setting the world on fire at this stage in his life.

Not to mention, Jake, Devon, and Lexy were playing their own long game. Since they returned to the White house to hang out with Grant to enjoy a movie night. A decision they made to help Lexy find peace. Because while Lexy was content to also let Chucky just die and fade into nothing, she wanted to see him one last time and get some answers about her sister. So, everyone minded their P’s and Q’s and did their best to ease their way into Grant’s circle of trust to get at Chucky and get some answers and well… that too seemed to be a long con setup for the final two episodes of the season. But that… is when this franchise opted instead to outright surprise us and shock us in ways we didn’t see coming in the slightest. Largely thanks to the fact, that Chucky saw an opportunity here and went for it.

Because an imposter president would allow for him to make his move and launch the nukes if he acted swiftly and decisively, so he went for it, and took Henry and Jenkins hostage and dragged them to the Situation Room beneath the White House. Wherein he pushed Jenkins to use the codes and the president’s likeness to start World War III. Giving rise to the real possibility that Chucky was finally going to win the day. But thankfully, some truth from Lexy, allowed for a contingent of good to descend upon the Situation Room and prevent the end of everything and bring forth… the end of Chucky, with more surprises in play. Because Lexy tried to save Chucky to get answers and also because… the strange paranormal energy present in this episode and the last… has allowed for something horrible to happen. 

In that, Chucky’s spirit is alive and well in the framework of the White House, courtesy of one epic cameo from Brad Dourif. Which means… that the fight against Charles Lee ‘Chucky’ Ray isn’t over yet and will be handled in one creative and unique manner and well, all of that came forth from one stunning tale. Because no one expected Chucky to make his move this early, no one expected him to expire and transform into a malevolent spirit and of course… no one thought Lexy would try and save him to get answers. And well, now the stage is set for two refreshing and unique episodes that will undoubtedly allow for Brad Dourif to remind us why he is one of the best in the business, as this bold and grandiose chapter in the franchise, barrels toward an ending that will undoubtedly take our breath away. Until next time.

One particular mental exercise that each and every one of us will take part in somewhere along the line… is pondering upon how great it would be to have total control over people. Where we could control their thoughts and their actions. Which is a fantasy that arises out of the fact, that people can be an outright pain in the butt to deal with, for a bevy of reasons. For instance, people can be stubborn and eager to resist suggestions that make life easier. Not to mention, they can be so rude and so cold for no reason and sometimes… they are just so much to handle from an energy and demand standpoint. So, we wonder how great it would be, to control the ones that annoy us the most.
​
But of course, that fantasy eventually fades, and we get back to our everyday lives. Because there’s never going to be a day when we can get Dave from accounting to stop talking about the most asinine things ever. But alas, that irritation is simply part of the human experience and we do find ways to cope and find balance. But what if… the day actually came where we could control people with our minds? What would that look like? Would it give us the joy we hope for? Would it finally make life easier? Well as it turns out, storytelling is the best place to explore such concepts and believe it or not, one of the finest horror anthologies shows out there opted to ponder upon those questions and that possibility in its next episode.

For the Tales from the Darkside, episode, ‘Dream Girl’, takes the time to introduce us to a pair of people that well… grate upon one another’s nerves. For there’s Andrea Caldwell, a no-nonsense stage director that cannot stand her lazy stagehand Otto Schrog. Who seems to have taken a shine to her as cast members go missing at a critical time. Which brings forth a blow up between the two of them, one that reveals… that Otto has cracked the code to controlling human beings and now knows how to capture them and move them into a dream world where they are under his control and do his bidding… and Andrea is his next target, and she is soon privy to the horrors of Otto’s mental playhouse. But there is just one problem for Otto. In that, the people he’s locked away in his mind are coming to understand what’s happened… and they want Otto’s pedantic fantasies to end.

Which is a plot that quickly informs us… that being able to control others with one’s mind… would be a terrible gift to have. Simply because… it doesn’t matter how much supernatural power you have or how much control one chooses to exert… no human being wants to be put under someone’s thumb in that manner. For they have dreams, hopes, and desires in life and they will resist, and they will fight to have what they want. Yet, while that is indeed a fascinating lesson to learn, one that makes sense, it does beg a secondary question. In that, well, what if someone were to do this and be benevolent about it? Would that bring forth peace and quiet? To which the show states… no. Since a touch of kindness and a desire to level the playing field, just leads to a new jerk wanting to be the big boss, implying that this kind of power… would create a vicious cycle of sorrow.
​
All of which makes, for a fascinating episode that in many ways… does not resemble the traditional horror present in this saga. But make no mistake about it… there are some creepy and unsettling elements here. For instance, there is the obvious one; Otto’s desire to exert control over people. Because it takes a twisted mind to make that happen, a real monster if you will and that’s eerie. As are the dream sequences that play out since you see normal people just fall under the spell of Otto and are helpless to resist him until he is at his weakest, and the thought of being stuck in that world, is equally as gross and scary. But above all, it’s the dream sequences that bring forth the terror here, since they are so surreal and outlandish that they truly disorient the viewer and confuse them and leave them uncomfortable, and this genre is all about that vibe.

But while there are some fascinating concepts here and some genuinely ethereal moments, let’s be honest… this is an episode that won’t appeal to all and understandably so. For this is in a way… almost gothic horror and features that slow burn style present within that subgenre that some find… boring. For lack of a better word. Not to mention, it does take a while to get to the good stuff and enjoy the messages at hand. Which makes this a slightly weaker entry in season two than some might like, but they cannot all be perfect tales of terror, and this episode does deserve some accolade. After all, it tried something new, something creepy, and effort goes a long way in this genre, but if by chance you watch this one and don’t like it… don’t feel bad in the slightest. Because while this is one is indeed ambitious, it is nowhere near perfect. Until next time, try to enjoy the daylight.

Caution: This article contains spoilers for Episode 305 of ‘Chucky’. To revisit the previous episode, click here.
​
There are a great many aspects of the horror genre that continue to make it fascinating and important to the fabric of storytelling. After all, it holds up a mirror to our modern world and forces us to ponder deeply upon who we are as a species and a society, and of course… it is an emotional genre. One that ponders deeply upon our experiences and our traumas and one big aspect about it that doesn’t receive enough accolade, is the sheer fact that horror is one of the few genres out there that is eager to explore causality.  Because what happens in these stories is impactful and reminds us that our actions have consequences and never was the power of this more evident, than during last night’s episode of Chucky on SYFY and USA Network.

Because ‘Death Becomes Her’ spent a great deal of its time pondering deeply upon the power of causality and consequences. As evidenced by the fact that the president and his family, were more or less reeling with PTSD in this tale. Because the horrors that happened on Halloween hung heavy over the hallowed halls of the most powerful home in America, and that brought about either a mass psychosis within the White House, or an outright awakening of the spirits within. But one way or another, we saw everyone suffer greatly from what happened on that horrifying night, reminding us that death and destruction impacts so many and the show had more to explore regarding such matters, as evidenced by Jake and Devon’s journey.

For while they tasked Lexy with making another attempt to get back into the White House to get them access to Chucky, they dug deep into the origin of Chucky’s power and how perhaps they could use it to combat him. Which led to a road trip to visit the good doctor that gave Chucky a physical a few episodes ago. Which allowed for them to learn about Chucky’s condition and well… that revelation prompted Devon to really think differently about his relationship with Jake. Specifically, how perhaps they should just let nature take its course and let Chucky die. So, they could just live. Because they had spent so much time in the midst of the horrors of Chucky that they had yet to really enjoy life and all it has to offer, a move that spoke to the long-term impact of this nightmare, one that Jake talked Devon out of. To see this through and it is a good thing he did.

At least, it took a little while to understand that was the right call. Because initially, it seemed as though Chucky was ready to die as well. For he continued to deteriorate before our eyes, and well… the thrill of the kill was gone for him. Because despite killing a sassy maid with bleach, he could find no joy in the slaughter, and he truly thought… he would just let the kids come and take him out. A reality that spoke to Chucky pondering upon the consequences of his own actions and the path he’d taken, something you don’t see horror villains do that often. But before he truly committed to the end, Tiffany gave him inspiration since she finally took his call. In that, if this was the end, he had the chance to go out in a blaze of glory and kill as many as possible and that, gave an old dark soul grand inspiration to do the unthinkable.

Wherein Chucky hid and baited the president to attack him with renewed fervor and to rip out his eyes. To enjoy the thrill of the hunt, but also… to get his hands on the worst-case scenario. Specifically, the nuclear launch codes the President of the United States must carry at all times. So that he could burn everything to the ground before dying. A surprise that gave rise to real relief that the kids are coming, and that Jake pushed to keep the fight going, and this scary moment… also brought season three into focus. For now, we know, what Chucky’s endgame is, and this might be his biggest and baddest one to date. One grounded in consequences and legacy, and that made for one epic episode. One that was smart, quirky, and downright terrifying and it will be interesting to see how the final few episodes of season three play out, now that there’s a real sense of urgency hanging over this twisted journey. Until next time.

Caution: This article contains spoilers for the first half of Season 3 of ‘Chucky’.
​
After carrying out a massacre in his hometown and upping the blood & carnage at a Catholic school, the Chucky TV show has made it clear that this big screen menace is just as sick and twisted in his small screen presentation. As the 2nd part of Season 3 prepares to premiere simultaneously on USA and SyFy, let’s see where the Good Guy Doll’s book of blood left us last time.

Season 2 finished things up on a number of cliffhangers as The Good Guy Trio (Jake, Devon, and Lexy played by Zackary Arthur, Bjorgvin Arnarson, & Alyvia Alyn Lind) were left in the care of their former teacher Ms. Fairchild after Chucky kills the last remaining parent (Mayor Cross), in an effort to save Glen’s life, Glen along with twin Glenda are transported back into their doll body renamed as G.G. and decide to travel England, Tiffany Valentine is framed and arrested for the murder of Mayor Cross, ultimately leaving Chucky on the run with Lexy’s younger sister Caroline. Season 2 gave us a lot more time with Tiffany, Glen & Glenda, and the various alter Chuckys. It kept the somewhat overabundant amount of storylines in season 1 to a small amount that allowed every character to shine while giving us some bloody kills and great character exposition. It also continued to shine in some of the areas that creator Don Mancini and his writing team have been terrific with in showing how these kids respond to these traumatic situations and deal with their grief, loss, and growing identity issues. Chucky at its core may be a show about a killer doll murdering dozens of people, but it hasn’t cut its heart out with all the carnage.

Season 3 was always going to be in a bit of a battle as even with some of the previous season’s cliffhangers, Chucky’s core story felt mostly complete. Sure, there are still some core characters from Chucky’s past that we hope are going to show up at some point (Detective Norris, Karen Barclay, DeSilva, the Kincaids), but in a weird comparison, Chucky feels a bit like the end of the Stephen Spielberg classic, Hook. He’s been on so many adventures that at this point, just to live is as exciting as it’s likely going to get. That doesn’t mean that Chucky needs to wrap it up anytime soon, especially as Mancini has recently said he’s working on another film in the franchise (theatrically, hopefully) and that he still has more ideas for the show, it just likely means that folks need to temper their expectations for where these stories will take our under 3ft killer in the future. Whether that means Space, versus another killer doll (Hello M3GAN), or… to the White House.

Season 3 plants us firmly at 1600 Pennsylvania Ave, Chucky currently masquerading as the doll “Joseph” is firmly planted with the First Family at the White House but is facing his toughest battle yet, as his god Damballa has apparently abandoned him, and after decades of moving body to body, human to doll, Chucky not only is growing old but dying. It’s honestly one of the more interesting storylines Mancini could take this, as the prior 2 seasons have already explored Chucky’s various foes facing off against him, Glen/Glenda coming & going, and more of the on again/off again relationship with Tiffany, we’ve been seeing more and more of Chucky’s power thru Damballa so getting to explore more of that seemed the most interesting path to go down. Chucky becoming more human isn’t completely a new thread though as the original 3 Child’s Play movies established the longer, he was in the doll’s body the more human he would become, so the idea that without Damballa’s power he would begin to naturally age makes a lot of sense. This storyline manages to provide one of the franchise’s best scenes ever where Chucky goes to see a doctor about his condition. We’ve seen some absolute hilarity from this franchise, but that scene is going to be hard to beat.
​
Our story this season focuses on Chucky looking to carry out a string of murders that would put him back in the good graces of Damballa and hopefully stop whatever is going on with these changes. The Good Guy Trio, hot on Chucky’s trail, manage to find a way in after Lexy is able to connect with the President’s older son, but fail to stop their foe, resulting in the murder of Ms. Fairchild amongst others. It’s an interesting thread for Chucky to return to as the Good Guy Trio across the show have always had at least one adult they could fall back to, as the three all approach 18, they may have lost the guardian who could possibly look out for them. This season feels different as the Good Guy Trio seems almost as supporting characters this time around, and with Chucky’s screentime not going up too much more, there’s a bit of a weird absence in the 4 episodes we’ve gotten thus far.

Disconnected from the main thread, Tiffany Valentine (in Jennifer Tilly’s body) has been arrested and charged with the murder of Lexy’s mother, Mayor Cross. Thanks to testimony from Nica Pearce & the Good Guy Trio, Tiffany is sentenced to death but through the use of a voodoo doll may be able to escape from prison. After being so directly involved in season 1 events, and eventually brought into the carnage of season 2, it’s hard not to feel like Tiffany’s storyline just doesn’t have any connection to Chucky’s. Given how their relationship has left off most recently with the two attempting to kill each other, you would think Tiffany would obviously stay out of Chucky’s path, but I have to imagine that once she gets wind of his ailing nature that’s likely what’s going to bring her right back to her mini monster.

The various strikes from last year, definitely played a big part in the breakup of this season’s episodes, and I’m hoping that the 2nd batch really helps to fill that noticeable absence. Chucky clearly needs to do something even more outlandish than he can imagine, to find himself back in Damballa’s good graces, but it’s possible that that may not necessarily mean outlandish in terms of scope. The show so far has established that The Good Guy Trio and anyone of the previously established canon (Chucky, Tiffany, Glen/Glenda, Andy, Kyle, Nica) so far are off limits when it comes to death, anyone else can be killed off (sometimes numerous times, sometimes horrifically), but no one with too big of stakes (except Sarah Sherman, cause that one hurt me deep!) is biting the dust. Could it finally be time for Chucky to take a stab at one of its main players? They gave us a HORRIFYING fake-out with Alex Vincent’s Andy Barclay in the 3rd episode, but it’s possible that in order to properly appease Damballa, Mancini might have Chucky finally catch the number of his various foes in order to raise the stakes.
​
The 2nd batch of episodes for Season 3 certainly have a lot of places they can go, with Tiffany possibly escaping from prison and Nica still out there somewhere, I have to expect that Chucky’s plot will undoubtedly bring those two back into in the fold. Chucky has to figure out something huge to save his life before time runs out, and with all the pieces moving into place, it may finally be time to play!

Lastly, I can’t leave things off without mentioning the absolute wonderful titles of Season 3’s episodes: “Murder at 1600”, “Let the Right One In”, “Jennifer’s Body”, “Dressed to Kill.” With the episodes “Death Becomes Her”, “Panic Room”, “There Will Be Blood”, and “Final Destination” remaining, it’s clear that the writer’s room is having an insane amount of fun with their stories this year!

‘Chucky’ Season 3 returns to air at 10pm EST Wednesday April 10th on USA & SyFy with new episodes available to stream the next day on Peacock.

Caution: This article contains spoilers for the motion picture, ‘Baghead’.
​
It is definitely safe to say, that when trying times find their way into our lives, that we each respond to them in unique and fascinating ways. Some people for instance, find fury in having life get so difficult and unleash that fury in the hopes of finding a way to cope. While others, simply shut down and hide and process the events surrounding them as best they can, because that’s all they know how to do. While there are others… who acknowledge the ugly and put their head down and push through it, believing that the only way out is through and that the emotions that come from such events can be dealt with later once the dust has settled. But regardless of which path one subscribes to, they all equate to one thing: survival.

Because that’s all we are trying to do as we cope with loss, grief, difficult times or big changes that stress. We just need to survive until tomorrow, until the dawn arrives, and our problems are gone, and those paths help us do that. Thankfully though, that need to survive fades when peace arrives, so life can go back to normal. But for some folks, there’s little chance they will let those survival mechanisms go. Because the clarity it affords them, the strength it gives them… is too powerful to let go. So, they hang onto it, keep it fresh, consequences be damned, and there will be consequences for not letting it go. Since survival mode is never meant for long term use and well, the potential dangers of what could happen and who we could become in prolonged survival mode, is top of mind today… simply because it serves as the central exploration of the new Shudder horror feature, Baghead.

A feat that this film accomplishes by introducing us to a woman named Iris Lark who… is struggling badly. Because she cannot get a break in life, and she is constantly in motion and working to survive and well, for a brief moment… it appears that peace is upon her. For a phone call from a solicitor reveals that her estranged father, Owen, has passed and he left her a massive and quaint pub for her inheritance. Which would indeed turn her fortunes around. But shortly arriving at the pub and moving into its living quarters does Iris come to learn she’s inherited a nightmare. For she is now the guardian of a horrible spirit that lurks in the basement, one that can allow for folks to communicate with the dead for two minutes before causing emotional trauma, and the being known only as Baghead is ready to move beyond parlor tricks and live in our world, and it will indeed be up to the new owner of the property to keep that from happening.

Which at first glance, seems more akin to a story grounded in notions of the sins of the father and how they haunt us, with some commentary regarding our inability to let death go, peppered in, since others are eager to speak to the dead beyond Iris. But those are merely support plot devices, designed to help bring the central exploration into play, which is showcased by way of Baghead and iris. For Iris obviously, is in survival mode in this story and pushes hard and does whatever it takes to keep going, to find her peace and if that means stepping near evil, so be it. Which brings forth some consequences, the kind that inform us that going this route does bring harm. To others and ourselves because we don’t take time to think in survival mode, we just do and when we play with the wrong concepts to find peace, disaster will strike, and people will get hurt.
​
All of which properly explores the negative power of survival mode and showcases how it can be dangerous to ourselves and others when it goes on for too long. But what’s truly impressive about this horror feature, is that it takes it exploration regarding survival mode one step further. Specifically, by having Baghead personify it. For this monster is survival mode to a tee, since it provides the fear that propels people forward in this story, and teases peace before ripping it away, prompting the characters to push harder and harder to obtain it. Not to mention, it’s desire to consume and be in charge, reflects those dangers nicely, and that makes for one brilliant horror feature. One that properly showcases this concept in a manner that is both supremely fascinating and also incredibly terrifying.

After all, this is still a scary story and by virtue, it is Baghead’s spiritual nature that brings forth the scares. Since its ability to bring forth the dead to converse, and weaponize emotion leads to some genuinely horrifying scenes that feel relatable since they prey upon some of our most primal fears. Not to mention, the camera work, the setting, and the lighting and some delightful editing choices lead to some solid and impactful jump scares. The kind that genuinely make your skin crawl, and leave you worried about what’s to come and those scares, and those powerful explorations bring forth a story that is refreshing and original in nature and truly keeps you guessing from beginning to end with the mythos it creates and the broken characters it presents us with. Ones that teach us to let go of what we think keeps us strong when we have a moment to breathe, since it can poison us worse than what we left behind.

Truly, few shows in 2023 caught our attention the way that Anne Rice’s Interview with the Vampire did. Simply because, audiences quickly understood that this series was and remains the vampire story that fans of the genre have been waiting for. One that is dark, brooding, and terrifying in all the right ways, but is also progressive and explorative, since it features representation and concepts that the genre has long held back from pondering upon. And we love it so much, that we have poured over every detail as fans, and we are eager to consume anything relating to the upcoming second season. 
​
Which is something that AMC is aware of, and it is why they are being so kind and are sending gifts our way often now. For hot off of the release of the extended season two trailer, AMC has just dropped a second, season two trailer, and some key art and updated details for the show. Which we are happy to share with all of you. Because much like us, you’re counting down the seconds to the return of this dynamic and compelling series, one that truly does continue to impress with its amazing storytelling and proper respect of this iconic tale. 

‘AMC Networks released a second riveting trailer for the new season of the critically acclaimed series Anne Rice’s Interview with the Vampire, premiering May 12, 2024 on AMC and AMC+, during tonight’s season finale episode of The Walking Dead: The Ones Who Live. The network also released the first of a series of key art images for the highly anticipated return of the second season. The series stars Jacob Anderson, along with Sam Reid, Eric Bogosian, Assad Zaman, Delainey Hayles and Ben Daniels.
 
The interview continues in season two. In the year 2022, the vampire Louis de Pointe du Lac (Anderson) recounts his life story to journalist Daniel Molloy (Bogosian). Picking up from the bloody events in New Orleans in 1940 when Louis and teen fledgling Claudia (Hayles) conspired to kill the Vampire Lestat de Lioncourt (Reid), Louis tells of his adventures in Europe, a quest to discover Old World Vampires and the Theatre Des Vampires in Paris, with Claudia. It is in Paris that Louis first meets the Vampire Armand (Zaman). Their courtship and love affair will prove to have devastating consequences both in the past and in the future, and Molloy will probe to get to the truths buried within the memories.
 
Season two of Anne Rice’s Interview with the Vampire is executive produced by award-winning producer Mark Johnson, creator and showrunner Rolin Jones, Mark Taylor, along with Christopher Rice and the late Anne Rice.’

One giant benefit that comes with being a fan of The Walking Dead Universe, is that the saga is always in motion. There’s always a new show or new season on the horizon and the fans enjoy non-stop excitement regarding that fact, by often getting little sneak peeks or announcements as we transition from one to the other and that golden TWD rule was adhered to shortly after the finale for The Walking Dead: The Ones Who Lived aired on AMC and AMC+ last night. For the series premiere of Parish hosted a special sneak peek of season two of The Walking Dead: Daryl Dixon – The Book of Carol. 
​
A sample that informed us that the next chapter in this saga is on the horizon and that the second most important power couple in the franchise will be showcased once again, in some form or fashion, and well, if by chance you missed that sneak peek or are just now hearing about it… we have it, and updated details on season two, to share with all of you. So, we can all begin to properly countdown to the next chapter in the TWD Universe and take part in the tradition of seeing what lies ahead from a franchise that always has something in motion for its loyal fans. 

‘AMC Networks debuted a sneak peek from season two of The Walking Dead: Daryl Dixon – The Book of Carol, premiering this summer on AMC and AMC+, in last night’s season premiere of Parish. The new season picks up where The Walking Dead: Daryl Dixon left off, following fan-favorite characters Daryl Dixon (Norman Reedus) and Carol Peletier (Melissa McBride). They both confront old demons while she fights to find her friend and he struggles with his decision to stay in France, causing tension at the Nest.
 
The Walking Dead: Daryl Dixon – The Book of Carol stars Reedus, McBride, Clémence Poésy, Louis Puech Scigliuzzi, Laika Blanc Francard, Anne Charrier, Romain Levi and Eriq Ebouaney, andis executive produced by showrunner David Zabel, Scott M. Gimple, Reedus, McBride, Greg Nicotero, Angela Kang, Brian Bockrath, Daniel Percival, Jason Richman and Steve Squillante.’

Caution: This article contains spoilers for the Finale of ‘The Walking Dead: The Ones Who Live’. To revisit the previous episode, click here.
​
Over the course of the past few weeks, we’ve talked at length regarding the many incredible moments and explorations that the hit AMC series, The Walking Dead: The Ones Who Live has sent our way. For not only has this show finally explored what happened to Rick Grimes and Michonne after they exited the primary storylines of the flagship series The Walking Dead, but it has also taken the time to ponder deeply upon terrifying modern concepts. Such as what’s causing the rise of rhetoric in the modern world and the seeming indoctrination of individuals that otherwise wouldn’t ever place doubt in science and common sense.

All of which has given rise to some terrifying storytelling. The kind that has made it clear what the source point is, and how easily this happens in our world and its left us worried for our own future and the future of the world of The Walking Dead Universe. Since there seems to be no end to these issues in either world. Which is why the finale of this phenomenal series is of note. Because it brought all of those explorations and meaningful moments together to inform, that while our worries are sound, and while the days may indeed be dark now… dawn will come. There will be a moment when people do band together, to say enough to such nonsense, and fight back against it, and expose it for the masses so the trance will be lifted. 

Courtesy of… a decision to stand. A decision to fight back and stop at nothing to make sure the fearmongers cannot have their way and that is precisely what ‘The Last Time’ provided us with. A fight against the Civic Republic Military, one that would finally expose its rotten core, heinous crimes, and manipulative ways. One brought to life by two of the greatest heroes this new world has ever known, Rick Grimes and Michonne. Who finally made their way back-to-back to base, and once they arrived, they immediately got to work on handling their own respective plans to take the fight to Major General Jonathan Beale. Which for Michonne meant, finding the Dossier that Jadis/Anne left behind to cause trouble for Alexandria. A move that she was swift and successful in accomplishing, which brought safety to home and let a tiny measure of peace wash over her. 

Whereas Rick, settled back into the fold as a Major Sergeant to gain Beale’s trust and finally receive the Echelon briefing. Which turned out to be a terrifying talk for Rick, one that was extended to Michonne in a unique manner. For she spotted a mission briefing taking place while Beale prepared tea for Mister Grimes and once they both settled in to learn, did the next horrors ahead unfold. For it was quickly revealed to Michonne (and eventually Rick) that Portland, the last anchor of the Civic Republic, was slated for termination in the same manner that Omaha was destroyed in The Walking Dead: World Beyond. Largely because fear had completely and utterly consumed Beale. Because of his incorrect understanding of the situation at hand. 

Which according to Beale, was about the survival of humanity. Since the walking dead now were traveling the countryside in million strong herds and of course, there was that data floating about that only fourteen years remained for all of humanity. Ergo, mankind needed a stronghold. A central point from which to grow and that had to be the home of the Civic Republic, and the CRM had to protect it and drive humanity’s return. So, Portland would fall, and its destruction would generate enough fear to facilitate Martial Law in Philly and in turn, end democracy and freedom and then… genocide would come to fruition. Wherein communities such as the Commonwealth, Alexandria, and possibly whatever became of M.A.D.R.E. would burn to the ground in the name of a fresh start, to enact a fascist, fearful, agenda to regrow the population from Philadelphia, under Beale’s maddening watch.

But that was something… neither Rick nor Michonne were good with. So, they stood tall, banded together, and pieced together quite the plan. One that would see Major General Beale die and become the one thing he hated the most, alongside an unfortunate lackey, so they could use the dead to deploy a Nat inspired explosive device. One that would poison Beale-loyal CRM forces and bring about the investigation that was needed to stop further bloodshed and tyranny. And despite Thorne’s extreme efforts to put a stop to this plan, since she was able to figure out that Rick was up to something… the explosion took place as expected and the core of the Civic Republic Military, collapsed on that very day and what came next… was nothing but pure beauty through and through.  

For the Civic Republic government did indeed transform the Civic Republic Military, into a force for good. One that brought forth hope and resources during these trying times, instead of instilling fear, which likely helped the M.A.D.R.E. team and the Commonwealth and Alexandria and speaking of Alexandria… these brave actions brought forth one beautiful ending for this series. Because after years of pain and want from being away from their children, Rick and Michonne finally saw Judith and RJ again, and in doing so, the story not only brought the lessons present here regarding a need to fight and a need to stand against tyranny and lies, home. But that beautiful ending also spoke to why it’s so important we be rid of this nonsense. Because there are things more important in this life. 

Such as the children we raise and the tomorrow we look toward. Because there is only one human race and only one world we call home, and living in fear of nonsense or worrying about which side is right, which deity is the correct one, and whether or not the votes were there or if shareholders made their dividend is a waste of time. We should instead turn our attention to the next generation and ourselves and be better, want better, so tomorrow is about so much more. Such as the moments we are left with at the end of this tale and well, that makes The Ones Who Live, quite the pertinent and powerful tale. One that truly took The Walking Dead Universe into bold new territory and gave us so much wonder and so many magnificent moments that we of course, want more of. But if this is indeed the happy end for Rick Grimes and Michonne that we’ve been waiting for, then this will indeed, do. For they fought for the future, for what was right and were rewarded with peace at last, and it doesn't get much better than that, for a farewell story.